Writing

Teaser Tuesday: The Earl and the Artificer

Hey, everyone! I have been holding off for quite a while now with posting a teaser from The Earl and the Artificer, aka book 3. I wanted to get closer to completion before putting anything online because I feared I would post half the book in my excitement. The book is still being written and edited, but I couldn’t wait any longer and had to give you a little glimpse.

In book 3, Eilian and Hadley journey to Brasshurst Hall, the ancestral home of the Earls of Dorset. Below you will find there is an uninvited guest at Brasshurst.


She put a finger to her lips and backed away from the window, her eyes locked on the head swaying above the chair’s back. As Eilian crossed the room and grasped the rough fireplace poker, he frowned at the hearth. The ash had been swept from the firebox and the mantle cleaned of debris and cobwebs recently enough that dust hadn’t settled over them again. Inching toward the double doors at the far end of the library, Eilian listened to the chug of an engine on the other side. Hadley followed close behind, fishing through her clutch. When had she started carrying that instead of her carpet bag? Her face brightened as she pulled out a snub-nosed gun the length of her palm.

“You brought your derringer?”

“It’s been useful thus far.” She checked the chambers before snapping it shut. “You didn’t think I would let you go in there alone, did you?”

Holding Hadley’s gaze, he counted off with his fingers. He drew in a deep breath and threw open the door to the orangery. A puff of hot breath hit them as they stepped into the artificial jungle. Massive palms and bushy camphor trees blocked the sun, casting the greenhouse in a balmy haze. The stench of fetid water was overwhelmed by the scent of plants. Everywhere was the smell of earth and the things that belonged to it, concentrated and bottled under the glass dome.

Eilian pushed back a Jurassic fern and followed the cobbled path toward the pool. Sweat collected under the leather brace around his upper arm, but he ignored the urge to wipe it and swept his eyes through the brush. With firecracker flowers and orchids of every shade and strange conformation crowding the path, he expected to hear the caw or flutter of a parrot, but the air was quiet, rolling and bubbling with the river and fog. As they rounded the corner, the man in the armchair came into sight. The hammer of Hadley’s derringer clicked in Eilian’s ear. He tightened his grip on the poker and watched the man turn. His sharp eyes never left his assailants as he stood and stepped around the chair. His dark suit was impeccably pressed and the fabric even from a distance was fine, better than Eilian’s. Something in his aquiline features was strangely familiar.

“Who are you and what are you doing here?” Eilian called, feeling Hadley tense beside him.

“Is that any way to greet your cousin, Lord Dorset?”

“Cousin?”

“Put down the gun, Lady Dorset, before you hurt yourself.”

Hadley’s jaw clenched as she kept the muzzle pointed at the grey-haired man at the edge of the pool. Catching her eye, Eilian nodded, and she exhaled, dropping her arm but keeping the gun at her side. Eilian lowered the poker as the man approached with measured steps.

The man’s lined, silver eyes fell on Hadley’s simple coiffure before lingering on her breasts and waist a moment too long. The new dress, while of good quality, was already dirty and the corset too loose, and though her features were pleasing, she was far from beautiful. The garter gun hung looped in her stained fingers. Where Lord Dorset had found such a creature, he could hazard a guess, but why would he marry it?

“I’m surprised your father never spoke of me.”

“We didn’t speak very often.”

“Apparently. Lord Dorset, the real Lord Dorset—Harland Sorrell—and I were cousins. We were raised in this house.”

When the man’s cutting gaze reached Eilian’s mechanical hand, the younger man tucked it out of sight. “How did you get in here? Did the maids let you in?”

His eyes narrowed as he straightened and cocked his head with a scoff. “I have a key, and even if I didn’t, I know this house better than my own body.”

“You still haven’t told us who you are,” Hadley said, resisting the urge to train the gun on him. There was something in his manner, the way all of his movement seemed to be in his eyes, that set her on edge. She had seen men like that in London— men who kept you busy with their eyes when you should have been watching their hands.

“Randall Nash, and you are Hadley Fenice, the illustrious toy heiress who has risen to countess.”

Hadley winced. The embellished wedding announcement had not been her idea. Her future mother-in-law had taken it upon herself to soften the blow of an inter-class marriage with money. Heiress had a better ring than craftswoman, even if it was false. At least the announcement brought in as many orders as their Christmas advertisement.

“Are you insinuating something, Mr. Nash?” Eilian asked, but before the man could reply, the butler’s harried voice rang through the walls. His voice grew fainter as he retreated through the gallery. “In the greenhouse, Pat!”

A crash resounded behind them, and when Eilian and Hadley turned back, Randall Nash was gone. Using the end of the poker, Eilian pushed back the plants around the edge of the pool but could find no trace of him. He stared down at the empty armchair. From the humidity of the orangery, the fabric had rippled and dampened, raising the varnish on the arms and legs. Beside it sat an open bottle of champagne, a chipped glass, and a book.


I hope you all enjoyed this little sneak peek of The Earl and the Artificer. There isn’t any pre-order info yet, but stay tuned! Also, if you join my newsletter, in a few weeks you will be getting another exclusive sneak peek of chapter one.

Personal Life

The Nervous Nelly

So I realized I haven’t written a blog post in over a week. I’m not sure how I managed that, but… sorry. I’ve been feeling mildly overwhelmed this past week. Our house has been torn apart by construction workers, which means my dogs have not shut up every time they come to work. Honestly, it’s been fraying my nerves a little.

This has been manifesting itself as anxiety at school. I try to keep my anxiety under wraps, but it’s like a bag filled with water. If you squeeze it down in one spot, it just pops up somewhere else.

During my thesis seminar class, I have been having a very hard time reading my work aloud. Part of the class is that we bring in a chapter/section of our project, read it aloud, and then our classmates give their feedback. My classmates and professor are great, so they aren’t the issues there. It’s just built-up anxiety.

I have been battling stage-fright for as long as I can remember. In elementary school, I performed in the talent show and realized I was terrified by being on stage. In middle school and high school, I dreaded being called on to read aloud and being the center of attention was a nightmare. Unfortunately, this has stuck with me through college and graduate school. If I signed up for an MFA reading or to speak at a conference, I’m okay because I chose to speak and have prepared (probably over-prepared) for it. When randomly called upon, I feel my anxiety level jump about three notches.

Last Tuesday after dealing with strange people in our house, dogs barking all day, and trying to scarf down a late lunch at my job, my nerves were frayed by the time I got to my thesis class. I sat there with my classmates’ papers in front of me barely saying more than a few words. It seems as the anxiety level rises, so does my muteness. Everyone seemed ten times as chatty as they normally are and speaking seemed absolutely impossible, so I didn’t bother.

I sat for over an hour listening to everyone else read their work and get their feedback, my chest tightening as I watched the pool of potential readers dwindle until there was only me. In an instant, my spit dried up and no matter how much water I drank, it didn’t get any better.

“Your turn,” my professor said with a smile as she flipped to my chapter.

I drew in a tight breath, opened my mouth to speak, and faltered.

“Dear, you can have someone else read for you.”

“No, I’m fine. I’m just a nervous nelly, I’m fine.”

And so I droned on for five minutes, stumbling over words and apologizing for every screw-up. The one week I got out of reading my work aloud, I was so thankful, but this week, it was impossible. Yes, I could have said, “Please let someone else read my work,” but I can’t. It’s my story, and if I’m in the class, I will do whatever everyone else does even if it makes me incredibly uncomfortable. I try to not let my anxiety run my life when it gets bad. Sometimes I fail at it, which of course causes another anxiety spike.

Some of you may be wondering why I bothered telling this story of a young woman who gets heart palpitations when she has to do a task as simple as reading aloud. The thing is, I want people who don’t have anxiety to understand how it all builds up. Yes, the task at hand may be simple, but you don’t know what has happened earlier that day or even earlier that week. Instead of telling the person to suck it up or not to worry (totally useless platitude, by the way), try to be supportive. Give them a moment to collect themselves or try to accommodate things that help lessen their anxiety. For example, I do better when I do my reading earlier because it doesn’t allow the anxiety to build over the course of an hour or two.

I also wrote this to remind those who have anxiety that you aren’t alone. Most of us put on a brave face, and while we’re melting into a puddle of anxiety, we barely show our panic on the outside. Just know, it can be managed and it feels worse than it looks most of the time.

If anyone has any tips for managing anxiety that have worked for you, please pass them on! I’m always looking for new ways to deal with stage fright and all of my other anxieties.

Writing

A Change of Direction

I’m now at the 60% mark in my third book, The Earl and the Artificer. I’ve already had my mid-book panic/meltdown and have overcome it through outlining and trying to maintain a level head since. Trying is the key word here since that involved dowsing myself in coffee, walking in circles until nearly wearing out the floor, and probably a bit of incoherent babbling.

Between freak-outs, I have decided that after this book is finished, the “direction” of the Ingenious Mechanical Devices series will change slightly. I don’t know if the books will alternate between Eilian-and-Hadley and Immanuel-Emmeline-Adam anymore because I have a lot more stories in my head for Adam-Immanuel-Emmeline. Book four is definitely going to be for the trio, and book five more than likely will too.

The reason for this is that I really want to move toward the dark, paranormal side of the steampunk/historical-fantasy world. I’m drawn toward ghosts, mythical creatures, and paranormal entities lurking in the London fog.

Does this mean there won’t be more adventures for Eilian and Hadley after The Earl and the Artificer?

No, I am definitely leaving the possibility open for future stories with them. I love them dearly, but their relatives are calling to me more than they are. For now, they will be on hiatus after book three.

For the past few days, I toyed with whether or not to start a whole new series devoted to Adam-Immanuel-Emmeline. Honestly, it doesn’t make sense to. Readers would end up coming to the world in the new series not knowing who the characters are or what the world they live in is like. I don’t really feel like doing that with a new series even if the characters are pre-existing. It makes more sense to go on with the series and simply shift the focus. Who knows if Eilian and Hadley will be the focus for book five or six.

Either way, I feel this is the right decision for me, and I just wanted to make my readers aware of the change.

If you would like to get emails about forthcoming books, sales, and news, please subscribe to my email newsletter by clicking the button below:

newsletter button

Uncategorized

“An Oxford Holiday” is Out on Amazon!

Just a quick little Friday post.

An Oxford Holiday cover

My short story “An Oxford Holiday” is now out on Amazon! It is an 8,000 word short story featuring Adam and Immanuel from The Winter Garden. The story is a bit of a romance piece. I wanted to challenge myself because I don’t usually write romance-based plots, and I rarely write short stories. It is 99 cents and can be found here.

If you would like to add it to your Goodread’s to-be-read list, just click here.

Here is the blurb:

After a trying two months at Oxford dealing with miserable classmates and isolation, all Immanuel Winter wants is a peaceful weekend with Adam— two days where they could forget about the impossibilities of their future together.

But when the arrival of a radical female lawyer turns the university upside down, their holiday plans are put in jeopardy.

Will Adam and Immanuel be able to escape the horde of dons descending upon the city or will they be forced to postpone their plans and their future?

Writing

Feeding the Beast

This summer has been two months of experimentation regarding my writing and what I need in order to be productive. What I have found is that to continue to be productive creatively, you need to feed that creative beast.

Writing is an incredibly solitary activity. You sit in front of your computer or notebook for hours, constructing a world of your own. While it’s rewarding and you wouldn’t have it any other way, it’s hard to do day after day. Burning out is a constant threat, which leads to productivity problems, lack of motivation, and overall blah-ness. It sounded scientific up until that point, didn’t it? It’s true though. As much as we would like to pretend that writers and artists are limitless fonts of creativity, it’s very possible for the well to run dry, and it does, much to our dismay.

Typically my summers consist of me living a mole-like existence where I don’t leave my house unless I have to attend a university function or go to work. This year, I decided to try to get out more and actually do some fun things to boost my creativity. Here are some things I have found that feed that creative beast:

  1. Read! No seriously, read a book, one you actually want to read. Most writers are fairly avid readers, and I’ve noticed that when I am reading a book or series I enjoy, the words tend to flow more than they would if I was slogging through a book for grad school.birthday books3
  2. Color. Or draw or paint. Do something creative that is not your current project. For my birthday, I received one of those adult coloring books and a new box of colored pencils. It’s wonderful. While you’re utilizing someone else’s design, you’re choosing the colors and figuring out how you want it to work. The repetitive nature of coloring also tends to reduce stress and help you reach that zen-like state that is conducive to creative work.
  3. Get out of the house. Seriously, step away from your computer and go outside. It’s easy to fall into the trap where you sit for 10 hours at a clip staring at Microsoft Word wondering why the muses are being so cruel. Part of you says, “I can’t leave the house! What if I get my mojo back while I’m out?” More than likely, you’ll be enjoying what you’re doing out in the world, but bring a notebook just in case or use the notepad feature on your phone to jot down your idea on the fly. Go to the mall, go to the bookstore, go to the park. My favorite right now is going to the beach or to the water. Water is an incredibly grounding force. If you can, get to the water (lake, ocean, bay, whatever) and take off your shoe and socks. Let your feet soak in the water. I find the ebb and flow of the tide to be an incredibly grounding force. This summer I went on a 3 hour boat tour, and it was wonderful. I brought my notebook, but I was so busy enjoying the water that I didn’t even reach for it. When I got home, it was writing time.

    water
    A little pic from the Jersey Shore.
  4. Watch a little TV. When I say this, I don’t mean an 8 hour binge of Orange is the New Black on Netflix. I mean, sit down and watch something you truly enjoy. Put away your laptop for an hour or two and just enjoy the show. It doesn’t matter whether it’s Project Runway or Poldark, just sit and watch for a little while. I tend to not advocate Netflix because the autostart the next show, and 1 episode turns into 10 in the blink of an eye.

Remember that your creativity is like a being all of its own. It needs to be nurtured and fed, and when you work it for weeks on end, it needs time to rest or recuperate. My suggestion is to do at least one of these things each day. Read before bed or during your lunch break, get out of the house on days off is possible. Take time to enjoy your work and feed your inner creative being with things that inspire you.

Monthly Review · Writing

July in Review

Starting in January, I decided it would be a good idea to look back at each month and see what I have accomplished in my writing and marketing as well as reflect upon what needs to be improved in the future.

July was an oddly productive month. I’m still trying to wrap my head around how this happened, but I think a good part of it is that I participated in Camp NaNoWriMo, which forced me to be disciplined about my writing routine, and that I made sure to replenish my writing mojo by feeding my creativity with outings and good books.

What I did accomplish:

  1. Wrote 20,000 words of The Earl and the Artificer (The Ingenious Mechanical Devices #3), which equates to about 5 chapters
  2. Met my Camp NaNoWriMo word count goal + 5,000 words
  3. Read Cold Magic (The Spiritwalker Trilogy, #1) by Kate Elliott and Indie Author Survival Guide by Susan Kaye Quinn
  4. Finished proofing the audiobook for The Earl of Brass (IMD #1)
  5. Got the ball rolling on the audiobook for The Winter Garden (IMD #2)
  6. Fixed/”finalized” blurb for The Earl and the Artificer
  7. Balanced writing, fun, and life better

Goals for August:

  1. Write 15,000 words of The Earl and the Artificer
  2. Finish and send “An Oxford Holiday” to my beta readers
  3. Read 2-3 books
  4. Build up my daily word count and work on a plan for when grad school classes start again
  5. Continue to strive to write instead of striving for perfection

For once, I went above and beyond with my goals this month. Usually I find myself groaning when I reread my goals from the previous month because I’ve missed the mark on around half of them. In July, I exceeded my word count goal by 5,000 words, finished my audiobook (which should be available in a week or two), and was still able to read on the side. The Earl and the Artificer is finally cruising along and coming into its own (FINALLY). Seriously, this book was dragging so badly for a while, and it was all me. I needed to get my ducks in a row and really figure out where the story was going. By digging in and plowing through to meet my word count, there was no time to “get stuck” or make excuses as to why I wasn’t writing. Instead of taking a day or two to figure things I out, I consulted the color-coded outline I made and kept on going. One of the things that I think helped a lot was downloading one of these word count tracking spreadsheets. All you do is add the amount of words you wrote that day, and it takes it out of the your monthly or yearly goals. It’s a hundred times better than anything I could have made.

The downside to being so productive with book 3 is that I totally put “An Oxford Holiday” to the side. I’m still about 80% through it, but I need to take a day or two and wrap it before I give it a quick edit and send it off to the beta readers. It will be done by the end of August, but obviously the larger project takes precedence. I also need to convince my cover artist to make me a simplified cover for “An Oxford Holiday”.

This month I turned twenty-four, and I’m incredibly amazed by what I’ve done in the past year. Last year around this time, I had just published my first book and had no idea what I was doing. Now, I feel much more confident in my abilities, and I have two books out and four poems published in different literary magazines. Hopefully by the time I’m twenty-five, I’ll have at least three books out and a few short stories. It still amazes me how far I’ve come in a short space of time and how much I’ve learned. During the month, I hope to read Susan Kaye Quinn’s For Love or Money to add to my knowledge of author entrepreneurship.

While I’m looking forward to August and what I will hopefully accomplish, I know I have lost certain things to my goals. The main thing is cutting back on blog posts, but I’m pretty okay with that. People seem to be responding to my update posts as well as they did my other ones.

To wrap up, I have two posts to make note of:

I’m running a Goodreads giveaway of 2 paperbacks of The Earl of Brass and I did a guest post for the lovely Kate M. Colby about creating realistic characters.


If you would like to know when I’m running promos or have new releases coming up, please consider signing up for my newsletter. I promise, no spam.

newsletter button

Writing

Books, Birthdays, and Word Counts

So Saturday was my birthday, and that means an outing of my choice with my family, cake, and way more food than our guests could eat. Most of my family came over, and while my beloved dog was beside himself with so many people over, we all seemed to have a good time. This also means… BOOKS! GLORIOUS BOOKS!

birthday booksI am pitifully excited about this, and the lit-related clothes and goodies I got too. Currently, I am reading Cold Fire, but I cannot wait to get through everything else. Of course, I cannot wait to color as well. I’m dying to color. Also, one of my friends, who is a fabulous artist (look her up on Deviant Art or Facebook at Fi-Di or Fiammetta De Innocentis) drew a picture of Hadley from The Earl of Brass and sent it to me on my birthday. I was beyond surprised and could not stop showing it off because I was thrilled to get more art of my characters.

Hadley by Fiammetta De Innocentis

Shockingly, through all of the festivities, I have been writing. This may not be shocking to others, but for me, I haven’t always been the most consistent author in terms of writing. One of the things I am trying to achieve this month is getting into a schedule and having some discipline. This week I also hit the 10,000 word mark for my writing goal, which means The Earl and the Artificer is now over 25,000 words, and it should be between 30,000 and 35,000 words by the end of the month.

nanowrimoSucceeding with Camp Nanowrimo has made me see that I am a goal-oriented person, and I really ought to use that to my advantage. I have decided to give myself a word count goal each month that I should be able to meet. Keep in mind that these are modest for a reason. When I don’t hit the goal, I tend to get discouraged and abandon the idea. If I set myself modest goals at first, I can build my confidence in the process and eventually stretch my goals out progressively. These are the goals I have decided to set for the rest of the year:

Jul 30,000 (15K) [484/day]
Aug 45,000 (15k) [484/day]
Sep 55,000 (10K) [334/day]
Oct 65,000 (10K) [323/day]
Nov 75,000 (10k) [334/day]
Dec 85,000 (10k) [323/day]

More than likely, I will probably exceed these goals each month (hopefully), but it gets hard during the semester when I have school work, textbooks to read, my graduate assistantship on top of my writing. Overall, these goals seem more than manageable. What I hope to do is finish The Earl and the Artificer by January 1st, and have it edited and ready to go by March. If I can get it out earlier than that, I will be thrilled, but I don’t want to push it too far yet. I’m hoping that with a steady-stream of inspiration with my reading material and encouragement from my fellow readers and writers, I will be able to push through and get it done.

I hope you are all having a good July, and I will check-in again soon. Until next time, Awkward Authoress out.

Personal Life · Writing

Who Am I & Why Do I Do This?

I think as writers and bloggers, we assume that everyone knows who we are or that they somehow found their way to the About page or that original post we made when we started our blog that stated who we were and why we bothered making a blog. I’ve had this blog for over a year now, so I thought it would be prudent to reintroduce myself, especially since I think this year has been one of growth and change for me.

Who am I?

My name is Kara Jorgensen, and I am a [nearly] twenty-four year old writer from New Jersey. No, we do not have accents like those people on The Jersey Shore. Currently, I am working toward an MFA in Creative and Professional Writing and only have a year left before I complete my degree. Of the 16 major personality types, I am an INTJ-A, which means that I am the “architect” type. Shockingly, this says a lot about me. I demand perfection of myself and others and strive to meet my goals through whatever means necessary. For years, I have asked a lot of myself in terms of school and grades, and that has now shifted to my writing.

My ultimate goal is to one day be a full-time writer or nearly full-time writer as I would also like to become an English professor. Sometimes in my pursuit of my goals, I take myself too seriously and occasionally burn out for a time, usually after accomplishing that goal. What recharges my batteries are: my border collie mixes, Edgar and Finny, my boyfriend, trips to bookstores or museums, and of course, writing and reading.

Currently, I have two books out, The Earl of Brass and The Winter Garden, which are both part of a steampunk-ish series. I say steampunk-ish because my books fall more into historical fiction than fantasy or scifi. It’s probably an 80-20 split between historical and fantasy. If you like Victorian literature or period dramas, you may like my writing, but if you’re looking for space battles or goggles on saloon girls wielding Gatling guns, you’re not going to find it here. Right now, I am working on the third book in my steampunk series, The Earl and the Artificer, as well as a companion short story that will go between books two and three. In the coming year, I’m hoping to work on the fourth book in the series and possibly branch out to a more heavily fantasy series (the aesthetic is old leather-bound books, humanoid creatures of mythology like something out of Pan’s Labyrinth, and old houses).

Why do I do this?

I ask myself this a lot. From as far back as I can remember, I have always loved to write stories. I drew little picture books where cats and dogs went on adventures and when I wasn’t writing them down, my Barbies were embroiled in soap opera-like drama. Writing is like a compulsion for me. I have characters and stories chattering in my head, knocking at my brain for me to write out their scenes.

One of the things I noticed as I grew up was that there weren’t often characters I immediately connected with. As a middle class, white girl from the suburbs, it seems odd that there wasn’t a female character that struck a cord with me. The girls were almost always stereotypical girls (pink, fashion, boy problems) and apart from Hermione, I was dissatisfied with what I found. It made me wonder how people who are minorities or varying sexualities and genders felt when they couldn’t find themselves in characters, so I have decided to dedicate part of my writing career to exploring diverse characters, especially ones of diverse sexuality and gender.

This blog is dedicated to the mid-writing rambles of an up-and-coming author. One day it may be a progress report, the next day it may be me railing against the man or a blurb about sexuality or gender in the Victorian era. No matter the subject, it will be a behind the scenes look at my life as a writer and twenty-four year old.

Writing

Plotter, Pantser, Gardener

If you have ever seen an author interview, very often you will see a question about whether the author is a plotter or a pantser.

A plotter is fairly self-explanatory. It means that the author plots out the points of the story before writing (some plot every point, some do only major points).

Pros:

  • Author always know where they’re going
  • Organized- less time spent figuring it out as they go
  • Easier editing (probably)

Cons:

  • Lacks spontaneity
  • Author may not feel the need to write as they already know the ending
  • Author spends a lot of time prepping and not writing

A pantser is named such because the author flies by the seat of their pants while they write, typically not making use of an outline or using a very vague one.

Pros:

  1. Plenty of room for change
  2. More writing, less planning
  3. More “fun” for the author who enjoys surprise

Cons:

  1. More editing (probably)
  2. The author may get stuck more often
  3. Messy, which doesn’t work well if the author is more of a structured person

Most authors fall along this spectrum of rigidity, but what about if you fall somewhere in the middle?

This is where the gardener comes in.

I describe a gardener as someone who begins with a basic plan but allows for a lot of wiggle room. It takes the best of both worlds when it comes to plotting and pantsing. Why call it a gardener? Well, a gardener has an idea of what they want the garden to look like when they start. They know where the plants will go and maybe what types they want. They plant the seeds (plot strings) and tend them until they grow to full-bloom. Along the they way prune or add fertilizer as needed. They may notice that a plant needs to be moved or gotten rid of, and they take that into consideration as they tend the garden. As a gardener, I have a hard time thinking of cons because the style of gardener varies greatly with the writer. It can be a bit messy and will lead to at least some editing later, but it lacks the rigidity of plotting and the “winging it” aspect of pantsing. Here is an outline I wrote while working on The Earl of Brass:

eilian-hadley outlinePlease ignore the crazy diamonds, I was marking off what I covered at the time. As you can see, the major points are plotted out with arrows from event to event. What you can’t see from the final product is that I actually filled in several major events that I knew I needed, and then I added the smaller events in between. This is the basic idea of a gardener. They know the major points and fill in the smaller ones along the way but not to the point of completely locking the plot. For me, I need flexibility while I write to let my characters breathe and do their thing. They often surprise me, and I haven’t been disappointed yet.

So are you a plotter, pantser, or gardener?


If you would like news about new releases, promos, and previews of future projects, please sign-up for my newsletter.

newsletter button

Writing

A Sloppy Update

Become-a-writerFor hours I wracked my brain to figure out what I was going to write today and still came up with very little, so please excuse this meandering and somewhat aimless progress update.

Well, for the first time in a while, I have actually been writing pretty consistently. I wish I could tell you what has suddenly caused this change in productivity. Part of it I think it is shaking off the transition period from the end of the semester, but I think a lot of it is taking the pressure off myself. For a while, I was telling myself, “You will write 1,000 words or you are a terrible writer!” Well, that doesn’t accomplish anything and only makes you feel bad about yourself when you don’t reach that goal. Then, I tried not editing anything while writing. I ended up getting frustrated because there were scenes I was itching to fix and it made it very hard to go forward.

Now, I have been sticking to what I like to call the croissant dough method. It can also be called two steps forward and one step back. When making dough for croissants, you need to continually fold it and layer it with butter. By building up the dough and breaking it down, you make a richer product. What I do is reread what I wrote during my last writing session and tinker with it. I tend to build-up scenes when I do this sort of editing because I have a tendency to write before bed, which leads to missing words and skimmed scenes that need to be beefed up later. By doing this, I also become reacquainted with my work, which makes it much easier to move forward.

In terms of word count, I’ve told myself that I need to write daily, which I’ve done all week thus far. My goal is to write between 500 and 1,000 words each day, and for the majority of the week with the exception of two days, I have been able to do that. This actually surprised me because in the past I have not kept up with it when I set word count goals for myself. I will admit that it felt like it took forever to get to 10,000 words, but now that I have passed that milestone, the words seem to flow easier.

Right now, my biggest issue is trying to weave in the many threads that will make up the plot for the rest of the book, and because I’m not that far into the book, I feel like I am sitting in the middle of a yarn basket. Well, hopefully as I reach the middle of the book, these threads will weave and knot and eventually form a story. For now, I keep telling myself that I’m not even a quarter of the way into the narrative and can’t rush things.