Writing

Series Mega Sale!

EoB WG free promoEatA 99 promo

 

 

 

 

 

 

 

As you can see, the entire Ingenious Mechanical Devices series is on sale this week from Monday (5/16) to Thursday (5/19).

I decided to mark everything down as a little congrats to all of the college/grad students finishing up this week and the professors who are finally finished with papers. You can get the whole set for less than $2. The links are below, and if you are able or would like to help an indie author out, please share the pics under the links on your social media accounts to help spread the word.

The Earl of Brass FREE

The Winter Garden FREE

“An Oxford Holiday” 99 cents

The Earl and the Artificer 99 cents

EoB free promoWG free promoEatA 99 promoEoB WG free promo

Writing

5 Tips for Atmospheric Writing

Recently, I’ve been reading Maggie Stiefvater’s series The Raven Cycle, and what has blown me away (besides the characters, plot, and just amazing story overall) is her ability to create atmospheric settings. What I mean by that is that the settings evoke a specific feeling, and this feeling adds to the tension or heightens the mood of the piece. Atmospheric settings can sometimes be so evocative that they are characters themselves. I found this in The Raven Cycle series by Maggie Stiefvater, Jazz by Toni Morrison, and The Witching Hour by Anne Rice.

In my own writing, I’ve tried to develop this skill while building the backdrop of London in The Winter Garden and Brasshurst Hall in The Earl and the Artificer. While working on this skill, I’ve learned a few things.

  1. Write your scene first. Add your atmosphere after. I tend to write my scene in layers where I write out the dialogue and overall scene direction first. Then, I do a quick pass through where I add more detail until the scene is fleshed out. When it comes to writing, dialogue, plot, and character movement is much more important than atmosphere. My suggestion is always to work on your scenery after you’ve gotten the essentials down. This also tends to eliminate pages and pages of atmosphere/scene building because you already know what you need in your scene instead of tossing in everything and the kitchen sink just in case your character needs it.
  2. Know what you’re trying to evoke. It makes infinitely easier to build tension or heighten the mood if you know what you’re trying to accomplish. Ask yourself a questions. Is your story paranormal or a western? How does your genre affect the atmosphere of your piece? What’s the overall emotion in this scene? Suspense, mystery, anger, romance, sadness, etc. Does the feeling fit the genre or scene? Does it fit the characters? Sometimes the feelings will conflict with characters to create tension, but if it stands out in a bad way against the rest of your story, you may want to rethink what you’re trying to create.
  3. Figure out what your scenery looks like before you start adding it in. I don’t mean that you need to break out the Sims and start building an entire house, but you should know the major features or the features you hope to highlight. My suggestions is to jot down the defining characteristics of the character the scene relates to. For example, when I was creating Dr. Hawthorne’s home office, I knew he he was a busy doctor who was progressive for his day. This comes out in his bookshelf, which is filled with medical texts from scholars throughout history, and between books there are rather disgusting anatomical specimens in jars. Because he’s busy, his desk is covered in notes that need typing and random bits of paper for his own research. Personal spaces should reflect the characters who live in them. As always, knowing where you’re going makes it infinitely easier to avoid writer’s block.
  4. Focus on the senses. And not just sight. Pretend that you’re where your characters are. What would you smell? Could you taste or hear anything? The more sensory details you include, the more evocative your scene will be. When I get stuck in this area, I go onto Pinterest to look for photos or Youtube for videos of scenery or thunderstorms, depending on the scene. If need be, look up words to describe smells or tastes. I know I’ve looked up how to describe the smell of rain.
  5. When you’re all done, go back and prune. You don’t want pages and pages of atmosphere, so go back after you’ve written your scene and see if you can get rid of anything. Pay careful attention to word choice as you’re editing. Are your descriptions succinct and do they make sense? Show them to someone else and see what their feelings are about your descriptions. Sometimes what’s in our heads doesn’t come out on paper. Atmospheric writing should add to the scene, so if it’s doing nothing but adding to your word count, cut it.

If you’re trying to boost your writing skills and learn how to create atmosphere in your story, my best suggestion is to read and take notes on what other authors do. The best way to learn to write is to learn to read as a writer.

Do you have any examples of writers who rock at creating evocative scenery?

dead magic · Writing

Dead Magic Sniplet #2

dead magic

Dead Magic, the fourth book in the Ingenious Mechanical Devices series, won’t be out until the fall, so I thought I’d share another clip from my WIP with you. Miss Emmeline Jardine has pilfered a package from the Spiritualist Society.


The Dorothy Restaurant hummed with chatter only broken by the occasional sharp laugh. Emmeline resisted the urge to shift in her seat. She had been to the Dorothy several times with Cassandra Ashwood, but she never failed to feel odd there. There had never been a public place she frequented where men were not allowed. The room was overly bright even in the dreary weather with its cream and red walls and gaudy array of colorful Japanese fans and parasols artfully tacked to the walls and ceiling. Around them all manner of women ate the same meal at the same white tablecloth and vase of flowers. During previous visits they had spotted Constance Wilde and the Countess of Dorset not far from a table of shopgirls. In a space free of men, the women seemed to change before her eyes into some strange perversion of the womanhood she knew. Cigarettes were lit and overheard table conversation often involved politics, women’s rights, and even colonialism. Of course, there was gossip, but mixed in were stories of tête–à–têtes that bored on elicit. At the Dorothy, they all seemed so free, yet surrounded by a complete lack of restriction, Emmeline faltered.

“You’re very quiet today, Em,” Cassandra said, looking up from her roast chicken and potatoes.

Her eyes flickered over the window where rain pattered against the pane and through the drivel, she inadvertently caught the gaze of a man peeking inside. What he expected them to be doing, she couldn’t imagine, but gawkers, she was quickly learning, were common at the Dorothy.

“Ignore him.”

“Why are they always staring in? It’s rude. It’s a restaurant, not a sideshow.”

“They don’t like that we finally have some privacy. You know, you could have left your book in the coatroom. I’m pretty sure no one would steal it, especially when Miss Barker knows us.”

“That’s not what I was worried about.” She paused. What was she worried about? “I didn’t want anyone to see the title.”

Cassandra shook her head. “Maybe I don’t want to borrow it if you’re that nervous about other people seeing it.”

Emmeline gave her a weak smile. Her eyes traced the outline of the book beneath the crinkled paper. She had placed it on the table facedown with her reticule and gloves on top of it to keep Cassandra from turning it over. Her heart pulsed in her throat, ruining the taste of the meat in her mouth. She was itching to open it. Every time she looked away, she felt its glare upon her, as if the book was watching her—beckoning to her—the moment she turned her gaze. For a moment, she wondered if she should just confess to Cassandra what she had done and open the bloody book.

Before she could act on her thought, Cassandra straightened with a squeak. She wiped her mouth and took a long sip of tea before she asked, “Did I tell you about the gala?”

“What gala? The season is over.”

“Well, it isn’t a society party. It’s a gala to celebrate a new ancient botanical collection at the British Museum. I’m sure you heard.”

When Emmeline raised a dark brow, Cassandra continued, “Your aunt’s cousin, the Countess of Dorset, and her husband donated the main specimen, the silphium plant. Please tell me you know what I’m talking about. I’m sure your aunt mentioned it.”

Thinking back to dinner conversations, she could vaguely recall some mention of a party at the museum. She hadn’t paid much attention. “I don’t think I was invited, but it doesn’t matter. I don’t want to go.”

Cassandra’s chestnut eyes widened and sagged.

“You actually want to go? But why? It will be so boring. All those old stuffy scholars and their pinch-faced wives.”

“My friends will be there. I don’t think you have met her, but Judith Elliott is my best friend—”

Emmeline stiffened.

One of my best friends, and I’m certain you will love her as much as I do.”

“Of course,” she replied tartly as she stabbed a piece of boiled potato and brought it to her lips.

She could feel Cassandra’s gaze upon her, eyes torn between anger and guilt. Somehow, Emmeline had never imagined that she could have friends besides her, that she had a life outside the spiritualist society. That and the Dorothy was the only place she ever saw her, and she didn’t appear to have a beau or that she was even looking. Modern woman, Emmeline scoffed. No wonder Aunt Eliza loved when Miss Ashwood came for tea. Watching Cassandra go back to her meal, Emmeline’s stomach knotted. She knew so little about her even though they spent nearly every weekend together and most nights at the spiritualist society. She knew Cassandra worked as a secretary somewhere, though Emmeline couldn’t remember where, and that she lived in a flat not far from the society along with another woman.

From the edge of her vision, Emmeline studied Cassandra’s features. She envied her prominent cheekbones and her expressive lips. When she smiled, it made Emmeline’s face join in her joy, but it was her bearing that caught her attention when they first met. She had thought of quitting the spiritualist society for good until she spotted Cassandra waiting at the front door. She stood tall despite her short stature, with her walking suit smartly cut to accentuate her curves and the color rich enough to bring out the flecks of gold and green in her eyes. There was a self-assuredness about her that didn’t require words to enforce. Maybe that was what five years of relative independence did to a woman. Still, it was troubling to know she had no suitors to fall back on or tear her attention away from the gloom and tedium of the spiritualist society.

“I shouldn’t be telling you this since you have decided to be peevish, but Mr. Talbot’s cousin just walked in,” Cassandra whispered, her eyes darting toward the front door as a rush of warm, damp air washed in.

“How do you know who she is?”

“Because I just saw him drop her off.”

Whipping around, Emmeline turned in time to see a dark-haired woman enter and a charcoal grey steamer pull away from the curb. “I can’t believe I missed—”

The words died in her throat. Cassandra was holding the book, her book, regarding her with pursed lips. Emmeline reached to snatch it from her grasp but pulled back. It wouldn’t do to make a scene. Shaking her head, Cassandra handed the paper-wrapped book back to her.

“I knew something was wrong when you wouldn’t give it up. You never wait to open a book. Nostra is a fool, but this is hers. You can’t steal her property, Emmeline,” she replied in a harsh whisper.

Groaning, Emmeline placed the package in her lap and covered it with her napkin. “But she isn’t even the head of the society, not yet anyway. Besides, it probably isn’t even hers.”

“If it isn’t hers, then whose is it?”

Emmeline opened her mouth, but his name refused to leave her throat.

Sensing what she wouldn’t say, Cassandra shook her head. “But it’s been over five months. Do you really suspect it was meant for him?”

“I don’t know. I know taking it was wrong, but you didn’t know him, Cass. He was evil.”

“You think it’s something malicious?”

She shrugged. “It could be. Would you want Nostra getting a book on soul-stealing or God knows what?”

Cassandra sighed, her gaze traveling to the book in Emmeline’s lap before coming to rest on her concerned eyes and drawn mouth. “Maybe you should open it and see what it is. If it’s just a book, we could rewrap it and bring it back tomorrow, and if it’s something bad—”

“We can get figure out what to do once we know what it is. Good idea.”

Using her untouched bread knife, Emmeline carefully slipped it between the paper. With a crack, the must of centuries old paper and ink rushed out. Emmeline locked eyes with Cassandra as she tipped the package and let the book slide into her hand. Laying across the front cover was a letter. Setting the book and torn wrapper on the table, she turned her attention to the missive. The sole page was stained with ink and flecks of brown, but the lines of the long, looped writing had been written with such force that it had been incised into the page. As she lifted it closer, minute beams of light broke through the parchment.

 

September 14th, 1892

To the person the grimoire chooses,

I hope whoever is reading this letter can forgive that I know not to whom I am writing. I don’t have much time left. The duke is ailing and has entrusted the book to my care, but I fear my time will be as short as his. They have discovered me, and the grimoire is no longer safe in my care. This book has passed through many hands before reaching you. Others like us will have received this package, and in turn, sent it to another to keep the book out of the hands of those who would pervert the knowledge within. If you are reading this note, you are the end of the line. It is my hope that the book has fallen into worthy hands.

You must know dark forces are in Berlin and are moving north to London. They move against all of our kind. Those who would seek to keep the balance of death and life are being cut down by practioners wanting to tip the scale. They need what the grimoire possesses.

Protect it or send it to someone who can.

 

There was no signature. Flipping the paper over, she found the same note written in Latin. Emmeline’s heart thundered in her throat. Dark forces were coming to London. What had she taken?


Stay tuned for more updates for Dead Magic. If you would like news about releases, ARCs, and special deals, please sign up for my newsletter.

Book Reviews

Book Review: Writing Short Stories to Promote Your Novels

raynehallshortstories

Title: Writing Short Stories to Promote Your Novel by Rayne Hall

Genre: Writing, non-fiction

Rating: ♥ ♥ ♥ ♥

TL;DR: A good resource for how short stories can boost sales that comes with exercises for idea generation.


As with most of Rayne Hall’s works on Amazon, Writing Short Stories to Promote Your Novel is meant to help authors who already know how to write and are just trying to hone their skills and learn some new techniques.

Writing Short Stories provides the reader with an exercise where they can generate ideas for short stories that can tie into their existing series or books. Following Hall’s method, the reader can figure out how to tie short stories into their existing works by creating works of a similar flavor using side characters. I don’t want to go too in depth because the book is short and the exercises in it are much more useful than my paraphrasing.

In the future, I’m hoping to apply this to my teaching (if I ever get to teach creative writing), and I’m planning on writing some short stories over the summer using Hall’s method. It’s simple, straight-forward and uses something similar to the pomodoro method, which I’m all for. Hall also provides ways to publish these short stories in a way than can benefit the author and give them the most exposure.

The only thing I didn’t like about Writing Short Stories to Promote Your Novels was that she included a lot of her short stories in the back of the book. It seemed more like free publicity than a way to help the reader. Also, Hall suggests the stories generated should be about 2,000 words long, but I don’t think word count is really an issue in the long-run.

If you’re interested in purchasing Writing Short Stories to Promote Your Novels, it’s on sale this week for 99 cents on Amazon.

Monthly Review

April 2016 in Review

spring

Last year, I decided that I would post my accomplishments for the month and what goals I hope to achieve in the following month.

Spring has arrived, and while April didn’t look like it would turn out to be a productive month at first due to health issues, it seems to have turned around nicely.

What I accomplished in April:

  1. Read 3 books and 1 short story:
    1. The Raven Boys by Maggie Stiefvater
    2. Brothers and Keepers by John Edgar Wideman
    3. “The 13th Hex” by Jordan L. Hawk
    4. Writing Short Stories to Promote Your Novels by Rayne Hall
  2. Wrote 12,000 words in Dead Magic (IMD #4)
  3. Finished proofing the audiobook for The Winter Garden
  4. Found a narrator for The Earl and the Artificer audiobook
  5. Finished all of my classwork for grad school

What I hope to achieve in May:

  1. Read 3 books
  2. Write 8 blog posts
  3. Write 15,000 words
  4. Finish the syllabus for the class I’m teaching in the fall
  5. Make covers for the translations of The Earl of Brass
  6. Participate in the #writewemay challenge
  7. Brainstorm a few short stories to write that are set in the Ingenious Mechanical Devices universe

I really thought April was going to be an absolute disaster. Beginning a month with a sinus infection that renders you barely functional isn’t a sign of good things to come, but I pulled it together after a few days where I wrote nothing at all.

That last sentence was hard to admit. In my bullet journal (my slightly artsy to-do list/organizer), I write down how much I’ve written every day. Seeing all those zeroes in a row during my sinus infection made me want to vomit. Originally, I had hoped to write 15,000 words in April, but 12,000 is respectable and what matters is that Dead Magic is cruising along nicely. I promise that later in the month I’ll post another excerpt from the novel. It’s one of my favorites to write thus far, and I think that’s because I love the characters.

After reading Rayne Hall’s book on writing short stories to promote your novels, I really want to write a few short stories revolving around the side-characters in the Ingenious Mechanical Devices series. There will probably be one with James and Eliza and maybe one of Eilian’s adventures in the Far East before he met Hadley.

Besides my author stuff, I will also be teaching two freshman English classes at the university next semester, so I need to create the syllabus for those classes. I’m excited and terrified to be teaching as an adjunct professor. Worst case scenario, I could totally ruin them and make them even worse writers than when they came in, but I’m hoping to teach them the fundamentals of writing and at least instill in them that writing is necessary for life and can be a very cathartic tool.

Well, onward to May, and I hope it’s a good one for you!

Book Reviews

Book Review: “The 13th Hex” by Jordan L. Hawk

13th hex jlh

Title: “The 13th Hex” (Hexworld 0.5) by Jordan L. Hawk

Genre: Paranormal/arcane fantasy

Rating: ♥ ♥ ♥ ♥

TL;DR: A great short story that introduces a new world featuring witches, familiars, hexes, and of course, Teddy Roosevelt.

The official blurb:

Romance. Magic.
Murder.

Dominic Kopecky dreamed of becoming a member of New York’s Metropolitan Witch Police—a dream dashed when he failed the test for magical aptitude. Now he spends his days drawing the hexes the MWP relies on for their investigations.

But when a murder by patent hex brings crow familiar Rook to his desk, Dominic can’t resist the chance to experience magic. And as the heat grows between Dominic and Rook, so does the danger. Because the case has been declared closed—and someone is willing to kill to keep it that way.

The 13th Hex is the prequel short story to the all-new Hexworld series. If you like shifters, magic, and romance, you’ll love Jordan L. Hawk’s world of witch policemen and the familiars they bond with.


I’m a total glutton for Jordan L. Hawk’s work, and when I saw that she was creating a new series centering around 19th century New York City, I was beyond excited. If “The 13th Hex” is any indication of the rest of the series, I’ll pre-order every single installment.

The story centers around Dominic Kopecky, a hexman working at the New York Metropolitan Witch Police. His job is a tedious one, copying, analyzing, and perfecting hexes that the police use, but Dominic is the best in the business, which brings Rook into his world. Rook is a familiar without a witch, investigating murders caused by a faulty hex. While the police have closed the case, Rook suspects there’s something more. What ensues is a very enjoyable short mystery with a hint of steam.

Jordan L. Hawk instantly makes me fall in love with her characters. Dominic is the typical quiet office worker with his nose to the grindstone. While this wasn’t the job he wanted, he does it to the best of his ability, and the brief moments of hope in Dominic’s thoughts totally endeared him to me. Rook is all sensuality and action, but what I loved about her familiars is that they have characteristics of their animal forms without shoving it down the reader’s throat. Rook’s laugh is described as cawing while Cicero, the cat familiar, has a languid air to him while reverting to cat-like disdain at the sight of water.

“The 13th Hex” is a short story, so I’ll keep the review brief. The world Hawk is setting up is steeped in history and wrapped in sigils, magical creatures, and murder mysteries. The downside to “The 13th Hex” is that it’s so short. I really wanted a longer work because I loved Rook and Dominic’s dynamic and it made the pace incredibly fast. A few thousand more words may have satisfied me more.

Overall, “The 13th Hex” is a fantastic short story to introduce a new series, and I can’t wait for Hexbreaker.

You can buy “The 13th Hex” here for $0.99.

Book Reviews

Book Review: The Raven Boys by Maggie Stiefvater

ravenboys

Title: The Raven Boys (The Raven Cycle Book #1) by Maggie Stiefvater

Genre: Paranormal adventure

Rating: ♥ ♥ ♥ ♥ ♥

**Spoilers in this review should be minimal**

TL;DR: I LOVED this book. If you like well-rounded characters, an atmospheric setting, and a paranormal streak that crosses the globe, this book is for you.

Oh my god. I devoured the second half of this book, and immediately, dug out the second book, The Dream Thieves.

The Raven Boys centers around four boys in Henrietta, Virginia, who attend the local private school, Aglionby Academy, and their new friend, Blue, who is the daughter of a psych. Gansey, Adam, Ronan, Noah, and Blue become entangled with Henrietta’s local history and paranormal legacy as they search for ley lines, lines of energy that crisscross the globe, connecting sites of historical and magical importance. Gansey is searching for one thing, the resting place of the legendary Welsh king Glendower. Legend says that if you wake the kind, he will grant you favor, and Gansey knows a few people who could use some favor. Blue has always been mildly envious of her mother and her friends’ psychic abilities, but Blue has an ability of her own, amplifying energy, and she may be the key to helping the Raven Boys find Glendower.

What I loved about The Raven Boys was the characterizations, not just of the characters but of the setting as a whole. Everything, from the Virginia landscape to Gansey’s dilapidated car, has a soul, and these characterizations add a whole new level of detail and beauty to Stiefvater’s story. The settings are atmospheric and lend themselves to firmly integrating yourself within the book. Even the magical elements later in the book fall perfectly into the realm of reality because they are so believable and so in tune with the rest of the world.

Maggie Stiefvater’s characters shine brightly in a novel where they could easily be lost or flattened beneath the heavy mythos and mystery of the story. Each of the Raven Boys is very distinct, each with their own flaws, complexities, and reasons to love them. We have Gansey the driven adventure-seeker who wants nothing more than to search the earth to find Glendower. His life is complicated by trying to manage his wayward friends, Ronan and Adam, and not insult people by simply being Richard Gansey III (can you smell the old money?). Adam is a scholarship boy from a bad home. He tries to be all things, a research companion to Gansey, an independent man, an A student, but he flounders under the weight of his violent home life in the local trailer park. Ronan is the opposite of Adam, a fighter, a trouble-maker, a boy with all the money in the world and nearly nothing that makes him happy. Noah, is… well, he’s Noah. Then, there’s Blue. She’s a sensible free-spirit who wears homemade clothes and was born with the ability to amplify the energy of those around her, which is infinitely useful when you live with a bunch of psychics.

The story itself is a wonderfully complex paranormal mystery that spans four books. We begin the story at a graveyard that sits on a ley line on the one night of the year when psychics can see those who will die that year march toward the otherworld. From there, we discover how the ley lines connect with the mysterious Welsh king, Glendower, and the mysteries surrounding Henrietta. Despite all of the pieces that make up the mystery, Stiefvater makes it easy to digest and quickly draws the reader in to make them as obsessed with discovering Glendower as Gansey. It’s as intricate as The DaVinci Code but with a hundred times better characterization and atmosphere.

Am I looking forward to the second book? Hell, yes. The book may be labeled as young adult but the only thing juvenile about it is the age of the main characters. The Raven Boys is a story rich with history and texture with characters as complex as any book taught in a college classroom.

Personal Life · Writing

The Dog Mom

Kate

I don’t like children.

It’s one of those phrases that come to my lips the moment someone asks if my boyfriend and I will ever have kids, but it’s rarely uttered. The reactions are nearly always negative and range from a strange look between disbelief and disgust to a twenty minute rant on why children are the best thing since sliced bread and that I’m totally missing out if I don’t sacrifice my life for 18+ years to support a creature with half my DNA.

It’s always been this way.

I was never a child that lugged around a baby doll. My cousin had a little bald, plastic baby named Gracie that she kept swaddled against her and dressed daily. Instead of a stroller or papoose, my room was loaded with stuffed animals. While my cousin had Gracie, I had Whiskers, a progressively piebald stuffed cat who wore a bed skirt-like dress to hide his bald spots. I talked to my stuffed animals as if they were people. I fed them, hugged them, tucked them in at night.

History has repeated itself night after night.

Every night before I go to bed, I take my hair out of its clips and pins, but as I walk through the darkened house, I make note of where my babies are. Edgar is sleeping under my chair in the kitchen, Finny is laying against the backdoor, and Katie right where I left her on the sofa or curled up on my bed waiting for me. Before I go to sleep, I pet each of them and tell them that I love them. A little part of me fears not carrying out the ritual, not reminding them of my love before they close their eyes. As I peel back the covers, Katie with her stubby dachshund legs dives onto me full force before settling at my feet or near my head. Most nights I wake up with at least Edgar and Katie curled up around me, protecting my flank as if I was one of the pack.

Respecting the autonomy of others means no guilt.

My boyfriend and I have never wanted children. I never dreamed of having a family. Hell, I never thought I’d have a life partner until I met mine, but children have never been in the picture. Never did the image of school pictures, birthdays, or trips to Disney with brood in tow come to mind. I’m still at the age where I don’t know whether to reply yay or oh no when someone says they’re pregnant. My reaction is obvious, but I’m quickly realizing that most at least feign joy. It’s expected. It’s the norm. The norm rarely feels like it fits me anymore. In the future, I see myself writing books, going to a gallery opening or event that’s centered around my partner’s art, and doing some traveling. I want a small house with enough room for us and the dogs. Somewhere there will be a house where dogs lounge on the sofa, locking eyes with me from across the room as I read and pet one of their siblings. The floors will be littered with half-chewed dog bones and tumbleweeds of fur.

“To love another person is to see the face of god.”

My babies won’t live as long as yours. At most, they’ll live into their teens and because I’ve rescued them from the shelter, our time may be shorter than I anticipated. Yet their lives aren’t tragic. Their short time on earth puts my life into perspective and makes me grateful for the years I have with them. For all the wet kisses and the adoring gazes that make a shitty day better because somehow they know what I need. Dogs are strange. Part wolf, part toddler, they’re at once all-knowing and innocent. Animals give their love without caveat and present the only true form of unconditional love on earth, and it’s this I crave. I want to love and be loved without judgment. Someday I’d like to be person my dog loves so wholly and able to love as they do.

 

Writing

Dead Magic Sniplet #1

dead magic

So, I promised in my last blog entry that I would post a bit of Dead Magic. What you’re about to read is the very beginning of the book.


Dead Magic

Chapter One

Flesh and Bone

 

 

On balmy summer nights, Highgate Cemetery lay as still and silent as its residents, but not on this night. Footfalls echoed across the rows of vine-covered graves, their names impossible to read in the moonlight peeking through the trees. Crickets fell silent as the young man passed and the grasses on either side of the well-worn path rustled with life just beneath the surface. Reaching for the shuttered lantern at his side, Cecil Hale stopped and listened for any sign of his compatriots. He had been told not to open the lantern until he reached the Egyptian Avenue, but the graveyard was harder to navigate in the dark than he had imagined. The dizzying rows of cockeyed graves seemed to go on forever, all nearly identical to the next.

Closing his eyes, Cecil drew in a long breath. A wave of energy passed over him as the warm wind whipped a russet curl across his forehead. In the darkness beyond the curve of trees, he felt a faint pulse of power. So they had ventured into the vault without him. He reached for the pocket watch ticking against his side but let his hand drop. As he rounded the bend, his heart quickened at the sight of the obelisk and lotus-columned entrance to the Egyptian Avenue. Leafy boughs and Jurassic ferns spilled over the top of the mausoleum’s entrance, drowning out the tang of death with the scent of summer. The iron gate whined beneath his hand, and he paused, waiting for the light of a night watchman he knew would not appear. A smirk crossed his lips. No one thought to worry about the dead.

Cecil’s gaze swept over the faceless row of doors on either side of him until it came to rest on the wavering radiance of an oil lamp drifting behind the threshold. Pulling the door open, he shut his eyes against the harsh brightness of the lanterns.

“Did they not teach you how to tell time at boarding school, Lord Hale?”

Cecil Hale stiffened. If it had been anyone else, he would have cut them down to size for not only insulting a viscount but for daring to question the standing of the youngest magister in the third order, but when his hazel eyes adjusted, he found Lady Rose glaring at him.

“Do forgive my tardiness, Lady Rose, but it wasn’t easy to find my way here in the dark. Not all of us frequent graveyards,” he replied before he could stop himself.

A low chuckle emanated from where she stood, but Cecil swore he hadn’t seen her lips or chest move. Against the dusty grey of the mausoleum, her polished bronze hair and pale green eyes took on such an unnatural hue that he dared not question what he heard. Of all the practitioners he knew, she was the only one he feared. If he stared too long, he thought he could see shadows writhing and slithering around her, pulling at the flames positioned in a circle around her and the coffin at her feet. It was her power he felt when he cleared his mind’s eye.

As Cecil pulled the crypt door shut, a lanky, white-haired figure emerged from the neighboring chamber. He was accustomed to seeing Lord Sumner at the third order meetings, but seeing him standing in the mausoleum didn’t sit well. It felt wrong, like seeing one’s grandfather walk out of a Piccadilly brothel. He couldn’t imagine him with his carefully trimmed beard and Savile Row suit anywhere near a charnel house. The man had a lineage as distinguished as any king on the continent, so what could be so important that he would risk being found prowling around a graveyard with the likes of Lady Rose instead of sending an emissary? Maybe he didn’t trust her either.

“Will it only be us this evening?” Cecil asked, his voice reverberating against the vaulted stone as he looked into the darkened chamber.

Without looking up from the coffin edge, Lady Rose replied, “If you’re worried about discovery, my man is keeping watch outside, but the ritual only needs one. His lordship is merely here to supervise.”

“Let’s hope the ritual won’t be necessary.”

“Oh? Are you having second thoughts, Lord Sumner?”

“I think all of us would prefer to avoid such vulgarity. We can only hope his family thought it best to bury the damned book with him.”

“So resurrectionists like us could find it? I doubt it,” she said, running her bare fingers over the lid as if feeling for something.

“Did anyone check his estate and town home?” Cecil asked.

Lady Rose and Lord Sumner exchanged an incredulous look before turning their attention back to the casket. Her fingers slid over the decorative molding and around the brass bars affixed to either side, probing every cranny for hidden springs, but found nothing.

Resting back on her heels, she motioned for Cecil to come to her side with a curl of her finger. “Lord Hale, would you do the honors?”

For a moment, he wished they had left the door open to the crypt. The stale air pressed in as he drew in a breath and held it. Cecil steeled himself, ready to avert his gaze when the lid cracked opened, but when he tried to yank it loose, a bolt of pain shot into his wrists and up his arms. Howling, he staggered back, nearly kicking over Sumner’s lamp.

“The bloody thing’s hexed!” he cried, rubbing his burning, twitching hands.

“The duke’s underlings are smarter than I thought,” Lord Sumner murmured under his breath.

Grabbing a handful of dust from the floor, Lady Rose cast it across the casket top. A series of rings, lines, and scribbles appeared through the detritus. Cecil leaned in to get a closer look. He had never seen a sigil that actually worked. They were out of fashion and the order didn’t support the use of such an arcane technique, so there was no reason for him to learn about them. At the pulsing throb of his hand, he wished he had. Before he could finish tracing the twisting line with his gaze, Lady Rose pulled out a handkerchief from her reticule and scrubbed at the sigil. Cecil watched with wide eyes as she gritted her teeth and continued even as the arcane symbols crackled and arced with electricity beneath her palm.

She released a labored breath and wiped at her forehead with the back of her hand. “Open it.”


 

Stay tuned for more sniplets and updates of Dead Magic. If you would like to get a preview of the book first or news on sales and forthcoming works, please sign up for my newsletter by clicking here.

Catch up on the rest of the Ingenious Mechanical Devices series before Dead Magic releases:

The Earl of Brass (Book #1)

The Winter Garden (Book #2)

“An Oxford Holiday” (A Companion Short Story)

The Earl and the Artificer (Book #3)

Let me know what you thought of sniplet #1!