Writing

The New Book Blues

I have a confession: I hate starting a new book.

This probably sounds weird from someone who loves writing, their characters, stories, etc., but the actual starting part is the absolute worst for me. I’m not one of those writers who gets an idea and immediately dives headfirst to bang out 10,000 words in a few days before hitting the wall when they get to the middle. No matter how hard the spirit of inspiration strikes, I never get that sort of burst at the beginning of a story. The beginning is always the slowest part of the writing process for me. I’m constantly having false starts, stalling, reworking or clarifying things. The beginning of a book is about feeling things out and trying to get the shape of it in my mind before I get too far. My process is probably closest to a sculptor using a piece of a marble. They have to inspect the veins and natural curves and weaknesses of the rock before they get too far, lest they ruin it.

I’ve said it previously in other posts about my writing process, but I hate mess. I’m not the kind of person who can speed-run through a draft and deal with the problems later. If I have a super messy draft, there’s a 90% chance I will just chuck it in the bin and move on instead of dealing with it. Because I am mess averse, I tend to be a slower writer but a quick editor. My writing has been gone over so many times by the time I reach the editing stage that the draft is fairly clean. At the same time, I don’t have hyper-productive days with astronomical word counts because that would mean cleaning up a lot of mess later. Occasionally, I do have these days, but they’re often toward the very end of the story when I know exactly where I’m going and what needs to happen.

The beginning of a book is like standing at an eight-way intersection. I have too many choices and I haven’t puzzled out where they all lead yet, so I get decision paralysis. Some people will say just pick something and deal with the consequences. Yeah, no, I’d rather take a few hours or days to figure out what won’t work before charging down a certain path and making a mess for myself. I’m a careful writer, and the fact that the slow start is part of my process is something I need to remind myself each time I start a new project.

I often scare myself when I start a project because I am so slow at first. There’s a little, panicked voice inside of me that’s like, “At the rate you’re going, it’ll take two years to finish this book!” and then, I freak out more and freeze up. This time, I’m trying to remind myself that the speed at which I write exponentially goes up the further along I am in the book. The first five to ten thousand words are the slowest because my brain is still grappling with all the setup and moving pieces that need to be nailed down early on. This is part of the process, even if I don’t like how it feels, and at some point, I need to make peace with that.

The beginning of a book is like a road with nearly limitless paths, and the further I get into that draft, the more side streets are closed to me. The path becomes clearer, and the chance of getting lose diminishes. For now, I will keep going, albeit slowly, and try not to get lost.

Book Reviews

Reading Rec: A Gentleman Never Keeps Score

Cat Sebastian is one of my favorite romance writers, and her latest novel, A Gentleman Never Keeps Score, delivers a sweet yet poignant story.

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As the second book in the Seducing the Sedgwick series, A Gentleman Never Keeps Score follows Hartley Sedgwick, the preening, prissy brother of Ben Sedgwick from It Takes Two to Tumble. Hartley has gone from social butterfly among the ton to pariah after it comes out through the rumor mill that he received his townhouse after an *cough* arrangement *cough* with his now dead godfather. Retreating into his home, Hartley becomes a glorified recluse looking for a way to get back at his godfather and whoever spread the rumor. His plans get thrown for a loop when he meets Sam. Barkeep and ex-boxer, Sam has created a haven in the Free Black community and does all he can to help his patrons. His brother’s girlfriend comes to him with a unique problem. Someone painted a salacious portrait of her when she was a teen and she wants it back before she marries Sam’s brother. The commissioner of the portrait was none other than Hartley’s godfather.

For anyone who says romance is shallow, I would like to point them to Cat Sebastian’s work (among several others I can name off the top of my head). This story not only grapples with the long-lasting scars of sexual abuse but racism/racial profiling, PTSD, the complexities of consent, and the fluidity/rigidity of class in Regency England. There’s a lot that can be unpacked from this novel, but above all else, it’s a satisfying romance between two lovable characters. All of the issues and topics mentioned above are done with an immense amount of sensitivity and obvious research.

Hartley is a popinjay. A preening dandy who uses his clothing and impeccable manners as a shield against the world. He’s been hurt in the past and has a lot of issues to work through, but it makes him feel human and complex. For as onion-like as Hartley is, Sam comes off as a much more even presence. He began life as boxer, like his father before him, and now makes a living running his pub, The Bell, along with his brother. Life is never easy as a black man in London, but he tries to make life a little easier for his patrons and friends. Sam is a wonderful foil for Hartley as he is a calming force while still maintaining a lively air and a realistic range of emotions. I mention this because it is often the calm characters who come off as cut-outs.

Cat Sebastian has once again created a warm-hearted romance that deals with deeply personal issues while leading readers into the next romance featuring Ben and Hartley’s brother Will and a down on his luck nobleman who seems to be having more issues than he’s letting on. If you like historical romances with prickly yet lovable characters, you need to grab a copy of A Gentleman Never Keeps Score.

Writing

Cover Reveal for The Winter Garden: Book Two of the Ingenious Mechanical Devices

Real-Winter-Garden-Cover-Final-front

Well, my second novel finally has a cover! I am beyond excited to present the cover for The Winter Garden: Book Two of the Ingenious Mechanical Devices. The illustrious Javier Ruiz has created a lovely cover for the second time in the style of a paper theatre.  The book is slated to be out in early 2015, but it already has a Goodreads page found here.  The synopsis is as follows: Continue reading “Cover Reveal for The Winter Garden: Book Two of the Ingenious Mechanical Devices”