Writing

Release Day and Sale

IMD Sale

To celebrate the release of The Earl and the Artificer (IMD #3), the entire Ingenious Mechanical Devices series is on sale this weekend! On Saturday, January 30th and Sunday, January 31st, you will be able to get the entire series for under a cup of Starbucks.

You can find the books here:

The Earl of Brass (IMD#1): FREE

The Winter Garden (IMD#20): $0.99

“An Oxford Holiday” (short story): FREE

The Earl and the Artificer (IMD#3):$0.99

 

**The prices above are only guaranteed for Amazon US. I’m not 100% sure if the sales will appear on all markets, so please check before you click buy**

Writing

Bookish Bitching

As readers, we all have things we see in a book that make us roll our eyes or want to immediately put it down. This week, I was inspired by Nate Philbrick’s 20 Bookish Pet Peeves to write my own list. It’s Monday, so why not bitch about it?

  1. Covers that change mid-series
  2. When paperbacks are released six months after the hard cover
  3. Ebooks that cost as much (or more) than a paperback
  4. Highly sexual book covers
  5. Poorly done photo-manipulated covers
  6. Publishers who give authors super short print-runs
  7. Love triangles
  8. Characters will oddly apt names, like a werewolf named Luna Woolf
  9. When side characters are more interesting than the main characters yet get very little screen time
  10. The “tragic queer” trope
  11. Invisible people of color (when characters are only revealed to be PoC by the author AFTER the book has been published and widely read, yet there’s no textual evidence in the book)
  12. Mary-Sues/Gary-Stus
  13. Complex female characters being called Mary-Sues because they can think and act like a capable human being
  14. Books that flat-line in the middle in terms of pacing
  15. Unlikable characters only being “bad guys”
  16. Lack of diversity in many genres (in terms of race, sexuality, gender-identity)
  17. Books with no back blurb, just “reviews” by big name papers or authors.
  18. Authors who put out one really great book and never write again
  19. Certain genres being seen as lesser or more important than others
  20. When the dust jacket won’t stay on your hard cover

What bookish things do you bitch about?

Writing

One Week Until…

eata final cover

In one week, the Earl and the Artificer is released! One more week to pre-order it at 99 cents.

I can’t believe the release day is nearly here.

While waiting for the release of book three, I have been hard at work formatting the paperback and doing a little updating of The Earl of Brass and The Winter Garden. I know that when I formatted The Earl of Brass two years ago, I have no idea what I was doing, so I decided to reformat the paperback version and tidy it up. The new version should be on Amazon now ready to go. Not much has changed, but as the author, the places I screwed up are glaring to me and have been since I finished book two.

proofproof1

 

The same day, the proof of The Earl and the Artificer came in the mail and looks fantastic! I was so afraid it wouldn’t get here before the blizzard that’s supposed to hit today. The paperback should be available on Amazon in a few days, so stay tuned for more updates on The Earl and the Artificer.

 


 

If you’re trapped in the house from the blizzard or just want a new series to lose yourself in, try out the Ingenious Mechanical Devices.

The Earl of Brass

The Winter Garden

“An Oxford Holiday”

The Earl and the Artificer (pre-order, out January 30th)

Writing

5 Editing Tips and Tricks for your Manuscript

With The Earl and the Artificer ready for publication in a little over two weeks, I thought I would touch upon one of the major steps in the writing/publishing process: editing.

Editing is one of my favorite parts of the writing process and also one of the most daunting. When you finish your 300 page manuscript and sit staring at the mountain of papers, editing seems like an endless process. Really it is, since you could edit it forever, but at some point, you must edit and release it into the world.

Here are some tips and tricks for getting your manuscript edited and ready for publication:

  • Edit as you go. I know many writers suggest writing a first draft in some sort of adrenaline and creativity-induced haze, but I find that I just can’t do that. If you’re like me, you’re a tinkerer. Embrace that habit… to a point. The problem with editing as you go is you can easily end up not moving forward. If you worry about getting stuck, try beginning your writing session by only editing what you wrote the previous session. That way, you have a certain area you’re allowed to play with, but you do it before moving forward.
  • Make a list of things you need to edit as you write. This goes along with the previous bullet point. To keep you from going back and tinkering or to simply have a good idea of what you know needs to be fixed, keep a list of things you want to edit. It won’t cover the entirety of your editing, but it will ensure you don’t forget thing you had been dying to fix at the time.
  • Know your weaknesses. This may be the hardest aspect of editing. Writers tend to either think their work is perfect or all drivel. Know what you aren’t good at. This can be learned through feedback from writing groups or even reviews of your work. Often, overwriting is a problem in first drafts. Be on the look out for overwriting or over-explaining, especially if you know you are prone to it. I have a problem with lay versus laid, so as I’m rereading my draft, I circle every one I find. That way, I can check it with a chart I have to confirm I’m using the correct tense. It may help to make a list of your known issues that you can reference as you edit.
  • Have someone or something read your work aloud after you’ve edited it. This was an old trick we used in my university’s writing center. If you read something out loud, you’re more likely to catch errors or hear when a sentence is awkward. I usually can’t find someone who is willing to read my 300 page book out loud, but Adobe Acrobat Reader has a text reading feature where it will read your document aloud. It’s like a GPS reading a novel, so some of the pronunciation is awkward. Overall, I found it quite useful for proof-reading my editing novel. I heard the errors and was able to easily correct them on my word doc. Anything that lets me play on Facebook and edit at the same time gets my vote. As mentioned before, this is a trick for after your book has gone through several rounds of editing and is in the final polishing stage.
  • Edit by hand. Yes, I’m killing trees, but I have found that I pay closer attention to what I’m reading on paper and make more thoughtful choices while working on paper versus strictly on Word. On paper it’s “permanent” while on the computer it can be easily changed. It’s all psychological. Plus, there’s less of a chance of being distracted by Facebook or Twitter while working on paper. I also tend to edit my edits as I type them into my computer after hand-editing.
Personal Life · Writing

New Year, New Books

Ahhh, another year as an indie author has passed. 2015 has been quite the year for me. I feel like I’ve accomplished so much, yet there’s so much more to do in 2016.

This year I released my second novel, The Winter Garden, along with a short story, “An Oxford Holiday”. While getting through another two semesters of graduate school, I finished writing The Earl and the Artificer and got to meet and hang-out with my best friend who came to visit from the UK. My boyfriend and I celebrated our tenth anniversary. Honestly, this year has been pretty fantastic for me.

I’m a little afraid of 2016. This year I will finish my MFA in Creative Writing and have to look for a real job, which feels incredibly daunting.

Anyway, I have a few solid goals for 2016:

  • Edit, format, and publish The Earl and the Artificer (Ingenious Mechanical Devices #3) by January 30th. You can pre-order it here.
  • Write more books! It’s a fairly obvious goal, but I’d like to write at least two books in 2016.
  • Write every day that I’m not editing. For a while this year, I was really good about writing at least a couple hundred words every day, and that really upped my productivity. I want to start doing that again once I plot out the basics for book 4.
  • Read the books I own. This may sound odd, but I bought a lot of books in 2015, and I haven’t read most of them. In 2016, I’d like to catch up with my reading and try to only buy sequels to what I’m currently reading and not buy twenty for every one I read.

I could go into a bunch of smaller goals I have, but I’m sure those will come up throughout the year. I’m proud of what I’ve accomplished in 2015, and I can’t wait to see what 2016 will bring.

Stay tuned for more stories, new characters, and future publications! I know 2016 is going to be a great year!


 

The Earl and the Artificer (IMD#3) is available for pre-order on Amazon for 99 cents.

eata final cover

 

Writing

Chapter Preview- The Earl and the Artificer

It’s less than a month until The Earl and the Artificer is released in ebook and paperback. Between now and January 30th, I will be posting about The Earl and the Artificer as well as the process I’ve gone through while getting it ready for publication.

If you would like to pre-order The Earl and the Artificer, you can here for 99 cents.

eata final cover

As promised, here is the first chapter of The Earl and the Artificer, coming January 30th:

 

Chapter One:

The Ninth Earl

 

Elbow-deep in steamer engine innards and covered in grease was not how Hadley Sorrell expected her honeymoon to begin. The wedding and journey to Dorset had been surprisingly smooth, but their luck never lasted. She should have expected the steamer to pop and belch smoke in the middle of the road. Glancing over her shoulder, she watched her husband stare off, his grey eyes locked on the rolling waves as they lapped against the piebald coast in the distance.

“Hold my leg, so my dress doesn’t blow up,” she called. “Eilian!”

“Sorry!” He snapped to attention and held her billowing gown, his prosthetic hand resting behind her knee, as she looked into the hood. “Are you certain you don’t need help? I feel bad just watching.”

“It’s fine. I don’t think there is room in here for you, anyway.”

Leaning into the front of the cab, she brought her face close to the boiler as the heat of the kettle stung her cheeks. The metal coils of the heating element had melted into a blackened cake that smelled of burnt hair. Using the sides of the hood for leverage, she pivoted back until her satin boots met the road’s white gravel. Staring down at her cream dress, already streaked with soot and grease, she sighed and wiped her hands across it before smoothing a lock of henna hair behind her ear.

“I can’t fix it. It’s burned out.”

“We could take the bicycles into town. I don’t think it’s that far.”

“Let’s just wait for Patrick to come back. You know he won’t be long.”

As Hadley lingered in the road, reconnecting the pipes and organs from the disemboweled car, Eilian listened to the pastoral silence. Under the waves and the rustling trees, there was a faint noise he couldn’t identify and it was growing louder. Gravel hissed on the other side of the bend. By the time the steamer broke from the tree-line, it was barreling down the narrow lane. Eilian waved his arms to catch the driver’s attention, but he never slowed. Wrapping his arm around Hadley’s waist, he darted and turned, falling back onto the grass in time to watch the car hurtle past in a blur of steel and wood.

“Good Lord, he nearly ran you down!”

Hadley sat in her husband’s lap, arms and legs wrapped around him. As she tried to uncurl her legs from his lap, the muscles of her thighs locked and shook. Resting her head against his collar, she inhaled the sweet, earthy scent of sandalwood that lingered on his skin and let him hold her a little longer. If he had been slower— She shook away the thought.

“It’s no different from London. They would sooner run you over than look at you. Help me up, and I’ll finish before someone else comes.”

“No, let me do it. I’m already part metal. What’s one more limb?” he replied, kissing the top of her head and carefully disentangling himself from her skirts.

Watching Eilian from the grass, Hadley smiled to herself. The mechanized fingers of his right hand flexed at a thought, reattaching the engine’s cords and tubes with ease. It had been a year since they met, when she came knocking on his door with a tape measure and an idea for an electric prosthesis. They had shared a tent in the dusty lunar gorges of Palestine while she was disguised as a man, but there would be no more charades or mutterings from his mother about scandal or imagined impropriety. Now, they could finally be together. A thrill laced through her breast at the thought of such liberty.

“Incoming!” she called as a steamer chugged down the lane, slowing to a stop a few yards away.

Eilian stepped out of the way, his eyes trailing to the black-haired woman in the driver’s seat and beside her, his butler clamoring out the door. Patrick burst from the cab, sputtering apologies and half-formed phrases.

“Pat, slow down. I can’t understand a word you’re saying,” Eilian said as he joined him at the steamer’s hood.

Taking a deep breath, Patrick pushed his glasses up his nose and collected his thoughts. “Sorry, sir. She’s willing to take you and Lady Dorset up to Brasshurst Hall. I’ll stay behind and wait for the mechanic.”

The woman with the full features of a Caravaggian saint climbed out of her cab, her voluminous skirts rustling with each step. Her dark eyes ran between the young man with the wayward hair to the woman in the stained dress at his side. “Sorry to intrude, but your valet said you were headed for Folkesbury? I am headed that way now if you would care to join me.”

“That is very kind of you, Miss—?”

“Mrs. Rhodes,” she replied, walking back toward her steamer while the butler dithered between the trunks and bicycles tethered to the back of the hissing steamer.

Eilian held the passenger door open for Hadley to slide in. “I hope we aren’t inconveniencing you.”

“Not at all, I was heading back home. Brasshurst Hall is on the way.”

A pang of guilt rang in the pit of Eilian’s stomach as he watched Patrick grow smaller behind them.

“I was surprised to hear you were headed for Brasshurst. No one has been up there in ages. I almost didn’t believe Argus—my husband—when he told me the earl’s servants were coming up from London to clean the house. Are you his guests?”

Hadley’s lips twitched into a grin, and she shot her husband a knowing look. “He is the earl.”

“Oh.” Mrs. Rhodes’s eyes left the road long enough to search the nobleman’s face for any sign of offense while her own cheeks burned. “I beg your pardon, Lord and Lady Dorset. I— I was expecting someone… older.”

“No harm done, Mrs. Rhodes. You were probably thinking of my father. I have only been the earl for a few months, and I— Is that the house?”

Over the tops of the closely clumped elms and oaks, the spire of a tower rose. As they cut through the brush, Eilian’s eyes widened. Knowing his father, he had expected a conservative Georgian brick manor with a square roof and a smooth face, but the house was like none he had ever seen.

Brasshurst Hall was an asymmetrical monster. It had a Gothic portal and face on the front, a Palladian annex shooting off the side complete with columns and pediments. Straining his eyes, he could make out the latticed windows of a sultan’s harem floating above another layer of cathedral spires and pointed arches. The weathered grey-brown cloister stone was half-covered with ivy and wisteria. Following the gravel drive across an old stone bridge, the orangery appeared. The greenhouse’s glass and metal body bulged from the side of the manor like a verdurous boil. No wonder his father chose to move them to London.

When the steamer slid to a stop, Mrs. Rhodes swallowed hard, looking between her passengers. “I do hope you will call on us while you are in Folkesbury, Lady Dorset. My cousin is staying with us, and he has been eagerly awaiting your arrival. He lives in London, too, near Bloomsbury. You may have heard of him. Nadir Talbot, the novelist.”

“Yes, I think my brother read his last book, the one about Cleopatra. He enjoyed it very much.” When the woman’s eyes lit up, Hadley continued, “Thank you so much for giving us a lift, Mrs. Rhodes. I will most certainly pay you a visit once we are settled.”

Watching the steamer roll away, Hadley sighed as the grin fell from her cheeks. She would have to pay calls in a few days, drifting from house to house pretending she was the Countess of Dorset and not Hadley Fenice of Fenice Brothers Prosthetics. It was hard enough to pretend she was an aristocrat for a few hours at their wedding. How was she supposed to keep it up the entire time they were in Dorset? At least her etiquette books were packed in her trunk and Folkesbury seemed like a small town. Maybe no one would notice that she wasn’t a born aristocrat.

Eilian’s metal hand pressed against her palm. “So, what do you make of it?”

“It’s… different,” Hadley replied, her gaze running over the bright blue brace and ledge door set into the deep rings of the Gothic façade.

“I’m beginning to wonder if insanity runs in my family.” Eilian opened the door and turned to her with open arms. “Well, shall we?”

“You’re going to pick me up? Are you sure you can carry me?”

“I have before.”

Slipping his arms around her shoulders and behind her knees, he hoisted Hadley against his chest. She wrapped her arms around his neck and braced herself in case his prosthesis couldn’t bear her weight. Whenever he picked her up or held her close, part of her still wanted to look around to ensure no one was watching, yet she didn’t want him to stop.

“This is a silly tradition, Eilian. You don’t have to do this.”

“I want to; it’s good luck.” He kissed her cheek and pushed the door with his back. “The Romans believed carrying a bride over the threshold would protect her from evil spirits…”

Eilian froze in the doorway. The tunneled hall was dark, looming over them and pressing close to his head. While the floor had been swept and the old rug laid out, the ribbed arches were webbed with spider’s silk. As the dust motes danced and surged around them, he tightened his grip on her. Turning toward the sun’s rays, he reached to close the door but left it for fear of the shadows rushing in or what might lie beyond the threshold.

“I think we are a little late if we want to beat the evil spirits.” Hadley’s eyes roamed over the clots of long dead insects and debris spun into the grooves of the stone ceiling as he set her down. “I thought the maids were supposed to come and clean up.”

“They were. Maybe I didn’t send them early enough. There are only three of them, and I had no idea the house would be this large… or filthy.”

Taking Eilian’s hand, Hadley stepped into the great hall. The house groaned and yawned somewhere deep within. Hadley raised her eyes to the high Gothic windows and skylights she had seen on the drive up, but they were so choked with ivy they barely emitted enough light for her to make out the family coat of arms carved into the hearth on the other side of the room. A pile of furniture covered with once white sheets stood in the corner, blocking off the entrance to the dining room. The wood-paneled walls were caked in grime while the pointed arches in the upper arcade were cloaked in curtains of cobwebs as opaque as silk screens.

Rubbing her arms, Hadley stared into the mouth of the massive hearth. A granite lion’s head snarled back at her, a spider skittering from his drawn lips to his meager mane. She pulled a handkerchief from her purse and stood on tiptoe to wipe the crest above his head. An otter and a fox stood on either side of a shield surrounded by acorns and leaves. In the fox’s paw was a key while the otter clutched a scallop. Between them an oak sprouted, and a banner stretched across its roots. With her finger wrapped in the linen square, she scrubbed at the stone until the thin letters peaked through. It all had significance. If only she knew what.

“Eilian, what does it say?”

The earl squinted, tracing the letters with his fingertip as he pronounced the familiar phrase. “Salus in Arduis. A refuge in difficulties. Maybe in better days. Come on, let’s see if we can find the library or the orangery.”

Walking into the windowless hall, Eilian felt along the wall for the gas lamps’ switch but found only the dusty edge of a picture frame. He reached behind it, but when something in the shadows brushed against his hand, he lurched back, bumping into his wife. Raising his eyes, he met the face of a man in a powdered wig as the lamps lit with a gurgling sigh. The third earl stared down at him from the wall, the grey irises beneath the cocked brows and the signet ring on his finger were all that tied them together, and he still hadn’t been able to wear his father’s ring yet. He swallowed hard. So these were his ancestors. These were the men he had to live up to.

Eilian took a step forward but stopped, moving back with his eyes locked on the painting.

“What are you doing?”

“His eyes follow you.” He shuddered and tried it with the fourth earl’s portrait further down the hall. “Do we really have to stay here? Can’t we just go to Greece instead?”

Hadley rolled her eyes, avoiding the women hanging in a row on the opposite wall. Why look at them when she knew what she would see? They were a line of noblewomen, born and bred to be the wives of aristocrats, all perfected in oil and exuding a hauteur she couldn’t hope to emulate. She dreaded the day when she and Eilian would sit for their portraits, when their faces would be placed beside his ancestors and everyone would see the glaring deficiencies in the ninth Earl and Countess of Dorset. Reaching the end of the hall, she tugged at the pocket door. With each inch it slid, the thrumming hum of an engine grew louder, but on the other side stood the library. Eilian drifted in behind her, his eyes wide as they followed the bookcases up the wall where they melded with the coffered ceiling.

All of the houses prior eccentricities and sins were forgiven at the sight of the library, which rivaled his back in Greenwich. He ran his hand over the edge of the cabinet before turning the key and pulling it open. Books by Pliny, Archimedes, Al Jazari, and the Banū Mūsā brothers stared back at him. Carefully pulling the last tome from the shelf, Eilian cradled it against his chest with his prosthetic arm and turned the fragile vellum pages with the tips of his fingers. His gaze darted over the tight lines of Arabic and intricate schematics as he settled in at the divan under the window. He wondered who else had cared about ancient engineers.

Hadley’s cream gown floated at the edge of his vision until she knelt on the chair beside him and wiped at the window. She swatted at his shoulder, but his attention never wavered from the page.

“Eilian.”

He had never been able to find a pristine copy in Arabic, even in Cairo and Constantinople. His friends at the Oriental Club would be envious if they knew of his find.

Hadley gripped his shoulder and squeezed. “Eilian, look!”

Glancing up, he met her wide blue eyes, the freckles across her nose stark against her sudden pallor. She motioned for him to peer through the hole in the dust. Between the trees and dense foliage of the greenhouse, a figure sat in a wingback chair beside the algal pool.

“Someone’s in there.”


 

Like what you read? You can pre-order The Earl and the Artificer (IMD#3) here (out January 30th) or you can share this post on social media using the buttons below. Exposure is one of the best ways you can help a writer or artist out.

Stay tuned for more previews in the coming weeks!

Monthly Review

October in Review

Starting in January, I decided it would be a good idea to look back at each month and see what I have accomplished in my writing and marketing as well as reflect upon what needs to be improved in the future.

This month has been kind of crazy for me. Steph, my best friend who lives in the UK, came to stay with us (and is still here for a few more days), so a lot of October was spent getting her room ready, stressing, and finally enjoying her company. I’ve been having a great time and venturing to places even I haven’t gone. The downside is, this is all at the expense of my writing, but for two weeks with my best friend, I think I can make that sacrifice.

What I accomplished:

  1. Wrote 10,000 words of The Earl and the Artificer (87,000 words total)
  2. Edited the first two “acts” of The Earl and the Artificer, which is about 155 pages out of 221
  3. Read The War of Art by Steven Pressfield
  4. Finished or nearly finished a lot of my grad assistant work (department newsletter and such)
  5. Have enjoyed my time with Steph thus far and have thrown social anxiety to the wind and just had fun
  6. Made a Goodreads page for The Earl and the Artificer

Goals for November:

  1. Actually finish The Earl and the Artificer
  2. Finish editing The Earl and the Artificer and send it off to the betas
  3. Get ahead of my schoolwork to avoid end of semester stress/meltdown
  4. Read 2-3 books
  5. Finish book cover
  6. Maybe begin thinking about book 4

Yes, this is slightly late, but I’ve been having fun with my best friend and would rather be doing that than blogging. October has been a weird month for me. With Steph here, I’m much more social and am out and about, but even before that, October felt like an in-between month. I felt like I was in a holding pattern. I wanted to do things, but I didn’t know if I had the time or energy to really get involved. Writing fell to the wayside for prepping and doing schoolwork, and I’m okay with that. Usually I would be beating myself up over it, and I was at first, but I see that I needed to step away a bit.

With my writing, I’m nearly done with The Earl and the Artificer. I only have about three or so more chapters to write, and I am so ready to be done and move on to serious editing. More than anything, I want to start my prep for book four. At first, I had delusions of NaNoWriMo for November, but it’s not happening. There’s no way I can manage that right now. Plus, I need to finish book three before I throw any more projects on my plate. December may turn out to be my replacement pseudo-NaNoWriMo. I don’t need hoards of writers peer pressuring me with their daily stats to make me write; I just need time and energy. Both of which are in short supply at the moment.

So let’s discuss November. November will be my catch-up month. I plan on finishing everything this month. I need to finish writing The Earl and the Artificer, get the cover together, start doing my major editing, and hopefully send it out to my beta readers. Get shit done is basically the plan. Originally, I had hoped to publish book three in December, but it’s looking more and more like it will be January. That’s okay, but December would have been better. Thus far, I have been doing edits to tighten it up, but a few more rounds will be needed before I think about publishing it, and that takes time.

For my readers, please stay tuned for more info. I hope to have a pre-order link up in the not-so-distant future.

Personal Life · Writing

Apology Freebie

An Oxford Holiday cover

I know I have been totally neglecting this blog for the past few weeks, but it’s for a good reason. My best friend is here visiting from the UK, and I’m trying to spend as much time with her having fun before she goes back.

Anyway, to maybe make up for my absence, I have made “An Oxford Holiday,” which is a romantic Adam and Immanuel short story free today and tomorrow. You can find it by clicking here.

Writing

Happy Accidents

I did a thing. It was a semi dumb thing and I’m not sure why I did it.

As you may or may not know, my third book, The Earl and the Artificer, is also my MFA thesis project, so I have an advisor who is supposed to look at it and give me feedback along with a class who does the same. Thus far, my thesis advisor has been very lenient with me. Some demand at least a chapter a week or put their students on a strict schedule, but he’s pretty much let me do what I want since he knows I’ll get it done.

Well, I knew he would need to see something before the end of the semester, something substantial, in order to give me a grade. Originally, I told him I would hand in the finished piece (unedited) by mid-October. At the time, it sounded like a good idea. I’d have all the time in the world. I’m only taking two classes, so how much work could I have? A lot, that’s how much.

This is when I did something dumb. Part of my job in the English department is to create a newsletter, so I spend a bit of time emailing professors, harassing them until they tell me what they’ve published this semester or what events they’re holding. While emailing my advisor to ask him about his writing, I wrote, “I’ll be leaving an edited draft of the first act, which is about 80 pages in your mailbox next week.” I sent the email off without thinking much of it until about an hour later. NEXT WEEK?! Was I temporarily insane? At that point, I had only edited three out of the eleven chapters in act one. In less than five days, I would need to edit eight chapters to get them to where I was willing to show my advisor without cringing.

I immediately texted my best friend telling her of the stupid thing I had done. “But you work well under pressure!” she replied. I do, but why did I do this to myself? Why give myself added stress for no reason? If I had told him I would hand it in two weeks from then, he wouldn’t have cared and I wouldn’t have been freaking out. Then again, my best friend is coming from England in two weeks, and I would be worrying about my stupid project instead of getting ready for her arrival.

It’s strange, but it’s as if my subconscious gave me a boot in the ass. I’ve had ample time to edit my story, but I’ve been procrastinating and doing everything but writing and editing recently. Would I have had anything to hand in by the end of the month if I hadn’t accidentally cracked the whip on myself? Probably not.

Over the course of three days, I powered through chapters one to eleven, going over what I edited already and combing through the ones I hadn’t touched yet. Last night at midnight I finally finished. While I was too tired to add any new content to the story, I officially finished my edits of act one and will hand them into my advisor on Monday.

I’m somewhat proud of myself for actually getting this all done before the weekend and that on Monday I’ll be able to present my advisor with the first third of my work. After dilly-dallying for so long, it seems strange that I’ll actually be handing in part of my thesis. Luckily my mistake created this progress. Sometimes all you need is to give yourself a kick in the ass to get going.

Writing

Teaser Tuesday: The Earl and the Artificer

Hey, everyone! I have been holding off for quite a while now with posting a teaser from The Earl and the Artificer, aka book 3. I wanted to get closer to completion before putting anything online because I feared I would post half the book in my excitement. The book is still being written and edited, but I couldn’t wait any longer and had to give you a little glimpse.

In book 3, Eilian and Hadley journey to Brasshurst Hall, the ancestral home of the Earls of Dorset. Below you will find there is an uninvited guest at Brasshurst.


She put a finger to her lips and backed away from the window, her eyes locked on the head swaying above the chair’s back. As Eilian crossed the room and grasped the rough fireplace poker, he frowned at the hearth. The ash had been swept from the firebox and the mantle cleaned of debris and cobwebs recently enough that dust hadn’t settled over them again. Inching toward the double doors at the far end of the library, Eilian listened to the chug of an engine on the other side. Hadley followed close behind, fishing through her clutch. When had she started carrying that instead of her carpet bag? Her face brightened as she pulled out a snub-nosed gun the length of her palm.

“You brought your derringer?”

“It’s been useful thus far.” She checked the chambers before snapping it shut. “You didn’t think I would let you go in there alone, did you?”

Holding Hadley’s gaze, he counted off with his fingers. He drew in a deep breath and threw open the door to the orangery. A puff of hot breath hit them as they stepped into the artificial jungle. Massive palms and bushy camphor trees blocked the sun, casting the greenhouse in a balmy haze. The stench of fetid water was overwhelmed by the scent of plants. Everywhere was the smell of earth and the things that belonged to it, concentrated and bottled under the glass dome.

Eilian pushed back a Jurassic fern and followed the cobbled path toward the pool. Sweat collected under the leather brace around his upper arm, but he ignored the urge to wipe it and swept his eyes through the brush. With firecracker flowers and orchids of every shade and strange conformation crowding the path, he expected to hear the caw or flutter of a parrot, but the air was quiet, rolling and bubbling with the river and fog. As they rounded the corner, the man in the armchair came into sight. The hammer of Hadley’s derringer clicked in Eilian’s ear. He tightened his grip on the poker and watched the man turn. His sharp eyes never left his assailants as he stood and stepped around the chair. His dark suit was impeccably pressed and the fabric even from a distance was fine, better than Eilian’s. Something in his aquiline features was strangely familiar.

“Who are you and what are you doing here?” Eilian called, feeling Hadley tense beside him.

“Is that any way to greet your cousin, Lord Dorset?”

“Cousin?”

“Put down the gun, Lady Dorset, before you hurt yourself.”

Hadley’s jaw clenched as she kept the muzzle pointed at the grey-haired man at the edge of the pool. Catching her eye, Eilian nodded, and she exhaled, dropping her arm but keeping the gun at her side. Eilian lowered the poker as the man approached with measured steps.

The man’s lined, silver eyes fell on Hadley’s simple coiffure before lingering on her breasts and waist a moment too long. The new dress, while of good quality, was already dirty and the corset too loose, and though her features were pleasing, she was far from beautiful. The garter gun hung looped in her stained fingers. Where Lord Dorset had found such a creature, he could hazard a guess, but why would he marry it?

“I’m surprised your father never spoke of me.”

“We didn’t speak very often.”

“Apparently. Lord Dorset, the real Lord Dorset—Harland Sorrell—and I were cousins. We were raised in this house.”

When the man’s cutting gaze reached Eilian’s mechanical hand, the younger man tucked it out of sight. “How did you get in here? Did the maids let you in?”

His eyes narrowed as he straightened and cocked his head with a scoff. “I have a key, and even if I didn’t, I know this house better than my own body.”

“You still haven’t told us who you are,” Hadley said, resisting the urge to train the gun on him. There was something in his manner, the way all of his movement seemed to be in his eyes, that set her on edge. She had seen men like that in London— men who kept you busy with their eyes when you should have been watching their hands.

“Randall Nash, and you are Hadley Fenice, the illustrious toy heiress who has risen to countess.”

Hadley winced. The embellished wedding announcement had not been her idea. Her future mother-in-law had taken it upon herself to soften the blow of an inter-class marriage with money. Heiress had a better ring than craftswoman, even if it was false. At least the announcement brought in as many orders as their Christmas advertisement.

“Are you insinuating something, Mr. Nash?” Eilian asked, but before the man could reply, the butler’s harried voice rang through the walls. His voice grew fainter as he retreated through the gallery. “In the greenhouse, Pat!”

A crash resounded behind them, and when Eilian and Hadley turned back, Randall Nash was gone. Using the end of the poker, Eilian pushed back the plants around the edge of the pool but could find no trace of him. He stared down at the empty armchair. From the humidity of the orangery, the fabric had rippled and dampened, raising the varnish on the arms and legs. Beside it sat an open bottle of champagne, a chipped glass, and a book.


I hope you all enjoyed this little sneak peek of The Earl and the Artificer. There isn’t any pre-order info yet, but stay tuned! Also, if you join my newsletter, in a few weeks you will be getting another exclusive sneak peek of chapter one.