Writing

Chapter Preview- The Earl and the Artificer

It’s less than a month until The Earl and the Artificer is released in ebook and paperback. Between now and January 30th, I will be posting about The Earl and the Artificer as well as the process I’ve gone through while getting it ready for publication.

If you would like to pre-order The Earl and the Artificer, you can here for 99 cents.

eata final cover

As promised, here is the first chapter of The Earl and the Artificer, coming January 30th:

 

Chapter One:

The Ninth Earl

 

Elbow-deep in steamer engine innards and covered in grease was not how Hadley Sorrell expected her honeymoon to begin. The wedding and journey to Dorset had been surprisingly smooth, but their luck never lasted. She should have expected the steamer to pop and belch smoke in the middle of the road. Glancing over her shoulder, she watched her husband stare off, his grey eyes locked on the rolling waves as they lapped against the piebald coast in the distance.

“Hold my leg, so my dress doesn’t blow up,” she called. “Eilian!”

“Sorry!” He snapped to attention and held her billowing gown, his prosthetic hand resting behind her knee, as she looked into the hood. “Are you certain you don’t need help? I feel bad just watching.”

“It’s fine. I don’t think there is room in here for you, anyway.”

Leaning into the front of the cab, she brought her face close to the boiler as the heat of the kettle stung her cheeks. The metal coils of the heating element had melted into a blackened cake that smelled of burnt hair. Using the sides of the hood for leverage, she pivoted back until her satin boots met the road’s white gravel. Staring down at her cream dress, already streaked with soot and grease, she sighed and wiped her hands across it before smoothing a lock of henna hair behind her ear.

“I can’t fix it. It’s burned out.”

“We could take the bicycles into town. I don’t think it’s that far.”

“Let’s just wait for Patrick to come back. You know he won’t be long.”

As Hadley lingered in the road, reconnecting the pipes and organs from the disemboweled car, Eilian listened to the pastoral silence. Under the waves and the rustling trees, there was a faint noise he couldn’t identify and it was growing louder. Gravel hissed on the other side of the bend. By the time the steamer broke from the tree-line, it was barreling down the narrow lane. Eilian waved his arms to catch the driver’s attention, but he never slowed. Wrapping his arm around Hadley’s waist, he darted and turned, falling back onto the grass in time to watch the car hurtle past in a blur of steel and wood.

“Good Lord, he nearly ran you down!”

Hadley sat in her husband’s lap, arms and legs wrapped around him. As she tried to uncurl her legs from his lap, the muscles of her thighs locked and shook. Resting her head against his collar, she inhaled the sweet, earthy scent of sandalwood that lingered on his skin and let him hold her a little longer. If he had been slower— She shook away the thought.

“It’s no different from London. They would sooner run you over than look at you. Help me up, and I’ll finish before someone else comes.”

“No, let me do it. I’m already part metal. What’s one more limb?” he replied, kissing the top of her head and carefully disentangling himself from her skirts.

Watching Eilian from the grass, Hadley smiled to herself. The mechanized fingers of his right hand flexed at a thought, reattaching the engine’s cords and tubes with ease. It had been a year since they met, when she came knocking on his door with a tape measure and an idea for an electric prosthesis. They had shared a tent in the dusty lunar gorges of Palestine while she was disguised as a man, but there would be no more charades or mutterings from his mother about scandal or imagined impropriety. Now, they could finally be together. A thrill laced through her breast at the thought of such liberty.

“Incoming!” she called as a steamer chugged down the lane, slowing to a stop a few yards away.

Eilian stepped out of the way, his eyes trailing to the black-haired woman in the driver’s seat and beside her, his butler clamoring out the door. Patrick burst from the cab, sputtering apologies and half-formed phrases.

“Pat, slow down. I can’t understand a word you’re saying,” Eilian said as he joined him at the steamer’s hood.

Taking a deep breath, Patrick pushed his glasses up his nose and collected his thoughts. “Sorry, sir. She’s willing to take you and Lady Dorset up to Brasshurst Hall. I’ll stay behind and wait for the mechanic.”

The woman with the full features of a Caravaggian saint climbed out of her cab, her voluminous skirts rustling with each step. Her dark eyes ran between the young man with the wayward hair to the woman in the stained dress at his side. “Sorry to intrude, but your valet said you were headed for Folkesbury? I am headed that way now if you would care to join me.”

“That is very kind of you, Miss—?”

“Mrs. Rhodes,” she replied, walking back toward her steamer while the butler dithered between the trunks and bicycles tethered to the back of the hissing steamer.

Eilian held the passenger door open for Hadley to slide in. “I hope we aren’t inconveniencing you.”

“Not at all, I was heading back home. Brasshurst Hall is on the way.”

A pang of guilt rang in the pit of Eilian’s stomach as he watched Patrick grow smaller behind them.

“I was surprised to hear you were headed for Brasshurst. No one has been up there in ages. I almost didn’t believe Argus—my husband—when he told me the earl’s servants were coming up from London to clean the house. Are you his guests?”

Hadley’s lips twitched into a grin, and she shot her husband a knowing look. “He is the earl.”

“Oh.” Mrs. Rhodes’s eyes left the road long enough to search the nobleman’s face for any sign of offense while her own cheeks burned. “I beg your pardon, Lord and Lady Dorset. I— I was expecting someone… older.”

“No harm done, Mrs. Rhodes. You were probably thinking of my father. I have only been the earl for a few months, and I— Is that the house?”

Over the tops of the closely clumped elms and oaks, the spire of a tower rose. As they cut through the brush, Eilian’s eyes widened. Knowing his father, he had expected a conservative Georgian brick manor with a square roof and a smooth face, but the house was like none he had ever seen.

Brasshurst Hall was an asymmetrical monster. It had a Gothic portal and face on the front, a Palladian annex shooting off the side complete with columns and pediments. Straining his eyes, he could make out the latticed windows of a sultan’s harem floating above another layer of cathedral spires and pointed arches. The weathered grey-brown cloister stone was half-covered with ivy and wisteria. Following the gravel drive across an old stone bridge, the orangery appeared. The greenhouse’s glass and metal body bulged from the side of the manor like a verdurous boil. No wonder his father chose to move them to London.

When the steamer slid to a stop, Mrs. Rhodes swallowed hard, looking between her passengers. “I do hope you will call on us while you are in Folkesbury, Lady Dorset. My cousin is staying with us, and he has been eagerly awaiting your arrival. He lives in London, too, near Bloomsbury. You may have heard of him. Nadir Talbot, the novelist.”

“Yes, I think my brother read his last book, the one about Cleopatra. He enjoyed it very much.” When the woman’s eyes lit up, Hadley continued, “Thank you so much for giving us a lift, Mrs. Rhodes. I will most certainly pay you a visit once we are settled.”

Watching the steamer roll away, Hadley sighed as the grin fell from her cheeks. She would have to pay calls in a few days, drifting from house to house pretending she was the Countess of Dorset and not Hadley Fenice of Fenice Brothers Prosthetics. It was hard enough to pretend she was an aristocrat for a few hours at their wedding. How was she supposed to keep it up the entire time they were in Dorset? At least her etiquette books were packed in her trunk and Folkesbury seemed like a small town. Maybe no one would notice that she wasn’t a born aristocrat.

Eilian’s metal hand pressed against her palm. “So, what do you make of it?”

“It’s… different,” Hadley replied, her gaze running over the bright blue brace and ledge door set into the deep rings of the Gothic façade.

“I’m beginning to wonder if insanity runs in my family.” Eilian opened the door and turned to her with open arms. “Well, shall we?”

“You’re going to pick me up? Are you sure you can carry me?”

“I have before.”

Slipping his arms around her shoulders and behind her knees, he hoisted Hadley against his chest. She wrapped her arms around his neck and braced herself in case his prosthesis couldn’t bear her weight. Whenever he picked her up or held her close, part of her still wanted to look around to ensure no one was watching, yet she didn’t want him to stop.

“This is a silly tradition, Eilian. You don’t have to do this.”

“I want to; it’s good luck.” He kissed her cheek and pushed the door with his back. “The Romans believed carrying a bride over the threshold would protect her from evil spirits…”

Eilian froze in the doorway. The tunneled hall was dark, looming over them and pressing close to his head. While the floor had been swept and the old rug laid out, the ribbed arches were webbed with spider’s silk. As the dust motes danced and surged around them, he tightened his grip on her. Turning toward the sun’s rays, he reached to close the door but left it for fear of the shadows rushing in or what might lie beyond the threshold.

“I think we are a little late if we want to beat the evil spirits.” Hadley’s eyes roamed over the clots of long dead insects and debris spun into the grooves of the stone ceiling as he set her down. “I thought the maids were supposed to come and clean up.”

“They were. Maybe I didn’t send them early enough. There are only three of them, and I had no idea the house would be this large… or filthy.”

Taking Eilian’s hand, Hadley stepped into the great hall. The house groaned and yawned somewhere deep within. Hadley raised her eyes to the high Gothic windows and skylights she had seen on the drive up, but they were so choked with ivy they barely emitted enough light for her to make out the family coat of arms carved into the hearth on the other side of the room. A pile of furniture covered with once white sheets stood in the corner, blocking off the entrance to the dining room. The wood-paneled walls were caked in grime while the pointed arches in the upper arcade were cloaked in curtains of cobwebs as opaque as silk screens.

Rubbing her arms, Hadley stared into the mouth of the massive hearth. A granite lion’s head snarled back at her, a spider skittering from his drawn lips to his meager mane. She pulled a handkerchief from her purse and stood on tiptoe to wipe the crest above his head. An otter and a fox stood on either side of a shield surrounded by acorns and leaves. In the fox’s paw was a key while the otter clutched a scallop. Between them an oak sprouted, and a banner stretched across its roots. With her finger wrapped in the linen square, she scrubbed at the stone until the thin letters peaked through. It all had significance. If only she knew what.

“Eilian, what does it say?”

The earl squinted, tracing the letters with his fingertip as he pronounced the familiar phrase. “Salus in Arduis. A refuge in difficulties. Maybe in better days. Come on, let’s see if we can find the library or the orangery.”

Walking into the windowless hall, Eilian felt along the wall for the gas lamps’ switch but found only the dusty edge of a picture frame. He reached behind it, but when something in the shadows brushed against his hand, he lurched back, bumping into his wife. Raising his eyes, he met the face of a man in a powdered wig as the lamps lit with a gurgling sigh. The third earl stared down at him from the wall, the grey irises beneath the cocked brows and the signet ring on his finger were all that tied them together, and he still hadn’t been able to wear his father’s ring yet. He swallowed hard. So these were his ancestors. These were the men he had to live up to.

Eilian took a step forward but stopped, moving back with his eyes locked on the painting.

“What are you doing?”

“His eyes follow you.” He shuddered and tried it with the fourth earl’s portrait further down the hall. “Do we really have to stay here? Can’t we just go to Greece instead?”

Hadley rolled her eyes, avoiding the women hanging in a row on the opposite wall. Why look at them when she knew what she would see? They were a line of noblewomen, born and bred to be the wives of aristocrats, all perfected in oil and exuding a hauteur she couldn’t hope to emulate. She dreaded the day when she and Eilian would sit for their portraits, when their faces would be placed beside his ancestors and everyone would see the glaring deficiencies in the ninth Earl and Countess of Dorset. Reaching the end of the hall, she tugged at the pocket door. With each inch it slid, the thrumming hum of an engine grew louder, but on the other side stood the library. Eilian drifted in behind her, his eyes wide as they followed the bookcases up the wall where they melded with the coffered ceiling.

All of the houses prior eccentricities and sins were forgiven at the sight of the library, which rivaled his back in Greenwich. He ran his hand over the edge of the cabinet before turning the key and pulling it open. Books by Pliny, Archimedes, Al Jazari, and the Banū Mūsā brothers stared back at him. Carefully pulling the last tome from the shelf, Eilian cradled it against his chest with his prosthetic arm and turned the fragile vellum pages with the tips of his fingers. His gaze darted over the tight lines of Arabic and intricate schematics as he settled in at the divan under the window. He wondered who else had cared about ancient engineers.

Hadley’s cream gown floated at the edge of his vision until she knelt on the chair beside him and wiped at the window. She swatted at his shoulder, but his attention never wavered from the page.

“Eilian.”

He had never been able to find a pristine copy in Arabic, even in Cairo and Constantinople. His friends at the Oriental Club would be envious if they knew of his find.

Hadley gripped his shoulder and squeezed. “Eilian, look!”

Glancing up, he met her wide blue eyes, the freckles across her nose stark against her sudden pallor. She motioned for him to peer through the hole in the dust. Between the trees and dense foliage of the greenhouse, a figure sat in a wingback chair beside the algal pool.

“Someone’s in there.”


 

Like what you read? You can pre-order The Earl and the Artificer (IMD#3) here (out January 30th) or you can share this post on social media using the buttons below. Exposure is one of the best ways you can help a writer or artist out.

Stay tuned for more previews in the coming weeks!

Writing

Cover Reveal: The Earl and the Artificer

Yes, I’m still alive! I’ve been super busy with grad school and the huge amount of work due at the end of the semester. Now, I’m free! Still waiting on one of my grades, but I’m done with classes for a month, which means I’m back to author business.

Well, I’m back into author business full-throttle. The cover for The Earl and the Artificer is done. Behold!

eata final cover

I finished the book a few days ago, so now all that’s left is some final editing and proofing. If you’re interested in pre-ordering The Earl and the Artificer, you can do so here for 99 cents (the price will jump after publication). It will be released January 30th!

Here is the blurb:

What mysteries lay buried beneath weeds and dust?
Following their wedding, Eilian and Hadley Sorrell journey to Brasshurst Hall, his family’s abandoned ancestral home. As Eilian struggles to reconcile his new roles as husband and earl, he finds the house and the surrounding town of Folkesbury are not as they first appear.
Behind a mask of good manners and gentle breeding lurks a darker side of Folkesbury. As the Sorrells struggle to fit in with the village’s genteel society, they find their new friends are at the mercy of Randall Nash, a man who collects secrets.
Soon, Eilian and Hadley become entangled in a web of murder, theft, and intrigue that they may never escape, with the manor at the heart of it all. Something long thought lost and buried within Brasshurst’s history has been found—something worth killing for.

Over the coming weeks, I will be posting sniplets from the story and more info about what you will find within the pages of The Earl and the Artficier.

Have a Merry Christmas and a happy holidays, everyone!

Personal Life · Writing

Apology Freebie

An Oxford Holiday cover

I know I have been totally neglecting this blog for the past few weeks, but it’s for a good reason. My best friend is here visiting from the UK, and I’m trying to spend as much time with her having fun before she goes back.

Anyway, to maybe make up for my absence, I have made “An Oxford Holiday,” which is a romantic Adam and Immanuel short story free today and tomorrow. You can find it by clicking here.

Writing

Sale Time!

2 books saleFor today and tomorrow only, The Earl of Brass is free and The Winter Garden is 99 cents. Why? Because I feel like it and because The Earl and the Artificer will be out fairly soon, so I thought I’d celebrate.
http://smarturl.it/TheEarlofBrassIMD1
http://smarturl.it/TheWinterGardenIMD2

A better/real blog update will come later this week. I’ve been slogging through school, my GA job stuff, and writing, so my mind has been elsewhere. More updates to come soon!

Writing

Happy Accidents

I did a thing. It was a semi dumb thing and I’m not sure why I did it.

As you may or may not know, my third book, The Earl and the Artificer, is also my MFA thesis project, so I have an advisor who is supposed to look at it and give me feedback along with a class who does the same. Thus far, my thesis advisor has been very lenient with me. Some demand at least a chapter a week or put their students on a strict schedule, but he’s pretty much let me do what I want since he knows I’ll get it done.

Well, I knew he would need to see something before the end of the semester, something substantial, in order to give me a grade. Originally, I told him I would hand in the finished piece (unedited) by mid-October. At the time, it sounded like a good idea. I’d have all the time in the world. I’m only taking two classes, so how much work could I have? A lot, that’s how much.

This is when I did something dumb. Part of my job in the English department is to create a newsletter, so I spend a bit of time emailing professors, harassing them until they tell me what they’ve published this semester or what events they’re holding. While emailing my advisor to ask him about his writing, I wrote, “I’ll be leaving an edited draft of the first act, which is about 80 pages in your mailbox next week.” I sent the email off without thinking much of it until about an hour later. NEXT WEEK?! Was I temporarily insane? At that point, I had only edited three out of the eleven chapters in act one. In less than five days, I would need to edit eight chapters to get them to where I was willing to show my advisor without cringing.

I immediately texted my best friend telling her of the stupid thing I had done. “But you work well under pressure!” she replied. I do, but why did I do this to myself? Why give myself added stress for no reason? If I had told him I would hand it in two weeks from then, he wouldn’t have cared and I wouldn’t have been freaking out. Then again, my best friend is coming from England in two weeks, and I would be worrying about my stupid project instead of getting ready for her arrival.

It’s strange, but it’s as if my subconscious gave me a boot in the ass. I’ve had ample time to edit my story, but I’ve been procrastinating and doing everything but writing and editing recently. Would I have had anything to hand in by the end of the month if I hadn’t accidentally cracked the whip on myself? Probably not.

Over the course of three days, I powered through chapters one to eleven, going over what I edited already and combing through the ones I hadn’t touched yet. Last night at midnight I finally finished. While I was too tired to add any new content to the story, I officially finished my edits of act one and will hand them into my advisor on Monday.

I’m somewhat proud of myself for actually getting this all done before the weekend and that on Monday I’ll be able to present my advisor with the first third of my work. After dilly-dallying for so long, it seems strange that I’ll actually be handing in part of my thesis. Luckily my mistake created this progress. Sometimes all you need is to give yourself a kick in the ass to get going.

Writing

Teaser Tuesday: The Earl and the Artificer

Hey, everyone! I have been holding off for quite a while now with posting a teaser from The Earl and the Artificer, aka book 3. I wanted to get closer to completion before putting anything online because I feared I would post half the book in my excitement. The book is still being written and edited, but I couldn’t wait any longer and had to give you a little glimpse.

In book 3, Eilian and Hadley journey to Brasshurst Hall, the ancestral home of the Earls of Dorset. Below you will find there is an uninvited guest at Brasshurst.


She put a finger to her lips and backed away from the window, her eyes locked on the head swaying above the chair’s back. As Eilian crossed the room and grasped the rough fireplace poker, he frowned at the hearth. The ash had been swept from the firebox and the mantle cleaned of debris and cobwebs recently enough that dust hadn’t settled over them again. Inching toward the double doors at the far end of the library, Eilian listened to the chug of an engine on the other side. Hadley followed close behind, fishing through her clutch. When had she started carrying that instead of her carpet bag? Her face brightened as she pulled out a snub-nosed gun the length of her palm.

“You brought your derringer?”

“It’s been useful thus far.” She checked the chambers before snapping it shut. “You didn’t think I would let you go in there alone, did you?”

Holding Hadley’s gaze, he counted off with his fingers. He drew in a deep breath and threw open the door to the orangery. A puff of hot breath hit them as they stepped into the artificial jungle. Massive palms and bushy camphor trees blocked the sun, casting the greenhouse in a balmy haze. The stench of fetid water was overwhelmed by the scent of plants. Everywhere was the smell of earth and the things that belonged to it, concentrated and bottled under the glass dome.

Eilian pushed back a Jurassic fern and followed the cobbled path toward the pool. Sweat collected under the leather brace around his upper arm, but he ignored the urge to wipe it and swept his eyes through the brush. With firecracker flowers and orchids of every shade and strange conformation crowding the path, he expected to hear the caw or flutter of a parrot, but the air was quiet, rolling and bubbling with the river and fog. As they rounded the corner, the man in the armchair came into sight. The hammer of Hadley’s derringer clicked in Eilian’s ear. He tightened his grip on the poker and watched the man turn. His sharp eyes never left his assailants as he stood and stepped around the chair. His dark suit was impeccably pressed and the fabric even from a distance was fine, better than Eilian’s. Something in his aquiline features was strangely familiar.

“Who are you and what are you doing here?” Eilian called, feeling Hadley tense beside him.

“Is that any way to greet your cousin, Lord Dorset?”

“Cousin?”

“Put down the gun, Lady Dorset, before you hurt yourself.”

Hadley’s jaw clenched as she kept the muzzle pointed at the grey-haired man at the edge of the pool. Catching her eye, Eilian nodded, and she exhaled, dropping her arm but keeping the gun at her side. Eilian lowered the poker as the man approached with measured steps.

The man’s lined, silver eyes fell on Hadley’s simple coiffure before lingering on her breasts and waist a moment too long. The new dress, while of good quality, was already dirty and the corset too loose, and though her features were pleasing, she was far from beautiful. The garter gun hung looped in her stained fingers. Where Lord Dorset had found such a creature, he could hazard a guess, but why would he marry it?

“I’m surprised your father never spoke of me.”

“We didn’t speak very often.”

“Apparently. Lord Dorset, the real Lord Dorset—Harland Sorrell—and I were cousins. We were raised in this house.”

When the man’s cutting gaze reached Eilian’s mechanical hand, the younger man tucked it out of sight. “How did you get in here? Did the maids let you in?”

His eyes narrowed as he straightened and cocked his head with a scoff. “I have a key, and even if I didn’t, I know this house better than my own body.”

“You still haven’t told us who you are,” Hadley said, resisting the urge to train the gun on him. There was something in his manner, the way all of his movement seemed to be in his eyes, that set her on edge. She had seen men like that in London— men who kept you busy with their eyes when you should have been watching their hands.

“Randall Nash, and you are Hadley Fenice, the illustrious toy heiress who has risen to countess.”

Hadley winced. The embellished wedding announcement had not been her idea. Her future mother-in-law had taken it upon herself to soften the blow of an inter-class marriage with money. Heiress had a better ring than craftswoman, even if it was false. At least the announcement brought in as many orders as their Christmas advertisement.

“Are you insinuating something, Mr. Nash?” Eilian asked, but before the man could reply, the butler’s harried voice rang through the walls. His voice grew fainter as he retreated through the gallery. “In the greenhouse, Pat!”

A crash resounded behind them, and when Eilian and Hadley turned back, Randall Nash was gone. Using the end of the poker, Eilian pushed back the plants around the edge of the pool but could find no trace of him. He stared down at the empty armchair. From the humidity of the orangery, the fabric had rippled and dampened, raising the varnish on the arms and legs. Beside it sat an open bottle of champagne, a chipped glass, and a book.


I hope you all enjoyed this little sneak peek of The Earl and the Artificer. There isn’t any pre-order info yet, but stay tuned! Also, if you join my newsletter, in a few weeks you will be getting another exclusive sneak peek of chapter one.

Writing

An Experiment

eob freebie ranking 9-30So I decided last week that I would conduct an experiment. The part of me that is a biology major is screaming, “Insufficient data!”, but I would still like to share my meager yet telling findings with you.

People buy more ebooks during the week than they do on the weekend.

On the 19th, I had made The Earl of Brass free for that Saturday only. I did a bit of hustling online, posting about my sale, making my little graphic for it, and tweeting it with tags to various retweet groups. I only sold 122 copies that Saturday. While that’s nothing to scoff at since now 122 more people know of my book, it isn’t that much. I climbed up the sales rankings, tapping out somewhere around #2,000 in the free Kindle store and #3 in free Steampunk. Not bad at all. I saw similar results when my friends/fellow authors posted about how they did with a Saturday sale and no outside promotion.

Then, I started to think about when I buy ebooks. Did I do it often on the weekend? Not really. When I checked my email on a Saturday or Sunday, I would scroll through my Bookbub or Ereader News Today email, only stopping if something really caught my eye. Most people are busy during the weekend. They’re running errands, driving their kids to activities, catching up on some Netflix. They aren’t scrolling through Amazon’s freebies to find the perfect book.

Well, what day would be better? Friday? Definitely not. People are out and about more on Friday than they are on Saturday. Monday? Nope. That’s the day where you’re all wound-up about work, school, the kids, getting to work/school on time, getting everything together. That left the middle of the week, Tuesday to Thursday. Checking my own ordering habits on Amazon confirmed that I did most of my ebook buying in the middle of the week (you know you have a problem when you can use yourself as a place to gather data). Mid-week you have gotten over the rush of Monday and now you’re thinking about how to escape boredom or even planning what you’ll do later in the week.

I decided to set my next freebie for a Tuesday. This time, there wouldn’t be any roof-top screaming about my book being free. I wanted it to all be organic downloads from people who weren’t influenced by my posts. Amazingly, it worked way better than Saturday, seven times better actually. As you can see from the picture at the top of the post, the best overall ranking I saw last night before I crawled into bed was #227 in overall free, #1 in steampunk, #2 in historical-fantasy. I nearly had a heart attack when I saw those rankings. I was sick as a dog yesterday, so seeing those lovely tiny numbers really made my day. This morning, I went and checked my KDP dashboard to see how many downloads I actually had. 902. 902?! I have never ever had that much downloaded on one day.

I’m sure some of you are screaming, “But they were free!” Yes, they were free because free pulls people in for the rest of your series. People are much more willing to take a chance on a nobody like me if the first book is free. Why pay $3.99 if you don’t know whether my book will suck or not? Free means they’ll download it and if they like it, they may move on to book two. Yes, there are people who just hoard free books. I’ve downloaded quite a few free books I haven’t gotten back to, but the thing is, the book is on their device. At any time, they could read it and discover that you’re one of their favorite authors. A loss leader can only help to boost future sales and hopefully generate a few reviews as well.

Right now, I’m working on my plan of attack for when The Earl and the Artificer is finished. Leading up to it, I’m going to be doing a few more freebie days to generate interest in the series. With Kindle Select, I get 5 freebie days to allocate as I wish, so I’m sprinkling them around. I’m not 100% sure when book 3 will be out yet, but when it gets closer to the release date, I hope to take out an ad in Bookbub or ENT about The Earl of Brass being free. Hopefully, that’ll drive sales toward books 2 and three. This plan won’t be implemented for a while, but it never hurts to plan ahead. I will update you as I go on experimenting with sales and marketing.

Writing

Fear, Self-Doubt, and an Update

This post would have been written earlier, but I woke up with the worst headache I have had in a while. The kind of migraine that makes your face hot, your eyes sore, and your neck stiff. Oh well.

Anyway, this post isn’t about migraines, it’s about The Earl and the Artificer and writing. I’m hitting that “I’m nearly done, so now I’m getting really self-conscious about my story because I don’t know if it’s good or not.” Part of the problem I think comes from the fact that I really liked The Winter Garden, and this book is nothing like it. There isn’t that darkness or intimacy that I enjoyed writing in that book, and because I know that will be in book four, I feel myself being pulled toward that book while forcing myself to finish this one.

The odd thing is, I like this book. I like the softer tone, the different focus on intimacy, the role Hadley plays in this book, and the new character, Nadir Talbot. I keep reminding myself that I feel this way every time I hit the 2/3 mark of my manuscript. Typically, I’m a fairly confident person, so feeling down about my work is a bit soul-sucking. This book has done this to me more than either of the others, and I have to think I’m doing something right. I’m trying some new things, expanding the cast of characters and delving into history. Probably when I begin editing it, I will feel better about it, especially after I tighten things up and smooth over some early draft hiccups.

Thus far, I am at 68,000 words (not including what I’ll write tonight). Something else that’s bothering me is that I wrote so much in August that September feels meager. I know, grad school started, so I need to consider that I have new sources of stress and that I’m adjusting to the new schedule and balancing act. I’m set to hit my minimum monthly goal of 10,000 words in a few days, and I should finish in October. That scares me. I’m nearly done. Oh my god, I will be DONE soon. I’ll finish it and it will be out in the world before I know it.

Writing makes you vulnerable, and at the moment, that terrifies me. After two times, you would think I would be over it, but you’re laying yourself out for judgment each time you publish, letting the reader get an intimate glimpse of your inner world. Sometimes it’s just harder than others.

Writing

Incoming Rant: An Open Letter to Traditionalist Writers

To all the writers I know who scoffed, hesitated, or snickered when I said I was self-publishing,

Thank you for devaluing my hard work. In one instant, you went from supportive friend I was probably itching to talk to about my work to “that jerk” who once again reminded me of the ignorance of some writers. You are the ones who make me hesitant to admit that I am a self-published author when I am damn proud of my work and what I have accomplished in a little over a year.

Thus far in my fairly short career as an author, I have received tons of support from friends, fellow writers, and even people I met through Facebook and Twitter. I’ve even gotten messages saying how people loved my work or my characters, which made my day, but what always sticks out are the friends whose reactions surprise you by how subtly patronizing or rude they are.

They stare for a moment as the words “self-published” leave your lips, and with a small chuckle and glance to the side, they mutter, “That’s great.” Then either go off topic completely or ask you why you are not saving yourself for a traditional publishing contract like you’re supposed to do.

Well, I don’t want to. I want my freedom. I want to control all aspects of my work. I don’t want my characters homogenized or my work shelved after it doesn’t move twenty-thousand copies in a month. I don’t want my work’s worth to be solely valued for how much someone else can make off it. Yes, I could have possibly ended up with movie deals or a display in Barnes and Noble, but more than likely, that wouldn’t have happened even if I did go the traditional route.

I say all this, having repeated it numerous times before, and then you say the worst thing you could ever say to a self-published author. “But anyone can slap a book on Amazon.”

Thank you for devaluing all of the work I put in to making that book successful. Yes, anyone can slap a book on Amazon, but that doesn’t mean it will sell, and by saying that, I have to wonder if you have any idea the amount of work that went into slapping that book on Amazon.

First there were the hours I spent writing that book, editing it, having beta readers and an editor take a look at it. The amount of hands it passed through alone should be enough to impart some legitimacy to my endeavor. Then, I worked with an artist to create my covers, and I formatted both versions of the book myself (ebook and paperback). What takes an entire publishing team at least a year to do, I do in a few months. You have no idea how much I do, and I don’t think you care to know.

While you’re waiting for that agent or publishing house to respond to your query, I’m working on building my business. More than likely, I have never said anything negative about your thousands of query letters or that I think your time would be better spent self-publishing, gaining a following and presence, and working on your next book even if I’ve thought it. You may not know it, but a lot of authors self-publish and traditionally publish and they get those contracts because they have proof their books sell. I may have even sent you links to open submissions or contests to help you while you chose give me a patronizing pat on the head.

I have proof that my way is working. I have sales and fans and people who like my work. While you could say anyone can find someone who will like their work no matter how bad, just know someone could say the same about you.

Signed,

Your friend who chose the other path