Writing

Success and the Awkward Authoress

For a type-A personality, success is a tricky thing to navigate and define. I thrive off getting good grades and being told that I’m at the top of the class. In writing, I’m definitely not at the top of the class. I’m not even in the middle. I’m at the bottom of the totem pole, trying to pull my way up. It’s been quite a while since I haven’t been at the top or a competitor, and it’s disconcerting to know that you’re a nobody.

I know I’m a newbie to the world of self-publishing. It’s been less than a year since I published my first book, and I’ve not only had sales every month but I’ve gotten a few loyal readers who love my books and characters. There is no reason for me to complain, but part of me wonders if I’m succeeding or failing. In this industry, I can’t rely on grades to tell me whether or not I’m doing well. You can’t rely on sales rankings because while you made a sale, you may not have added a reader. You can’t even rely on reviews because you aren’t tailoring the story to the reader as you would an assignment for a professor. Some readers will love it, others will be ambivalent, and a few will hate it. People won’t get it, and you’ll be frustrated that they didn’t see your vision. You can’t go and say anything to explain your point of view, all you can do it hope someone else gets it. It’s frustrating. It makes you question if you’re doing as well as you hoped or thought you were.

The key is to define what success is to you. It’s so much easier said than done, but when you figure out what success is to you, you can determine whether or not you’re actually failing or simply lacking confidence. Do you want to sell a lot of books each year or do you want to gain a larger readership? Do you want consistently high ratings on your books or do you want to grow with each book?

As I’ve written more and gotten deeper into the publishing process, I have found that what I care about are: gaining new readers and improving the quality of my writing with each book. Unfortunately, you need sales to get readers, but I’d rather have ten very loyal readers than a hundred ambivalent ones. In terms of quality, I know my first book is not my best work, and I’m okay with that. I’ve grown since I published it a little over a year ago, and I should have. With each successive book, I should get better. I should improve and grow and experiment. That’s what art and writing are about. The good thing is I know book two is even better than book one, so I guess in that area, I’m successful.

In this area, I find myself battling logic and emotion. Logically, I know that most writers aren’t successful in multiple areas (readership, sales, improvement, notoriety, etc.) until they have at least five books out and do a lot of marketing and connecting. Emotionally, I’m upset that I don’t feel that I’m doing as well as I should. I also realize that no matter how many sales, readers, or 5 star reviews I had, I would still probably feel insecure. This state of mind always worsens when I’m feeling stuck in my current writing project, and guess where I am currently– floundering in planning my next chapter. In order to not fall into this trap (or at least not as often), writers need to define what success is to them and work towards those goals.

What do you define as success?


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Writing

Blurb Reveal: The Earl and the Artificer (IMD #3)

the earl and the artificer titleHi everyone,

I have been working on and off on The Earl of the Artificer. Since the end of the semester a week ago, it’s been hard to get back into the swing of my summer schedule. I’m still in the transitional period, so hopefully by next week, I’ll be completely into full-time writing mode. In the meantime, I have [finally] composed the back of the book blurb for The Earl and the Artificer. Typically, I like to write these fairly early on, especially if I know where the story is going. It may change between now and when the book is released, but without further ado, here is the blurb for book three:

After an uneventful wedding, Hadley and Eilian Sorrell should have foreseen the trouble waiting for them at Brasshurst Hall. Eilian wants nothing more than to leave England, but at the insistence of his mother, he and Hadley travel to his abandoned ancestral home to meet his tenants. They soon find the house and the quaint neighboring village are not what they seem.

Behind a mask of good manners and gentle breeding lurks a darker side of Folkesbury. As Eilian and Hadley struggle to fit in with the village’s genteel society, they find everyone is at the mercy of Randall Nash, a mysterious man who knows every secret and seemingly appears out of thin air.

When the village blackmailer turns up dead, the Sorrells find themselves entangled in murder, theft, and intrigue with the manor at the heart of it all. Something long thought lost and buried within Brasshurst’s history has been found—something worth killing for.

I hope the blurb has piqued your interest. In a few weeks, I’ll put up a Goodreads page for book three even though the book won’t be coming out for quite a while (the current estimate is winter ’15 to spring ’16).


As a side note, I’ll be doing a reading at the Steampunk World’s Fair this Friday night, so prepare to see plenty of pics and a post about my experiences after. Please check out the schedule here, and if you are attending the SPWF on Friday, I hope to see you there!


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Writing

5 Tips for Beating Writers Block

Sorry for not blogging sooner, but I have been under the weather for the past week.  Today’s post will be about the dreaded writers block.

Writers block can be one of the most crippling experiences for a writer, and after experiencing a bout of this recently myself, I thought I would post a few tips that may help to get through it.

  1. Ask, “Would your characters actually do this?”  Sometimes being stuck is caused by something as simple as trying to force a scene. Step back for a minute and think about how the scene can be reworked. Is your character doing something out of character? This can be the bane of a plotter’s existence because they have their outline and want to stick to it, but at times, a character can be whispering to you that they don’t want to or wouldn’t do what you are intending them to do.
  2. Free write.  Is another story knocking at your brain but you’re 2/3 into another one and don’t want to give up on it or throw yourself into a new project? Take a few minutes to let the scene out. Save the file in a separate folder of scraps or future projects and let it go. You can always revisit it when you’re finished with your current project, but for now, it’s out of your brain and on paper for later.
  3. Make an outline. Sometimes you need to see it on paper to get going. It’s often a case of where have I come from and where am I going? Draw out what you have thus far and then where you know you have to go. Typically, I use a blank sheet of printer paper and a brightly colored pen to stimulate ideas and remove constraints (no idea why it works but it seems to). Don’t put the future points too close together, leave space to fill-in with ideas. What do your characters need to do and how do we get them there?
  4. Look for visual inspiration. You have ideas, you know what you need to do, but the spark just isn’t there. Try going onto sites like Pinterest or Tumblr and looking for pictures that have to do with your story. If it’s set in the Victorian era, look up historical photos or vintage clothing. Is there a celebrity who looks like your characters? Look them up. Throughout the writing process, I create a Pinterest board of inspiration and look to it when I’m feeling stuck or meh about my writing.
  5. Read. One of the best pieces of writing advice I have ever gotten is to read. Reading will not only stimulate ideas, but it will be a refresher for craft. How does the author get to the climax? How are the characters built with depth and how do we find out about them? Read authors who inspire you and see how they did it. Learn from the masters, and let their words power yours.

Hopefully this helps you in your writing. The block is often caused by stress or fatigue and not laziness on the author’s part, but when you feel stuck, try some of the tips mentioned above and see if they help get you through. If nothing else, go for a walk and clear your head.


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Monthly Review · Writing

April 2015 in Review

Starting in January, I decided it would be a good idea to look back at each month and see what I have accomplished in my writing and marketing as well as reflect upon what needs to be improved in the future.

April was a crazy month. At the university, it’s crunch time for papers and projects along with a deluge of events. I think I spent more time at the university than I ever have in my past year and a half there. With all of these extra curricular activities, I was a tad stressed out. Okay, a lot stressed out, which led to me buying quite a few books. I have no shame regarding that, but I don’t think I should have rewarded myself for not getting as much done as I hoped.

What I did accomplish:

  1. Finished reading for class and turned in portfolio
  2. 50% done with final paper (I’ve been bad about finishing this)
  3. My thesis portfolio was accepted
  4. Learned more about marketing by reading Joanna Penn’s How to Market a Book and Tim Grahl’s Your First 1000 Copies
  5. Scheduled a 99 cent sale for The Earl of Brass from May 22nd-26th
  6. The Winter Garden has 6 Amazon reviews and 7 Goodreads reviews
  7. Sent out my first newsletter

Goals for May:

  1. Write 3-4 chapters of The Earl and the Artificer
  2. Do a preliminary edit on the chapters I write
  3. Read 3-4 books at least
  4. Stay positive and work on stress (as always)
  5. Do well with my reading at the Steampunk World’s Fair
  6. Get my art commission done

I think I’m most excited about the last one. One of my favorite artists opened her commissions again, and I jumped at the chance to get one. At first, I was wait-listed, but she added more slots to allow me a few others to get in. I won’t give too many details, but it will be Adam and Immanuel from The Winter Garden. As much as I’m looking forward to (and dreading) the Steampunk World’s Fair, I am super excited about more artwork of my characters. The date and time of my reading at the Steampunk World’s Fair will come in a few days. They’re still working on the schedule.

Anyway, April has been a difficult month for me. Everything was due for class, so I quickly polished off the books I needed to read and started my papers and portfolios. This means I have only been able to write one chapter. Luckily, by the end of the first week of May I should be able to really get back into writing book three.  In my last post, I discussed how book three has been my problem child, and it really has been. For me to write, I need to figure out what story within all of my random ideas I would truly like to read. Otherwise, the book is stilted and just not fun to write. After having a discussion in the car with my boyfriend last night, I feel that I have a better handle on where it’s going. I’m sure I’ll still pester my bestie some time this weekend about it.

I know I’ve set myself a somewhat rigorous schedule for May in terms of writing, but I think with time on my hands and a plan, I can get through at least three chapters. I tend to be a slow writer because I hem and haw over every word, yet I’ve gotten through that much before in a few weeks when I was really determined. The hidden “to-do” is to figure out the rest of my major plot points and get maybe the next five chapters mapped, so I can hit the ground running when I start writing in the next few days.

Last month, I gave myself the goal of working on managing my stress. I didn’t. I was a mess this month. Part of me doesn’t want to rely on excuses, but this month was insane. It seemed like I was constantly on the go. I was definitely stressed out, so much so that I threw my body out of whack. I really don’t want that to happen in May, so I will try to take things as they come and not freak out. This is partially why I gave myself the goal of reading a few books this month. I need to take time to read something good to engage my mind and imagination and to unwind a bit. Reading always helps me focus and inspire my writing. Some books I’m hoping to get through are: The Little Stranger by Sarah Waters, A Case of Possession by K. J. Charles, Auraria by Tim Westover, and Possession by A. S. Byatt. It’s an eclectic mix, but I’m dying to get to them.

So what are your goals for April?


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Personal Life · Writing

Errant Plots and Acccepted Proposals

The other day I received an email from the director of my graduate program that my thesis proposal was approved! Not only that, but she wanted the file to use as an example of what a proper MFA thesis proposal should look like. I beamed with pride for most of the day, and I feel as if a weight has been lifted off my shoulders. In the fall, I will officially begin my thesis and finish up with my MFA in May of 2016, which really means I’ll be going into book three full force as soon as possible.

Part of the reason I hoped my proposal would pass in one shot is that I am trying very hard to separate myself from what I wrote in it about book three. For the professors to approve your proposal, you need to show that you have your shit together and are really prepared to take on a big project and actually finish it, so you have to provide a lot of info about your work even if you really haven’t thought it through yet. It’s all subject to change (thank god), but I had to do quite a bit of cooking up of ideas in a brief amount of time. Now, my very anal analytical side wants to take all of my half-assed ideas from the proposal and check them off, but I know it won’t turn out well. The ideas I wrote down aren’t forming the story I would like to read.

Because of this, I know I need to take a step back and re-evaluate my ideas and where the story is going. It’s been on the backburner for about three weeks while I was working on classwork, but now that the semester is wrapping up, I can finally go back to it. It feels great to be able to finally go back to my writing after a self-imposed hiatus, yet it’s daunting knowing that I need to figure this out before moving forward.

My writing style is somewhere between plotting and flying by the seat of my pants. I don’t like to plot the whole thing out, but I need to know where I’m going before I begin writing a chapter. This system gives me structure but allows for fluidity and for my characters to stretch their legs a bit.

At the moment, I feel a bit lost with The Earl and the Artificer. I have a few chapters done, which are shaping up to be a good foundation, but it feels like an insurmountable task to figure out where I’m going.  The good thing is, I say this every time I begin working on a new book and by 10,000 words in, I’m usually fairly on my feet. I don’t think the anxiety goes away until I’m two chapters away from finishing it.

I’m also back to reading historical fiction again, which always seems to help. I’ll be outlining and diagramming and creating monstrosities that look more like summoning circles than outlines, but now that my proposal has been accepted and my final paper is well under way, I should be able to finally get into book three. I plan to keep everyone posted on the writing process and what I discover along the way with research or writing or myself, but first and foremost, I must write.

Personal Life · Writing

The Anxieties of the Awkward Authoress

Fears…

Most of us probably have a list of fears that we keep tucked close, hidden where they cannot be seen, where others cannot seek to infiltrate and destroy us.  I’m pretty open with a lot of my fears.  In the past I have wondered if there was anyone else who felt the same way I did, so by sharing my experiences, I hope I can spare someone that feeling.  This weekend, I confronted one of my main fears– social anxiety.

I feel I am getting better about dealing with a lot of people in one area.  It’s odd, I can go around New York City, moving shoulder to shoulder with the crowd, but when the crowd is vying for my attention and wants to talk (and go off script), it’s hard to deal with.  At my university, I worked two events, one Saturday and one Sunday. Sunday’s event was an open-house, which I’ve done several times already, but Saturday was my first writer’s conference.  Luckily, I was only manning the sign-in desk along with the other graduate assistant. Unfortunately, I forgot the signs I printed earlier in the week, which threw me off, but thank god, there was a script I repeated about eighty times that day.

For the rest of the day, it was smooth sailing, but when I got home, I threw myself down and took a two and a half hour nap to recharge. I should really say surrendered to the nap. I don’t think I could have stopped it.  That’s what happens quite often with social anxiety. Dealing with other people is stressful. They’re unpredictable, sometimes rude, pushy. More than often, they’re none of the aforementioned things, but one never knows when they’ll surprise you.

In May, I’m doing a reading and small seminar at the Steampunk World’s Fair, and of course, I’m worried about it. I worry about not making a good impression or that I’ll be dreadfully boring. Will I stutter or will they hate my books?  If more than a handful of people show up, will I freak out? Of course I will. I’ll bring water and coffee and possibly a bag to hyperventilate into, but I won’t stop myself from doing my reading.  Probably a dozen times I’ve asked myself why I signed-up to do a reading. I’m a nobody author with a tiny following.  I know at least two people will show up, and if more than that comes, I’ll be eternally grateful.  As a writer, my biggest fear is that they’ll hate my books. As a person, my biggest fear is I’ll make an ass of myself. Honestly, they aren’t too far from each other.

No matter how many times I read aloud or do group events, the fear is still there. I’m hoping that practicing every few days for about three weeks leading up to the reading will help to lessen my fears. Pretending not to be an anxiety-ridden introvert takes a lot of energy, and I’m beginning to wonder how long I’ll sleep after the Steampunk World’s Fair.

On the topic of the Steampunk World’s Fair, I’m supposed to have a short story in a you pay what you want bundle along with several other artists and musicians.  When I get more information about the bundle or what day I’ll be giving my reading, I will let you know, but for now, if you want to get a ticket, which is good for Friday to Sunday, please go here.


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Writing

Project Announcement: The Book Three Journey

The title of book three of the Ingenious Mechanical Devices will be:

the earl and the artificer titleThe Earl and the Artificer will soon have its own Goodreads page in a few weeks, once I solidify the plot a bit more and can come up with a working blurb.  In the meantime, I can give you a little background into what will happen in book three.

Eilian and Hadley Sorrell are back.  Newly married and at the urging of his mother, they journey to Dorset to visit his ancestral home, Brasshurst Hall, and meet his tenants. What they didn’t expect to find is a manor built on Ancient Roman ruins complete with a greenhouse that hides a secret, a plant long thought extinct that once drove the empire’s prosperity, and an estate manager who seemingly appears out of nowhere.  As Hadley comes to terms with her new role as the Continue reading “Project Announcement: The Book Three Journey”

Writing

Elemental Characters

elemental_mandala_by_bioraka-d48t3cl
by bioraka on Deviant Art

Do you ever think of characters in terms of where they seem to naturally fall within the four elements?  It may seem odd to equate a character with earth, water, fire, or air, but it can help to maintain a theme throughout several works or to create cohesion of your character’s personality.

I’m one of those writers who tends to write, then sees the patterns forming within my writing and continues them.  In The Earl of Brass and The Winter Garden, I have several characters who represent elemental powers and this influences how they interact with their world.  It may make more sense to demonstrate how this happens with concrete examples. Continue reading “Elemental Characters”

Personal Life

Mr. Wilde and the Awkward Authoress

As I have said in the past, I feel a kinship with Oscar Wilde.  This connection probably stems from my love of Victorian literature and what I have learned about him over time. The more I learn, the more I feel drawn to him, as a person and as a writer.  In a previous post I mentioned how much I love the movie Julie and Julia, and in the same way Julie feels a connection to Julia Child, I feel connected to Oscar Wilde despite living over a century apart. When I think of him, I picture a large man with a quiet yet large presence that isn’t tied to his foppish ensemble.  Along with,  that, I picture champagne, fine dinners, a restaurant gilded and gleaming with a haze of cigar and cigarette smoke somewhere posh.  He was a presence, a man known as much for his wit and intellect as for his talent.  That level of sociability is something I aspire to, but in my introverted, anxiety-ridden bubble, I feel that it is unattainable.  Then, I saw this:power to attract friends Continue reading “Mr. Wilde and the Awkward Authoress”

Writing

March 2015 in Review

Starting in January, I decided it would be a good idea to look back at each month and see what I have accomplished in my writing and marketing as well as reflect upon what needs to be improved in the future.

While February was a transitional month as I switched from working on The Winter Garden to book three of the Ingenious Mechanical Devices, March was nearly wholly devoted to my latest project.  Beginning to work on book three has been a refreshing change even if it did take nearly half a month.  I feel much better about March than I did about February, and I hope that April will be even better. Continue reading “March 2015 in Review”