Writing

What I’m Working on Next

Woo! So The Reanimator’s Soul has been out for a few weeks, and first off, I want to thank you all for absolutely amazing release. If you read any of my books, please consider leaving a rating or review (even if it’s only a few words) on your favorite review site or retailer. They greatly help indie authors like me!

Now that book two of the Reanimator Mysteries series it out, you might be wondering what I’m working on next, so let’s dig into my current project, my next project, and what projects are simmering on the back burner.

Current Project:

My current project is an Oliver and Felipe short story/novella (The Reanimator Mysteries #2.5) that takes place a few months after the end of The Reanimator’s Soul. Oliver hasn’t taken an actual vacation away from the Paranormal Society, ever, so now, he has been coerced into a trip to the beach with Felipe. There will be plenty of things that go awry, tender moments, Teresa, Louisa, Agatha, the pomeranians, and something I don’t think my readers will be expecting. This will be free to my monthly newsletter subscribers and probably go out in December, if all goes as planned. I think you all will really like this story, so if you haven’t joined my newsletter yet you can do so here (if you join, you also get a novella and two more short stories).

Next Project:

I like to have a little palate cleanser between major books, hence the short story/novella, but once I finish that, it is onward to The Reanimator Mysteries #3. The title is in the very, very back of book 2, but I haven’t made an official announcement yet, so my lips are sealed here for now. You’ll have to read the book to find the title for book three. What I will tell you is that it involves Oliver and Felipe traveling to a “murder town” (think along the lines of Jordan L. Hawk’s Widdershins) to solve a mystery, Oliver’s origins, Felipe facing some inner demons, Gwen on a case with them, and much more. I will tell you all more as I get more deeply into this project, but it should be out late 2024. PS- there will be at least four books in the series, so book three will not be the last reanimator book. I’ve had a few people assume it’s a trilogy, but it isn’t!

Backburner but Coming Soon:

There are two side characters in The Reanimator’s Soul that I would like to write a story about. When you read the story, you might figure out who I mean, but since it’s only been out a few weeks, I don’t want to state who yet. I’m not sure whether this will be a novella or a whole novel, hence why it’s placed in backburner territory until I figure out where I can fit it in. I think this story will be a lot of fun because it’s definitely a bitier romance, if that makes sense. These characters get on each other’s nerves, and what I envision so far is that they will stumble into each other’s lives again and think they’re on opposite sides when in reality, they need to team up to get what they want.

Another project that I have brewing is a short story about when Oliver and Gwen first became friends, but I’m not sure when I’ll get to that one. That will be a cute, low stakes, low angst type story. Just a little glimpse into how Oliver was ten years prior when he first came to the Paranormal Society and tried to befriend Gwen.

I have several other books simmering on the back burning, including (but not limited to) The Reanimator Mysteries #4, a duology set before and after WWI, Trousers and Trouble (A Paranormal Society Romance #2), and maybe a short story about Gale and Head Inspector Williams.


So these are all the projects I have on the docket for now. I will eventually update the WIP section of my website when I have time, but I hope you all will stay tuned for more news about the upcoming short story as well as book 3 in the Reanimator Mysteries series and much more.

Writing

On Not Being the NaNoWriMo Grinch

I’m trying this year, peeps; I’m really trying, but not to hit 50k words.

So if you don’t know, I never do NaNoWriMo (National Novel Writing Month) in November because there’s no way in hell I can write 50,000 words in thirty days. Now, I do support NaNoWriMo’s mission of supporting creative writing classes in schools, and I often participate in Camp NaNoWriMo during the spring and summer.

The problem is that my brain doesn’t do well with writing during November. As a college professor, it is the busiest time for papers/grading, and between grading, the holidays, and some low key seasonal affect disorder, I don’t do well mentally during November on the best days. Add on top of that seeing people post, “I wrote 3000 words today!” and my brain shrivels up like a depressed, anxious raisin. In recent years, I’ve jokingly called it “No Words November” because, more often than not, I write very little in November, if anything.

It isn’t like I don’t want people to fail at NaNo or not pull those huge word counts, but seeing it en masse does something less than great to my psyche, especially as someone who can write 1,500 words on a really good day and 500-1000 words on a normal day. I am a slow writer, and the pace of true NaNoWriMo is basically impossible for me. This year, my only goal is to not have No Words November. I want to harness the synergy of NaNoWriMo and just write like I would any other month. That is literally my only writing goal for November. If I could write 10k-20k words in November I would be very happy because most years, it’s literally 5k or less, which is what I can write in a good week in April or July.

I actually bought a NaNoWriMo 2023 shirt to not only support the charity aspect but to remind myself that I need to keep my attitude up and not get discouraged by seeing giant word counts. Despite my smaller word counts, I have written and published nine books, a novella, and several short stories, so my process works for me. I never thought the smaller daily counts made me less of a writer, but it often shook my confidence because my process doesn’t match that of the visual majority (not that most do that but you see those word counts more during NaNo).

So what am I going to do to set myself up for success in November to avoid No Word November?

  • manage my mental health by muting words/phrases regarding NaNoWriMo as necessary
  • focus on my own paper, aka focus on my daily word, not other people’s
  • have an idea of what I’m writing, at least somewhat, before November starts, so I am less likely to be aimless and panic
  • be kind to myself because it is a hard month for me mentally and in terms of grading

If you do NaNoWriMo and actually hit the 50k and find the words usable at the end, how? I would love to know in the comments if you have any tips for being able to write so much and actually use it later.

If you aren’t doing NaNo, what are your writing plans for November?

the reanimator's soul · Writing

One Day Until The Reanimator’s Soul

As of when this post is up, it is ONE DAY until The Reanimator’s Soul comes out!

The cover for The Reanimator's Soul by Kara Jorgensen. A black background with blue figures. Two men facing away from each other. Between them is a line connecting them and a brain inside a circle in the center. Around the brain are neuron/lightning shapes and an all seeing eye
Cover by Crowglass Design

In case you haven’t heard about The Reanimator’s Soul, it is the sequel to The Reanimator’s Heart and the second book in the Reanimator Mysteries series. Here is the blurb:


An autistic necromancer, his undead lover, and the case that could destroy everything.
When a necromancer turns up dead, Oliver and Felipe think it will be the perfect, straightforward case for their new partnership. That is, until it leads them to a clinic promising a cure for magic, but they aren’t the only ones investigating the Institute for the Betterment of the Soul. Oliver’s ex, Ansley, is in town, and he’s certain the clinic isn’t the paragon of righteousness it claims to be.
Forced to help Ansley infiltrate the institute, Oliver fears he is out of his depth in his work and in love as old wounds and bad habits resurface. But Oliver isn’t the only one struggling. Pulled between his cases, Oliver, and his daughter returning home for the summer, Felipe is drowning. Just when he thinks he finally has everything under control, a new reminder of his untimely demise threatens to throw his life into a tailspin once more.
Between festering wounds and secrets, Oliver and Felipe’s lives stand upon a knife’s edge. To face the evil lurking behind the clinic’s genteel smiles, they must stand together or face the destruction of the place they call home.


Here is what other early readers are saying about The Reanimator’s Soul:

The Reanimator’s Soul is the second book in the Reanimator Mysteries series and is my ninth full-length book (tenth if you count Flowers and Flourishing). It takes place in the same universe as my other books and is set in the New York Paranormal Society, which is mentioned in Kinship and Kindness. The content warnings are listed below and are also in the book are well.


CWs: Gore, blood, violence, murder, descriptions of dead bodies/autopsies, on page sexual content, ableism toward autistic people, discussion of past sexual assault, period specific homophobia and language, medical abuse, conversion therapy, panic attacks, implied and briefly depicted child abuse


The paperback of The Reanimator’s Soul is currently on Amazon and will move to other retailers in the coming weeks. You can still preorder the ebook at all major retailers or you can request it from your library system when it comes out October 24th, 2023. The audiobook is currently in the works and will be available early 2024 if all goes according to plan.

If you pick up a copy of The Reanimator’s Soul, I hope you will leave a review on Goodreads, StoryGraph, or your favorite retailer! They really help authors like me out in terms of visibility and credibility.

And if you haven’t read The Reanimator’s Heart (TRM #1), you can pick it up here.

the reanimator's soul · Writing

A Preview of The Reanimator’s Soul (TRM#2)

The Reanimator’s Soul, book 2 in the Reanimator’s Mysteries series, comes out October 24th! If you would like to preorder it, you can do so here, and paperbacks will be available closer to release day. To whet your appetite, here is the prologue for The Reanimator’s Soul.


Prologue

The Test

Herman Judd awoke in the dark. For a long moment, he lay there, distantly wondering if he was dead and staring into blackness was all the afterlife had to offer. His breath rattled in his chest, sending a throbbing pain through his neck and into his arm. The dead didn’t breathe, and they didn’t feel pain, as far as he knew. Even without light enough to see, he knew he wasn’t where he was supposed to be. Blinking, he tried to remember. He was fairly certain he had gotten dressed for work that morning, but everything beyond eating breakfast in the clinic’s dining room felt hazy and grey. Wherever he was, it was too dark to be the dormitories and too quiet to be one of the wards. There was always light, even at night, and surely, he would have heard the moans of the sick or the quiet chatter of the nurses and orderlies by now.

Slowly sitting up, Herman let out a groan as his head swam. There was nothing to ground him in the disorienting darkness except the pain radiating from the base of his skull. It ran into his shoulder and down into his arm, where it felt as if a swarm of fire ants was gnawing at his nerves. Am I blind? The panicked thought quickly abated as he raised his uninjured hand and saw its shadow ahead of him in the dark. Not blind but hurt. How? A chill washed over him as he batted away the sheet covering his chest and arms. Whatever the reason, he had to get out. Something was wrong. Every hair on his body stood on end as he groped along the icy ceramic table beneath him for anything that might tell him where he was. Inching ahead, his fingertips brushed something solid. He grabbed it and snatched his hand away with a shudder at the alien yet horribly familiar sensation. A body. No longer a person but inert flesh, dead and already cooling. He had dealt with enough bodies in Green-Wood Cemetery to know what they felt like, and he swore he would never wake one again.

Herman’s mind reeled as he scrambled away toward the table’s unseen edge, putting as much distance between him and the body as he could. This had to be a mistake. Or a prank. Yes, he must have fallen asleep on a gurney, and Joe decided to teach him a lesson by parking him in the morgue. Herman pressed a hand to the base of his skull, then ran his fingers down his prickling, half-numb arm. But he didn’t remember falling asleep. Then again, he didn’t remember getting hurt either. Taking one step too far, his legs collided with a cart of tools. They hit the floor with a resounding clatter that sent a jolt of pain through his temple. For a long moment, Herman stood frozen cradling his arm. When no one came, he released a tremulous breath.

Carefully stepping over the fallen tools, he groped forward in the absolute darkness until his fingers brushed the cool plaster of the wall. He tried to imagine what the morgue beneath the clinic looked like. He had only been down there once, and it was months ago. The day he arrived at the Institute for the Betterment of the Soul, the doctor had brought him down to the basement and asked him to demonstrate his powers. The doctor’s gaze on him had been so unnerving he scarcely breathed, let alone memorized the layout of the room. Herman opened his mouth to call out but stopped. If he yelled for help and Joe or the others found him, they would know how much they had shaken him by leaving him with all the bodies. No one else knew about his powers, and they wouldn’t if Herman had anything to do about it. That was the whole reason any of them had come to the institute: to be normal.

Or you could send one of them to find the door, Herman’s mind traitorously whispered as he stepped forward and his fingers brushed against the metal cabinets that housed those yet unclaimed. If he closed his eyes, he could feel them calling to him like a siren’s song. At Green-Wood, he could walk past a mausoleum and tell exactly how many people were in it. Now that his head had cleared, he could sense one hidden in the cabinets and the body on the table behind him. This time, there would be no jewelry or valuables for them to hand over, but if he told them to find the door, they would answer his call. The temptation to reach for his powers welled inside him for the first time in months, as natural as breathing. Before, he had been thankful to feel normal for a time, to not feel the constant surge of magic beneath his skin, but standing afraid in the dark, the tendril of energy reaching across the void for the nearest body was a welcome comfort. Even after everything, his powers would still come if he needed them. Herman’s eyes snapped open as pain lanced through the base of his skull. Rearing back with a yelp, he yanked the energy back, and it scattered like beads from a string.

The thought came through the fog with sudden clarity: his being in the morgue wasn’t a mistake or a prank; it was a test. Perhaps the doctor had left him in the morgue to see what he would do. If he used his powers to find his way out, it would only confirm Herman needed more rounds of the stronger treatment to break him of this insidious habit. He had only had that regimen once, and it had left him sick for weeks. He had been so exhausted that even the thought of going to the graveyard again, no matter how good the potential haul, left him seconds from vomiting. The doctors only prescribed it to those who wouldn’t submit and still relied on their unnatural propensities instead of their senses and wits.

Squaring his shoulders, Herman straightened. He had both senses and wits. He didn’t need the mindless dead to do his bidding because he was afraid of the dark. It was like the doctors said, if the treatments didn’t work, it was because he wasn’t trying hard enough. He didn’t plan on letting the doctors down. No, this time, he was going to prove his mother and everyone else who doubted him wrong. Inch by inch, he made his way across the seemingly endless room. With each step, his breathing grew louder in his ears and the urge to reach for the dead fluttered to the surface. When his hand brushed against the cold metal of the doorknob, he shuddered with relief. Herman’s heart pounded in his ears as he fumbled with the lock and stumbled into the long hall to find the basement empty as a tomb. The door quietly clicked shut behind him as he took a step into the dim light. Confirming he was alone, Herman leaned against the wall and drew in a shaky breath. A thin laugh escaped his lips. He had done it. He had escaped the morgue without using his powers. He passed the test.

Herman’s heavy steps echoed through the basement as he made his way to the freight elevator at the end of the hall. His finger still hovered above the button when the gears squealed to life. The elevator rumbled and hissed like a steam engine as it descended, shaking the ground beneath Herman’s feet. Through the metal grate, he could see a man inside. For a moment, he thought it might be Joe, but the instant he caught a flash of the other man’s fair hair in the gloom, he knew it was the doctor. That familiar flicker of trepidation passed through him as the other man’s eyes raked over his form from behind the cage door. As always, the doctor was inscrutable, his face a mask of stillness that betrayed nothing. Herman hated that he never knew what he was thinking. Most of his other bosses or marks he had no trouble reading, but never the doctor.

When the elevator shuddered to a stop and the doctor yanked open the grate, Herman plastered on a wide grin. “Sir, I think I’m cured! You left me in the morgue, and I didn’t wake a single one!”

The doctor stared at him for a long, calculating moment before he said, “Let’s speak inside, Mr. Judd.” Ignoring his pained gasp, he grabbed Herman’s arm and pulled him back toward the morgue. “Has anyone seen you?”

Herman shook his head.

“Good. We wouldn’t want anyone to hear about the nature of your problem, would we?”

“No— no, sir. Of course not.”

“Then, how fortunate that I was on my way to check on you.”

“Could we talk upstairs instead?” Herman asked but immediately regretted it when the doctor gave him a sharp look.

“The more you avoid it, the less I believe you. If you’re cured, as you say, I’m sure you wouldn’t mind being in the morgue a few minutes more.”

“Yes, sir,” he murmured as the doctor unlocked the door and ushered him inside.

The sudden brightness as he threw on the lights made the back of Herman’s head throb anew, but the moment he opened his eyes, they landed on the half-covered body on the table. The current of power within him surfaced again, begging him to let it help, let it reach for the dead. If he raised the dead, he could still run, and he would never have to worry about the doctor or his all-seeing gaze ever again. He would find new cemeteries to rob far away from here, and he could start over alone. But the voice inside of him was that of a criminal, a liar, and a freak. Silencing the voice, Herman ripped his gaze away from the body and turned to find the doctor watching him as he kicked the fallen instruments aside. Herman stifled the urge to flinch under the other man’s gaze. Even after six months, it still unsettled him, the way the doctor seemed to look through him rather than at him. At times, it felt like he was dissecting him with his eyes, as if he could peel apart his layers and see what lay beneath. The doctor treated him for those thoughts as well. His fanciful ideas and paranoia were a weakness of character, among many others.

“Tell me about your experience, Mr. Judd. You said you believe you’re cured?” the doctor began as he dropped his ring, cufflinks, and tie pin into a wooden box on the counter.

Herman straightened. “Yes, sir. Or close to it. I used only my sense and wits to get out of the room. I didn’t touch any of the bodies.”

“Are you certain?” the doctor asked, his gaze lingering on the disturbed sheet.

“I didn’t wake any of them. I didn’t know where I was at first and touched that one, but that was it.” Swallowing hard, Herman chose his words carefully. The doctor seemed to know when people like him were lying, and he wanted to be better. He wanted to be free of this. All he had to do was stay out of morgues and graveyards. “I— I was tempted, but I resisted.”

“Ah, but you are still tempted,” the doctor replied as he rolled up his sleeves.

Herman’s heart pounded in his ears. He couldn’t have the stronger treatment, not again. He would rather go back to jail than go through that again. “Only a little, but that means the treatments are working, right? It’s been six months. How long do you think it will take before my powers disappear completely and I’m cured?”

“You have been an especially hard case, Mr. Judd. You have reformed as far as you are capable, but ultimately, you may not have the strength of character needed to be free of it completely.”

“No, I can do it, sir.” His injured arm flashed with pain, but he ignored it along with the desperation in his voice. “I’ll even submit to the stronger treatments again. Please, don’t give up on me. I don’t want to be like this.”

“I’m sorry, Mr. Judd. This isn’t a decision I take lightly, but we will have to terminate your position.”

“No, please, I need this. I can’t go back. I can’t.” When the doctor took a step toward him, Herman instinctively shrunk back. He shouldn’t have moved; he was only proving the doctor’s case, but every fiber of his being told him to run at the cold, assessing look in the other man’s eye. “I don’t understand. I passed the test. I didn’t use my powers.”

“Don’t worry, you will be put to a far greater use.”

The doctor’s smile should have put him at ease. A far greater use. Maybe he would send him to work at the sanatorium in Long Island. His heart pounded as if his body knew what his brain could not accept. Herman’s back hit the door. The doctor watched him with his head cocked and a faint smile playing on his lips as a light sparked in his hand. Herman watched in horror as veins of electricity raced up the doctor’s fingers and pooled in his palms. No. No, it couldn’t be true. The doctors weren’t supposed to have powers. They created the treatments; they were the successes the others were supposed to aspire to become.

“You’re a—”

A mocking grin stretched across his lips as electricity crackled down his hand and reached for the world beyond. “Yes, fortunately, dead men can’t tell secrets. Now, can they, Mr. Judd?”

Before Herman could turn for the door, the doctor shoved his palm into his chest. The air ripped from his throat as every nerve in his body sang. His muscles clenched as he futilely struggled against the doctor’s hold. His powers groped for the nearest corpse, but before he could reach, his wildly beating heart seized and fell silent. The smell of burnt flesh and hair drifted to his nose as he hit the ground. The world narrowed to the black rubber of the doctor’s boots as Herman Judd released a final, shuddering breath and saw no more.


Once again, The Reanimator’s Soul comes out October 24th. If you would like to preorder it, you can do so here.

The Reanimator's Heart · the reanimator's soul · Writing

Why Oliver is Important Rep to Me

As is a common theme with people from marginalized groups, growing up, I didn’t see any autistic characters in fiction (or at least none that read as overtly autistic). Of course, we have plenty of hyperfocused, brilliant characters like the inventor from Flubber or Milo from Atlantis, but those characters didn’t really portray the struggles of being autistic. While I wouldn’t want to be neurotypical, being autistic in a society built for neurotypicals means always feeling like you don’t fully grasp a situation or that everyone seems to know things innately that you do not. These characters didn’t show that. Everyone likes to dunk on Sheldon from Big Bang Theory for being fairly sucky rep as he’s a self-centered asshole, but I did appreciate that Sheldon struggles with things the others find “normal” because he’s autistic. Overtly autistic characters who aren’t just slightly quirky geniuses were practically non-existent.

Then, there’s also a multifaceted element of spite.

For background, I’ve known I was autistic since I was about fourteen. I figured it out on my own and took steps up until official diagnosis because, frankly, being officially diagnosed can make your life harder and it’s costly, so I haven’t gone for a full evaluation. But I have known for a over half my life that I am autistic. The college I went to for my bachelors has a degree in ABA, and when I realized what ABA was, I was like HELL NO (if you don’t know, please look into why ABA is traumatic and basically conversion therapy for autistics). On top of that, a woman in my graduating class who is NT wrote a picture book about an autistic girl’s experiences, and I was just… less than thrilled that no one was critiquing the fact that she was writing from an autistic perspective when she isn’t autistic. She’s just someone who wants to be a special education teacher. Autistics get talked over a lot in regards to our experiences and lives, and after trying to write more neurotypical characters, I decided to lean into neurodivergence in my writing.

If you look back at my first book, The Earl of Brass, it’s pretty obvious that Eilian is AuDHD (ADHD + autism). At the time, I had wanted to portray him as someone with ADHD, but when I look back, I realize he’s probably autistic too with his special interests, food issues, and some sensory issues. Hadley, the love interest in that story, also comes off as autistic. Oops.

When I decided to write The Reanimator’s Heart, I made the purposeful choice for the first time to make a character overtly autistic. I wanted Oliver to be someone who embodies my experiences as an autistic person. I wanted a character who is an adult, and a queer adult at that, who moves through life trying to take care of himself while managing a job, friends/relationships, and his own needs. This doesn’t mean he doesn’t need accommodations. The Paranormal Society’s building provides him an isolated bedroom off his laboratory, and a quiet room in the library appears where he can calm down when overstimulated. Even with his closest relationships, Oliver still needs help sometimes, but neither Gwen nor Felipe belittle or infantalize him. Despite having help and setting his life up in such a way that he isn’t constantly burnout, he still gets overstimulated or has a shutdown.

Ultimately though, Oliver is an adult man with a job he is good at and a partner who loves and supports him. So much of what we see about autism is aimed at the neurotypical parents of autistic children, which leads to autistic adults being infantalized by professionals and other adults. It is something I despise and many other autistics, regardless of support needs, despise. I wanted to have Oliver be clearly an adult who still struggles with sensory issues or losing his ability to speak when upset due to being autistic, but he still is able to live fairly autonomously and be successful in his job and love life. I’ve also made it very clear throughout both books in this series (book 2 comes out October 24th, btw) that his partner, Felipe, loves and supports him. He doesn’t find Oliver to be a burden, and expresses that to him when Oliver fears he is one. Often in stories, neurodivergent characters are seen as annoying or burdensome to their partners, and I wanted to make it clear to other autistic readers that they aren’t burdens and that there are people out there who will love them because of their quirks, not in spite of them.

Oliver is the rep I needed as a twenty year old and still need now, and my hope is that other autistic people will see themselves in him too.

the reanimator's soul · Writing

One Month Until The Reanimator’s Soul

I am so excited because in less than a month, The Reanimator’s Soul (The Reanimator Mysteries #2) comes out in ebook and paperback. During October, I’m going to be sharing more of the story along with some fun tidbits about why this book came to be, what it’s about, etc.

Today, I want to whet your appetite by giving you some things I listened to and looked at while working on The Reanimator’s Soul.

First up, we have the YouTube playlist for The Reanimator’s Soul. These are songs that I think relate really well to the story but were not necessarily things I listened to on repeat while writing that (those were weird ambience tracks). Some highlights that might give you the tone:

“Against the Kitchen Floor” by Will Wood encapsulates Ansley and Oliver’s past relationship pretty well as well as the scars Oliver has from that relationship. Will Wood writes a lot of music neurodivergent and/or mentally ill people can relate to.

You’ll also notice a few song from Poor Man’s Poison. They are quickly becoming one of my favorite folk(ish) bands. They sing a lot of about social injustices, the rich v. the poor, and they are catchy as hell. It works very well for a book about how medicine can uphold white supremacist ideologies.

“Where You Go I Go” by Fight the Fade felt like the perfect song for Oliver and Felipe’s relationship, like so spot on I made my partner listen to it. There’s plenty more on the “soundtrack” for this book, so I hope you enjoy it.

And I cannot give you previews without sharing the infamous Pinterest Board for The Reanimator’s Soul.

This is one of my favorite things to share because I get to throw a bunch of random photos and quotes at you and let you concoct your own plot for the story. I have a lot of face-casting pictures for the characters along with some pics of Victorian things you might expect to see, and plenty of moody quotes to hammer home those feelings.

If you haven’t preordered The Reanimator’s Soul yet, there’s still time. It comes out October 24th, 2023 at all major retailers. The Google Play preorder link will be up VERY soon (my apologies for my Google Play peeps), and paperbacks will be available closer to release day since I can’t put those on preorder ahead of time.

the reanimator's soul · Writing

The Reanimator’s Soul Cover Reveal

I have been sitting on this cover for a few weeks now, and I am SO excited to share it with you. Once again, I worked with Crowglass Design to create the perfect cover for Oliver and Felipe’s next adventure. I thought book one was the best cover I’ve ever seen, but book two upped the ante. It also fits perfectly with what happens in this book, but I can’t give it away.

If you haven’t read book one, you can grab it here in ebook, paperback, or audiobook.


The Reanimator’s Soul is the second book in the Reanimator Mysteries series and will be out October 24th, 2023. You can preorder the ebook now, and the paperback will launch in October.

Check out the cover along with the blurb, content warnings, and the preorder links below:


Manhattan, 1897
An autistic necromancer, his undead lover, and the case that could destroy everything.

When a necromancer turns up dead, Oliver and Felipe think it will be the perfect, straightforward case for their new partnership. That is, until it leads them to a clinic promising a cure for magic, but they aren’t the only ones investigating the Institute for the Betterment of the Soul. Oliver’s ex, Ansley, is in town, and he’s certain the clinic isn’t the paragon of righteousness it claims to be.
Forced to help Ansley infiltrate the institute, Oliver fears he is out of his depth in his work and in love as old wounds and bad habits resurface. But Oliver isn’t the only one struggling. Pulled between his cases, Oliver, and his daughter returning home for the summer, Felipe is drowning. Just when he thinks he finally has everything under control, a new reminder of his untimely demise threatens to throw his life into a tailspin once more.
Between festering wounds and secrets, Oliver and Felipe’s lives stand upon a knife’s edge. To face the evil lurking behind the clinic’s genteel smiles, they must stand together or face the destruction of the place they call home.


CWs include but are not limited to/subject to change: Gore, blood, violence, murder, descriptions of dead bodies, on page sexual content, ableism toward autistic people, discussion of past sexual assault**, period specific homophobia and language, medical abuse, conversion therapy

**as a heads-up, this comes up as a discussion between Oliver and Felipe about consent and how, being neurodivergent, that can look different. There is no on-page in-depth description of the event itself. It felt important to include this scene/discussion as autistic people are more likely to be sexually assaulted than allistics.**


The cover for The Reanimator's Soul by Kara Jorgensen. A black background with blue figures. Two men facing away from each other. Between them is a line connecting them and a brain inside a circle in the center. Around the brain are neuron/lightning shapes and an all seeing eye

You can preorder The Reanimator’s Soul at

Amazon | Barnes and Noble | Kobo | Apple Books | Smashwords | Google Play | Add it on Goodreads

Once again, thank you for stopping by, and I hope you will share this post or pictures of the cover on social media if you’re excited about The Reanimator’s Soul.

The Reanimator's Heart · Writing

The Reanimator’s Heart is out in Audiobook!

We interrupt your regularly scheduled post with an important announcement:

Stay tuned next week (July 17th) for the cover reveal of my next book, The Reanimator’s Soul!


The title feels pretty self-explanatory, but yes, The Reanimator’s Heart is now out in audiobook! The audiobook is narrated by Jack R. R. Evans, who also narrated the audiobook for Kinship and Kindness. I think Jack did a fantastic job and really captured Oliver, Felipe, and everyone else.

the audiobook cover for The Reanimator's Heart written by Kara Jorgensen and read by Jack R. R. Evans

The audiobook for The Reanimator’s Heart is releasing wide, which means it’s not only on Amazon/Audible, but Kobo, B&N, Google Play, library systems, Spotify, Chirp, and more. I’m not going to link to every retailer, but if you get your audiobooks from a different retailer, check it out as it is probably there. I hope you all will check it out. If audiobooks aren’t your jam, you can also find it in ebook and paperback. The audiobook for book 2 is also scheduled for next year!

Amazon

Audible

Apple Books

Kobo

B&N

Google Play

Chirp

Scribd

Spotify

Libby

The Reanimator's Heart · the reanimator's soul · Writing

What’s in the Works Right Now

I thought I would use this blog post as a way to update all of you on what I’m currently working on and when it should be coming out, especially since I forget to update the WIP page… sorry. Some of it also isn’t super quantifiable, so it’s hard to toss it up there with percentages of done-ness. Mostly, I just forget it exists. I blather a lot about this stuff on Twitter, but the algorithm there bites and a lot of people have left. If you have already seen all this info, then you are free to go, as I say to my students.

The Reanimator’s Heart Audiobook

I am currently proofing the audiobook files, and by the time this post goes live, hopefully I will be done and on my way to approving the file and kicking it through the system. Because that approval process can take several weeks, I can’t give a clear date on when it’ll appear at your favorite audiobook retailer, but the hope is that by the end of the summer, the audiobook for The Reanimator’s Heart will be up at Audible, Kobo, Chirp, and all other major audiobook retailers. The narrator who worked on Kinship and Kindness, Jack R. R. Evans, is narrating TRH, and I think he’s done a really great job on it.

Estimated ETA: Summer 2023

The Cover Reveal for The Reanimator’s Soul

I’m currently working with Crowglass Design on the cover for book 2, The Reanimator’s Soul. My hope is to have the cover reveal in July as it should be done by then. At the time of writing this post, I haven’t seen the cover draft yet, but from what my designer has mentioned, I am super excited to see it finished. I think you all are going to like it.

EDIT 6/12: I saw the full draft of the cover, and it is GLORIOUS. Seriously, I am so excited to show it to all of you because it is *chef kiss* as it fits the story perfectly while still matching book 1 and looking amazing. The cover reveal will still probably happen in early July.

Estimated ETA: July 2023

The Reanimator’s Soul Book

I am hard at work on writing/finishing up The Reanimator’s Soul and it is still on track to be out October 24th. I recently redid the blurb for it to make it more specific/snazzy, which you can check out below. If you don’t remember the old one, good. It was too vague and dull, but I needed something for early marketing materials. Once I have the cover, I’ll talk more about specific things in the book (like tropes(?) and such). The paperbacks will be available for order about a week before October 24th, but you can preorder an ebook copy now. I will try to get the audiobook out in 2024, but that will depend on my narrator’s schedule.

An autistic necromancer, his undead lover, and the case that could destroy everything.

When a necromancer turns up dead, Oliver and Felipe think it will be the perfect, straightforward case for their new partnership. That is, until it leads them to a clinic promising a cure for magic, but they aren’t the only ones investigating the Institute for the Betterment of the Soul. Oliver’s ex, Ansley, is in town, and he’s certain the clinic isn’t the paragon of righteousness it claims to be.

Forced to help Ansley infiltrate the institute, Oliver fears he is out of his depth in his work and in love as old wounds and bad habits resurface. But Oliver isn’t the only one struggling. Pulled between his cases, Oliver, and his daughter returning home for the summer, Felipe is drowning. Just when he thinks he finally has everything under control, a new reminder of his untimely demise threatens to throw his life into a tailspin once more.

Between festering wounds and secrets, Oliver and Felipe’s lives stand upon a knife’s edge. To face the evil lurking behind the clinic’s genteel smiles, they must stand together or face the destruction of the place they call home.

-the new blurb for The Reanimator’s Soul

ETA: October 24th, 2023

2024 Things

Trousers and Trouble (aka Paranormal Society book 2)

This is sort of a prequel book about Bennett, Ruth, and their friend Rory. I haven’t forgotten about this book. It’s just been put to the backburner in order to work on the Reanimator Mysteries books. Unfortunately, writing is a business and I need to work on the thing that is selling better, and I have not felt super drawn to write it yet. I was going through some shit emotionally, and this book is meant to be about trans joy. I need to get back to that to do their story justice.

A Book of Companion Stories Set in the Paranormal Society/Reanimator Mysteries World

If you’re a newsletter subscriber, you have already received a copy of “Flowers and Flourishing” and “An Unexpected Valentine” as a thank you gift for subscribing. These stories along with several others will eventually be published as a companion novel/anthology. At this point, I don’t know how many works will be included or if it will be out 2024 or 2025 because publication will depend on me getting distracted and writing random side stories. My hope is to have at least a few more side stories with Oliver and Felipe as well as other novellas involving side characters who work at the Paranormal Society.

The Reanimator Mysteries Book 3

My hope is to have one reanimator book out a year, probably in the fall since they’re sort of spooky books. With the goth vibe, October seems like a good idea, so my plan is that book 3 will come out October, 2024. I will not comment on what it’s about, but I have quite a few ideas. All-in-all, I think there will be at least 4 Reanimator Mysteries books, so this one will not be the last we hear of Felipe and Oliver.

Writing

Planning for Pantsers

I fully admit that I am a pantser by nature. I love to dive headfirst into writing and figure it out as I go… until it stops working and I hit the wall bug on a windshield style.

Over the years, I’ve tried to devise a way to balance out my discovery writer side, which I need to be enthused about writing, with my need to know where I’m going to avoid creating a colossal, unsolvable mess. I like to call this planning for pantsers, which sounds like an oxymoron, but if you’re someone who wishes they outlined but hates it immensely, some of what I mention below may be helpful to you. As with all writing advice, none of this is prescriptive. Trial and error is necessary to find your process, and what works for one book may not work for the next.

A Retrospective Outline

I have a whole blog post about this, which goes into more detail, but the basic idea is that I make an outline of what I’ve already written. I started doing this because I have a brain like a sieve and forget what I’ve already written, what threads I’ve added, details sprinkled in, etc. This caused me to reread my work-in-progress REPEATEDLY to the point that I would waste so much time rereading instead of writing that I was aggravating myself. To avoid rereading the whole thing, I would make an outline broken down by chapters which contained a bulleted list of what happens, including any important details or setting chunks, etc. that I might need to remember later. I have this as a Google Doc that I can leave open while I work on Microsoft Word (where I write my books).

This outline can be as detailed or sparse as you need, but the point of it is that you can easily recall what you already did in the book. You can always go back and add color coding or comments or whatever you need to make it more useful to you. I tend to add dates or days of the week if the timeline is important. If you are someone who goes back and forth fiddling with things, make sure to update your outline regularly to reflect that. As someone who does fiddle with things from the last chapter or so, what I do is update the outline once I’m about two chapters past it (ex. I will add chapter 6 to the outline once I’m on chapter 8) to avoid having to revise the outline regularly.

Sarra Cannon’s 3 Act Structure Outline

I love Sarra Cannon’s videos on Youtube, and I’ve taken both of her classes. She’s a really fantastic author who is eager to teach and share the resources that have helped her along the way. Her channel, Heart Breathings, has a lot of useful information for new authors and those who are further along in their careers.

Something I realized I struggled with was balancing the plot and threads of my stories to keep the pace from being “too slow.” I still think I write more emotionally-based, slower books, which is fine, but it was something I decided to work on. I watched Sarra’s video series on plotting your novel, and in the videos, she has a workbook that you can download for free to help you parse out the major chunks of your story. This was really helpful for me because it kept me from clumping things together or spacing them too far apart. To be clear, this isn’t a formulaic structure either. This is meant to be the bones upon which your story is built, but things can be moved around, skipped, etc.

I liked this method because while I don’t 100% adhere to the guidelines, it helps me figure out on an act-by-act basis what needs to happen, where I’m going, etc. At this point, I plan an act, write the act, and once I hit about 3/4 of the way through it, I start planning the next act of the book. This has helped me to have structure and foresight without ruining the discovery aspect of my writing. Sometimes I also have chunks of story in my head, but I can’t quite figure out where they go. This outline has helped me to solidify that before I make a mess for myself. If you haven’t already guessed, I do not like making a mess for myself and will avoid it at all costs, even if it means having three different outlining methods all at once.

Using Note/Scene Cards

Remember when I mentioned having scenes in your head but not knowing where to put them? Making note cards might be a solution for you. I like using physical note cards (as opposed to using a digital whiteboard or the features on Scrivener) because I’m a visual learning and being able to physically move, crumple, or alter a card just works better for me than a digital one. That, and I can’t get as easily distracted with them as I can with anything on the internet or a digital program. I am already easily distracted, and the moment I change windows, I’m a goner.

At this point, I don’t write out a card for every scene. I only do it for the major ones, whether that’s major for a side plot, main plot, character development, etc., but I don’t do it for every single scene. The purpose of them for me is to avoid forgetting something important. Sometimes I have ideas I want to add that I don’t know where to put, so they can’t be added to the main outline, but if I have them as a scene card, they hang out in the pile. Then, when I flip through the stack every once in a while, I see it and go, “Oh! Yes, I need to figure out where this goes.” Repeat that about twenty times for everything in the latter half of the book, and sometimes I actually figure out where it needs to go or at least what it needs to come before or after. That’s really what the cards are for, the general order.

For me, these tend to be scant, like “[REDACTED] turns up dead” or “Oliver runs into his ex.” You can obviously be as detailed as you need or use the front/back of the cards for different things. What I like to do is color code the cards by act. Act 1 is yellow, Act 2 Part 1 is green, Act 2 Part 2 is blue, Act 3 is purple, and the colors are represented as a stripe on the edge of the card or as a strip of washi tape. As I write the book, I put a little check in the bottom corner of the cards to mark that I wrote the scene. The cards help keep me organized while allowing me to move things around and plan as needed.

Other Things I Do That Help Me

  • Edit as I go- I will give the caveat that I’m not editing for perfection. I’m just tidying up and beefing up the scenes I worked on the day before. Sometimes I go back and plant things that are needed to be cohesive (foreshadowing and such), so I don’t forget when I do edits weeks later.
  • Edit on an act-by-act basis-once again, tidying and reacquainting myself with what I’ve already written to maintain cohesion and make sure I haven’t forgotten any threads.
  • Have a running notepad document with random stuff I need to add or what should happen in the next scene/chapter I will be working on. If you have a brain like a sieve, leave yourself notes.
  • Work on the assumption you will not remember an idea- my brain is like a browser with a hundred tabs open, so I leave myself notes, reminders, etc. for everything. Never assume you’ll remember because you won’t.