Writing

Series Mega Sale!

EoB WG free promoEatA 99 promo

 

 

 

 

 

 

 

As you can see, the entire Ingenious Mechanical Devices series is on sale this week from Monday (5/16) to Thursday (5/19).

I decided to mark everything down as a little congrats to all of the college/grad students finishing up this week and the professors who are finally finished with papers. You can get the whole set for less than $2. The links are below, and if you are able or would like to help an indie author out, please share the pics under the links on your social media accounts to help spread the word.

The Earl of Brass FREE

The Winter Garden FREE

“An Oxford Holiday” 99 cents

The Earl and the Artificer 99 cents

EoB free promoWG free promoEatA 99 promoEoB WG free promo

Writing

5 Tips for Atmospheric Writing

Recently, I’ve been reading Maggie Stiefvater’s series The Raven Cycle, and what has blown me away (besides the characters, plot, and just amazing story overall) is her ability to create atmospheric settings. What I mean by that is that the settings evoke a specific feeling, and this feeling adds to the tension or heightens the mood of the piece. Atmospheric settings can sometimes be so evocative that they are characters themselves. I found this in The Raven Cycle series by Maggie Stiefvater, Jazz by Toni Morrison, and The Witching Hour by Anne Rice.

In my own writing, I’ve tried to develop this skill while building the backdrop of London in The Winter Garden and Brasshurst Hall in The Earl and the Artificer. While working on this skill, I’ve learned a few things.

  1. Write your scene first. Add your atmosphere after. I tend to write my scene in layers where I write out the dialogue and overall scene direction first. Then, I do a quick pass through where I add more detail until the scene is fleshed out. When it comes to writing, dialogue, plot, and character movement is much more important than atmosphere. My suggestion is always to work on your scenery after you’ve gotten the essentials down. This also tends to eliminate pages and pages of atmosphere/scene building because you already know what you need in your scene instead of tossing in everything and the kitchen sink just in case your character needs it.
  2. Know what you’re trying to evoke. It makes infinitely easier to build tension or heighten the mood if you know what you’re trying to accomplish. Ask yourself a questions. Is your story paranormal or a western? How does your genre affect the atmosphere of your piece? What’s the overall emotion in this scene? Suspense, mystery, anger, romance, sadness, etc. Does the feeling fit the genre or scene? Does it fit the characters? Sometimes the feelings will conflict with characters to create tension, but if it stands out in a bad way against the rest of your story, you may want to rethink what you’re trying to create.
  3. Figure out what your scenery looks like before you start adding it in. I don’t mean that you need to break out the Sims and start building an entire house, but you should know the major features or the features you hope to highlight. My suggestions is to jot down the defining characteristics of the character the scene relates to. For example, when I was creating Dr. Hawthorne’s home office, I knew he he was a busy doctor who was progressive for his day. This comes out in his bookshelf, which is filled with medical texts from scholars throughout history, and between books there are rather disgusting anatomical specimens in jars. Because he’s busy, his desk is covered in notes that need typing and random bits of paper for his own research. Personal spaces should reflect the characters who live in them. As always, knowing where you’re going makes it infinitely easier to avoid writer’s block.
  4. Focus on the senses. And not just sight. Pretend that you’re where your characters are. What would you smell? Could you taste or hear anything? The more sensory details you include, the more evocative your scene will be. When I get stuck in this area, I go onto Pinterest to look for photos or Youtube for videos of scenery or thunderstorms, depending on the scene. If need be, look up words to describe smells or tastes. I know I’ve looked up how to describe the smell of rain.
  5. When you’re all done, go back and prune. You don’t want pages and pages of atmosphere, so go back after you’ve written your scene and see if you can get rid of anything. Pay careful attention to word choice as you’re editing. Are your descriptions succinct and do they make sense? Show them to someone else and see what their feelings are about your descriptions. Sometimes what’s in our heads doesn’t come out on paper. Atmospheric writing should add to the scene, so if it’s doing nothing but adding to your word count, cut it.

If you’re trying to boost your writing skills and learn how to create atmosphere in your story, my best suggestion is to read and take notes on what other authors do. The best way to learn to write is to learn to read as a writer.

Do you have any examples of writers who rock at creating evocative scenery?

dead magic · Writing

Dead Magic Sniplet #2

dead magic

Dead Magic, the fourth book in the Ingenious Mechanical Devices series, won’t be out until the fall, so I thought I’d share another clip from my WIP with you. Miss Emmeline Jardine has pilfered a package from the Spiritualist Society.


The Dorothy Restaurant hummed with chatter only broken by the occasional sharp laugh. Emmeline resisted the urge to shift in her seat. She had been to the Dorothy several times with Cassandra Ashwood, but she never failed to feel odd there. There had never been a public place she frequented where men were not allowed. The room was overly bright even in the dreary weather with its cream and red walls and gaudy array of colorful Japanese fans and parasols artfully tacked to the walls and ceiling. Around them all manner of women ate the same meal at the same white tablecloth and vase of flowers. During previous visits they had spotted Constance Wilde and the Countess of Dorset not far from a table of shopgirls. In a space free of men, the women seemed to change before her eyes into some strange perversion of the womanhood she knew. Cigarettes were lit and overheard table conversation often involved politics, women’s rights, and even colonialism. Of course, there was gossip, but mixed in were stories of tête–à–têtes that bored on elicit. At the Dorothy, they all seemed so free, yet surrounded by a complete lack of restriction, Emmeline faltered.

“You’re very quiet today, Em,” Cassandra said, looking up from her roast chicken and potatoes.

Her eyes flickered over the window where rain pattered against the pane and through the drivel, she inadvertently caught the gaze of a man peeking inside. What he expected them to be doing, she couldn’t imagine, but gawkers, she was quickly learning, were common at the Dorothy.

“Ignore him.”

“Why are they always staring in? It’s rude. It’s a restaurant, not a sideshow.”

“They don’t like that we finally have some privacy. You know, you could have left your book in the coatroom. I’m pretty sure no one would steal it, especially when Miss Barker knows us.”

“That’s not what I was worried about.” She paused. What was she worried about? “I didn’t want anyone to see the title.”

Cassandra shook her head. “Maybe I don’t want to borrow it if you’re that nervous about other people seeing it.”

Emmeline gave her a weak smile. Her eyes traced the outline of the book beneath the crinkled paper. She had placed it on the table facedown with her reticule and gloves on top of it to keep Cassandra from turning it over. Her heart pulsed in her throat, ruining the taste of the meat in her mouth. She was itching to open it. Every time she looked away, she felt its glare upon her, as if the book was watching her—beckoning to her—the moment she turned her gaze. For a moment, she wondered if she should just confess to Cassandra what she had done and open the bloody book.

Before she could act on her thought, Cassandra straightened with a squeak. She wiped her mouth and took a long sip of tea before she asked, “Did I tell you about the gala?”

“What gala? The season is over.”

“Well, it isn’t a society party. It’s a gala to celebrate a new ancient botanical collection at the British Museum. I’m sure you heard.”

When Emmeline raised a dark brow, Cassandra continued, “Your aunt’s cousin, the Countess of Dorset, and her husband donated the main specimen, the silphium plant. Please tell me you know what I’m talking about. I’m sure your aunt mentioned it.”

Thinking back to dinner conversations, she could vaguely recall some mention of a party at the museum. She hadn’t paid much attention. “I don’t think I was invited, but it doesn’t matter. I don’t want to go.”

Cassandra’s chestnut eyes widened and sagged.

“You actually want to go? But why? It will be so boring. All those old stuffy scholars and their pinch-faced wives.”

“My friends will be there. I don’t think you have met her, but Judith Elliott is my best friend—”

Emmeline stiffened.

One of my best friends, and I’m certain you will love her as much as I do.”

“Of course,” she replied tartly as she stabbed a piece of boiled potato and brought it to her lips.

She could feel Cassandra’s gaze upon her, eyes torn between anger and guilt. Somehow, Emmeline had never imagined that she could have friends besides her, that she had a life outside the spiritualist society. That and the Dorothy was the only place she ever saw her, and she didn’t appear to have a beau or that she was even looking. Modern woman, Emmeline scoffed. No wonder Aunt Eliza loved when Miss Ashwood came for tea. Watching Cassandra go back to her meal, Emmeline’s stomach knotted. She knew so little about her even though they spent nearly every weekend together and most nights at the spiritualist society. She knew Cassandra worked as a secretary somewhere, though Emmeline couldn’t remember where, and that she lived in a flat not far from the society along with another woman.

From the edge of her vision, Emmeline studied Cassandra’s features. She envied her prominent cheekbones and her expressive lips. When she smiled, it made Emmeline’s face join in her joy, but it was her bearing that caught her attention when they first met. She had thought of quitting the spiritualist society for good until she spotted Cassandra waiting at the front door. She stood tall despite her short stature, with her walking suit smartly cut to accentuate her curves and the color rich enough to bring out the flecks of gold and green in her eyes. There was a self-assuredness about her that didn’t require words to enforce. Maybe that was what five years of relative independence did to a woman. Still, it was troubling to know she had no suitors to fall back on or tear her attention away from the gloom and tedium of the spiritualist society.

“I shouldn’t be telling you this since you have decided to be peevish, but Mr. Talbot’s cousin just walked in,” Cassandra whispered, her eyes darting toward the front door as a rush of warm, damp air washed in.

“How do you know who she is?”

“Because I just saw him drop her off.”

Whipping around, Emmeline turned in time to see a dark-haired woman enter and a charcoal grey steamer pull away from the curb. “I can’t believe I missed—”

The words died in her throat. Cassandra was holding the book, her book, regarding her with pursed lips. Emmeline reached to snatch it from her grasp but pulled back. It wouldn’t do to make a scene. Shaking her head, Cassandra handed the paper-wrapped book back to her.

“I knew something was wrong when you wouldn’t give it up. You never wait to open a book. Nostra is a fool, but this is hers. You can’t steal her property, Emmeline,” she replied in a harsh whisper.

Groaning, Emmeline placed the package in her lap and covered it with her napkin. “But she isn’t even the head of the society, not yet anyway. Besides, it probably isn’t even hers.”

“If it isn’t hers, then whose is it?”

Emmeline opened her mouth, but his name refused to leave her throat.

Sensing what she wouldn’t say, Cassandra shook her head. “But it’s been over five months. Do you really suspect it was meant for him?”

“I don’t know. I know taking it was wrong, but you didn’t know him, Cass. He was evil.”

“You think it’s something malicious?”

She shrugged. “It could be. Would you want Nostra getting a book on soul-stealing or God knows what?”

Cassandra sighed, her gaze traveling to the book in Emmeline’s lap before coming to rest on her concerned eyes and drawn mouth. “Maybe you should open it and see what it is. If it’s just a book, we could rewrap it and bring it back tomorrow, and if it’s something bad—”

“We can get figure out what to do once we know what it is. Good idea.”

Using her untouched bread knife, Emmeline carefully slipped it between the paper. With a crack, the must of centuries old paper and ink rushed out. Emmeline locked eyes with Cassandra as she tipped the package and let the book slide into her hand. Laying across the front cover was a letter. Setting the book and torn wrapper on the table, she turned her attention to the missive. The sole page was stained with ink and flecks of brown, but the lines of the long, looped writing had been written with such force that it had been incised into the page. As she lifted it closer, minute beams of light broke through the parchment.

 

September 14th, 1892

To the person the grimoire chooses,

I hope whoever is reading this letter can forgive that I know not to whom I am writing. I don’t have much time left. The duke is ailing and has entrusted the book to my care, but I fear my time will be as short as his. They have discovered me, and the grimoire is no longer safe in my care. This book has passed through many hands before reaching you. Others like us will have received this package, and in turn, sent it to another to keep the book out of the hands of those who would pervert the knowledge within. If you are reading this note, you are the end of the line. It is my hope that the book has fallen into worthy hands.

You must know dark forces are in Berlin and are moving north to London. They move against all of our kind. Those who would seek to keep the balance of death and life are being cut down by practioners wanting to tip the scale. They need what the grimoire possesses.

Protect it or send it to someone who can.

 

There was no signature. Flipping the paper over, she found the same note written in Latin. Emmeline’s heart thundered in her throat. Dark forces were coming to London. What had she taken?


Stay tuned for more updates for Dead Magic. If you would like news about releases, ARCs, and special deals, please sign up for my newsletter.

Personal Life · Writing

The Dog Mom

Kate

I don’t like children.

It’s one of those phrases that come to my lips the moment someone asks if my boyfriend and I will ever have kids, but it’s rarely uttered. The reactions are nearly always negative and range from a strange look between disbelief and disgust to a twenty minute rant on why children are the best thing since sliced bread and that I’m totally missing out if I don’t sacrifice my life for 18+ years to support a creature with half my DNA.

It’s always been this way.

I was never a child that lugged around a baby doll. My cousin had a little bald, plastic baby named Gracie that she kept swaddled against her and dressed daily. Instead of a stroller or papoose, my room was loaded with stuffed animals. While my cousin had Gracie, I had Whiskers, a progressively piebald stuffed cat who wore a bed skirt-like dress to hide his bald spots. I talked to my stuffed animals as if they were people. I fed them, hugged them, tucked them in at night.

History has repeated itself night after night.

Every night before I go to bed, I take my hair out of its clips and pins, but as I walk through the darkened house, I make note of where my babies are. Edgar is sleeping under my chair in the kitchen, Finny is laying against the backdoor, and Katie right where I left her on the sofa or curled up on my bed waiting for me. Before I go to sleep, I pet each of them and tell them that I love them. A little part of me fears not carrying out the ritual, not reminding them of my love before they close their eyes. As I peel back the covers, Katie with her stubby dachshund legs dives onto me full force before settling at my feet or near my head. Most nights I wake up with at least Edgar and Katie curled up around me, protecting my flank as if I was one of the pack.

Respecting the autonomy of others means no guilt.

My boyfriend and I have never wanted children. I never dreamed of having a family. Hell, I never thought I’d have a life partner until I met mine, but children have never been in the picture. Never did the image of school pictures, birthdays, or trips to Disney with brood in tow come to mind. I’m still at the age where I don’t know whether to reply yay or oh no when someone says they’re pregnant. My reaction is obvious, but I’m quickly realizing that most at least feign joy. It’s expected. It’s the norm. The norm rarely feels like it fits me anymore. In the future, I see myself writing books, going to a gallery opening or event that’s centered around my partner’s art, and doing some traveling. I want a small house with enough room for us and the dogs. Somewhere there will be a house where dogs lounge on the sofa, locking eyes with me from across the room as I read and pet one of their siblings. The floors will be littered with half-chewed dog bones and tumbleweeds of fur.

“To love another person is to see the face of god.”

My babies won’t live as long as yours. At most, they’ll live into their teens and because I’ve rescued them from the shelter, our time may be shorter than I anticipated. Yet their lives aren’t tragic. Their short time on earth puts my life into perspective and makes me grateful for the years I have with them. For all the wet kisses and the adoring gazes that make a shitty day better because somehow they know what I need. Dogs are strange. Part wolf, part toddler, they’re at once all-knowing and innocent. Animals give their love without caveat and present the only true form of unconditional love on earth, and it’s this I crave. I want to love and be loved without judgment. Someday I’d like to be person my dog loves so wholly and able to love as they do.

 

Writing

Dead Magic Sniplet #1

dead magic

So, I promised in my last blog entry that I would post a bit of Dead Magic. What you’re about to read is the very beginning of the book.


Dead Magic

Chapter One

Flesh and Bone

 

 

On balmy summer nights, Highgate Cemetery lay as still and silent as its residents, but not on this night. Footfalls echoed across the rows of vine-covered graves, their names impossible to read in the moonlight peeking through the trees. Crickets fell silent as the young man passed and the grasses on either side of the well-worn path rustled with life just beneath the surface. Reaching for the shuttered lantern at his side, Cecil Hale stopped and listened for any sign of his compatriots. He had been told not to open the lantern until he reached the Egyptian Avenue, but the graveyard was harder to navigate in the dark than he had imagined. The dizzying rows of cockeyed graves seemed to go on forever, all nearly identical to the next.

Closing his eyes, Cecil drew in a long breath. A wave of energy passed over him as the warm wind whipped a russet curl across his forehead. In the darkness beyond the curve of trees, he felt a faint pulse of power. So they had ventured into the vault without him. He reached for the pocket watch ticking against his side but let his hand drop. As he rounded the bend, his heart quickened at the sight of the obelisk and lotus-columned entrance to the Egyptian Avenue. Leafy boughs and Jurassic ferns spilled over the top of the mausoleum’s entrance, drowning out the tang of death with the scent of summer. The iron gate whined beneath his hand, and he paused, waiting for the light of a night watchman he knew would not appear. A smirk crossed his lips. No one thought to worry about the dead.

Cecil’s gaze swept over the faceless row of doors on either side of him until it came to rest on the wavering radiance of an oil lamp drifting behind the threshold. Pulling the door open, he shut his eyes against the harsh brightness of the lanterns.

“Did they not teach you how to tell time at boarding school, Lord Hale?”

Cecil Hale stiffened. If it had been anyone else, he would have cut them down to size for not only insulting a viscount but for daring to question the standing of the youngest magister in the third order, but when his hazel eyes adjusted, he found Lady Rose glaring at him.

“Do forgive my tardiness, Lady Rose, but it wasn’t easy to find my way here in the dark. Not all of us frequent graveyards,” he replied before he could stop himself.

A low chuckle emanated from where she stood, but Cecil swore he hadn’t seen her lips or chest move. Against the dusty grey of the mausoleum, her polished bronze hair and pale green eyes took on such an unnatural hue that he dared not question what he heard. Of all the practitioners he knew, she was the only one he feared. If he stared too long, he thought he could see shadows writhing and slithering around her, pulling at the flames positioned in a circle around her and the coffin at her feet. It was her power he felt when he cleared his mind’s eye.

As Cecil pulled the crypt door shut, a lanky, white-haired figure emerged from the neighboring chamber. He was accustomed to seeing Lord Sumner at the third order meetings, but seeing him standing in the mausoleum didn’t sit well. It felt wrong, like seeing one’s grandfather walk out of a Piccadilly brothel. He couldn’t imagine him with his carefully trimmed beard and Savile Row suit anywhere near a charnel house. The man had a lineage as distinguished as any king on the continent, so what could be so important that he would risk being found prowling around a graveyard with the likes of Lady Rose instead of sending an emissary? Maybe he didn’t trust her either.

“Will it only be us this evening?” Cecil asked, his voice reverberating against the vaulted stone as he looked into the darkened chamber.

Without looking up from the coffin edge, Lady Rose replied, “If you’re worried about discovery, my man is keeping watch outside, but the ritual only needs one. His lordship is merely here to supervise.”

“Let’s hope the ritual won’t be necessary.”

“Oh? Are you having second thoughts, Lord Sumner?”

“I think all of us would prefer to avoid such vulgarity. We can only hope his family thought it best to bury the damned book with him.”

“So resurrectionists like us could find it? I doubt it,” she said, running her bare fingers over the lid as if feeling for something.

“Did anyone check his estate and town home?” Cecil asked.

Lady Rose and Lord Sumner exchanged an incredulous look before turning their attention back to the casket. Her fingers slid over the decorative molding and around the brass bars affixed to either side, probing every cranny for hidden springs, but found nothing.

Resting back on her heels, she motioned for Cecil to come to her side with a curl of her finger. “Lord Hale, would you do the honors?”

For a moment, he wished they had left the door open to the crypt. The stale air pressed in as he drew in a breath and held it. Cecil steeled himself, ready to avert his gaze when the lid cracked opened, but when he tried to yank it loose, a bolt of pain shot into his wrists and up his arms. Howling, he staggered back, nearly kicking over Sumner’s lamp.

“The bloody thing’s hexed!” he cried, rubbing his burning, twitching hands.

“The duke’s underlings are smarter than I thought,” Lord Sumner murmured under his breath.

Grabbing a handful of dust from the floor, Lady Rose cast it across the casket top. A series of rings, lines, and scribbles appeared through the detritus. Cecil leaned in to get a closer look. He had never seen a sigil that actually worked. They were out of fashion and the order didn’t support the use of such an arcane technique, so there was no reason for him to learn about them. At the pulsing throb of his hand, he wished he had. Before he could finish tracing the twisting line with his gaze, Lady Rose pulled out a handkerchief from her reticule and scrubbed at the sigil. Cecil watched with wide eyes as she gritted her teeth and continued even as the arcane symbols crackled and arced with electricity beneath her palm.

She released a labored breath and wiped at her forehead with the back of her hand. “Open it.”


 

Stay tuned for more sniplets and updates of Dead Magic. If you would like to get a preview of the book first or news on sales and forthcoming works, please sign up for my newsletter by clicking here.

Catch up on the rest of the Ingenious Mechanical Devices series before Dead Magic releases:

The Earl of Brass (Book #1)

The Winter Garden (Book #2)

“An Oxford Holiday” (A Companion Short Story)

The Earl and the Artificer (Book #3)

Let me know what you thought of sniplet #1!

Personal Life · Writing

Author Update

dead magic

I feel like I’ve been a very negligent author. While I have been writing (Dead Magic is at 15k words or so), I haven’t blogged much.

Part of that is because I’ve been feeling under the weather lately. I had the flu early in the month, and while I feel better, I still don’t feel 100%. It’s made me very tired, and some nights I come home completely wiped out when usually I would stay up and work on a new blog post or write more.

It’s frustrating to say the least. I usually make to-do lists for myself in my bullet journal, but recently, those lists have gotten smaller or have taken longer to get done. I’m hoping that over the next few weeks, I’ll finally shake off this illness once and for all and actually get back to blogging.

I’m really excited about Dead Magic, so I’ll be sharing updates and bits of the story with you soon. All of our old friends are back from The Winter Garden: Adam Fenice, Immanuel Winter, Emmeline Jardine. Dark forces are moving toward London. They want to tap into the cosmos and speak with higher beings, but to do so, they need a certain book. That book has fallen into Emmeline Jardine’s hands and she isn’t giving it up without a fight. All Immanuel wants is a normal life, but he finds that he is in possession of new powers he never asked for and that his life is threatened by an unseen enemy. Soon, Emmeline and Immanuel find themselves in a race against time and the dark magic that threatens to bring the country to its knees. The balance of life and death hinges on their actions. Can they follow the right path or will the temptation of power be too strong?

In a few days, I’ll publish a little sniplet of a new scene from Dead Magic (Ingenious Mechanical Devices #4). Stay tuned.

Monthly Review · Writing

March 2016 in Review

Last year, I decided that I would post my accomplishments for the month and what goals I hope to achieve in the following month.

March was a strangely productive month for me in probably every aspect but blogging (sorry, readers). April has started with a lovely sinus infection, BUT I know it’ll shape up to be a great month.

What I accomplished in March:

  1. Read 5 books, 2 of which were for class.
    1. The Dark Days Club by Alison Goodman
    2. Hunter of Demons and Master of Ghouls by Jordan L. Hawk
    3. Hunger of Memory by Richard Rodriguez
    4. A Chorus of Stones by Susan Griffin
  2. Wrote 10,ooo words of Dead Magic (IMD #4)
  3. Found translators for the Italian and Spanish versions of The Earl of Brass (IMD #1)
  4. Finished all of my projects for the English department

What I hope to achieve in April:

  1. Read 3 books
  2. Write 12,000 words of Dead Magic (IMD #4)
  3. Write 4 more blog posts this month
  4. Edit the cover for The Earl of Brass in translation (Italian and Spanish)
  5. Finish up the last of my grad school work and prepare for graduation

So March was a much better month in terms of productivity. I think as the days get warmer, it gets easier for the words to come. I also got into a better writing routine at night, which I’m hoping to keep up as soon as I get over this sinus infection. It’s always lovely to start the month sick and completely disrupt my writing mojo. Oh well, life goes on, and I keep telling myself that I’ll feel better in a few days.

Anyway, I’ve been working on Dead Magic and have finally begun making decent headway into it. I’m really starting to get into this book, and I think you’ll like it as well. Over the next few weeks, I’ll be posting more info and insights about it now that I know where it’s going.

I’ve also taken up using a bullet-journal, which is a way to keep up with monthly and daily goals. Pictured above are March and April’s bullet-journal spreads. This little journal holds me accountable and reminds me that I need to get things done. It’s also highly portable and not as easy to lose as scraps of paper. I don’t always get everything done, but I try to get as much done as I can. You may notice the little sad face on April 1st. Sinus infection = nothing getting done.

What I’m most excited about are the forthcoming translations of The Earl of Brass! I recently joined Babelcube, which helps put translators and authors together, and now I have Italian and Spanish translators. I’m beyond excited. I know a bit of Italian, but not nearly enough to get anywhere near translating an entire novel. As the translations progress, I will update everyone. Hopefully it’ll be a smooth process. What I will need is a second set of eyes that can read Spanish or Italian, so if you can and are willing to read my The Earl of Brass for any glaring typos, please drop me a line!

That’s all I have for March. Let’s hope the productivity continues in April!

What are you planning for this month?

Writing

Writing Update

So I’ve been incredibly negligent with my blogging. Grad school started toward the end of January, and I’m still finding that balance between work and writing.

What I can say is that I have begun brain-storming and writing book 4 of the Ingenious Mechanical Devices series AND I have a title!

dead magic

The working title is Dead Magic, and I’m really hoping it doesn’t change because I quite like it.

The story will center around Emmeline Jardine, Immanuel Winter, Adam Fenice, and Nadir Talbot a few months after the events of The Earl and the Artificer.

While I can’t give too much away because it’s very subject to change at this point, I can say that the trial from book 3 doesn’t quite go the way Nadir plans, Immanuel is now working at the natural history museum, and Emmeline finds a mysterious book. The aesthetic is flowers growing through bones, moonlight breaking through fog, a museum at night.

The aesthetic is flowers growing through bones, moonlight breaking through fog, a museum at night.

If you’d like to find out more about the story, stay tuned on my blog, and of course, check out my Pinterest board for Dead Magic.

Writing

Release Day and Sale

IMD Sale

To celebrate the release of The Earl and the Artificer (IMD #3), the entire Ingenious Mechanical Devices series is on sale this weekend! On Saturday, January 30th and Sunday, January 31st, you will be able to get the entire series for under a cup of Starbucks.

You can find the books here:

The Earl of Brass (IMD#1): FREE

The Winter Garden (IMD#20): $0.99

“An Oxford Holiday” (short story): FREE

The Earl and the Artificer (IMD#3):$0.99

 

**The prices above are only guaranteed for Amazon US. I’m not 100% sure if the sales will appear on all markets, so please check before you click buy**

Writing

Bookish Favorites

We all know what we hate to see in book, but what makes us giddy with anticipation? As a follow-up to my Bookish Bitching post, I will now list 20 things I love to see in books.

  1. Leather-bound, embossed, gilded books
  2. Artistic book covers
  3. A series that matches yet each cover is unique
  4. Vibrantly colored book covers
  5. Old book smell
  6. Box sets for series, especially with pretty/illustrated sleeves
  7. Complex characters
  8. Maps at the front or back
  9. Characters who are romantically involved yet their relationship isn’t based solely on sexual attraction
  10. Books with diverse casts, especially main characters
  11. Antagonists who are morally ambiguous
  12. Atmospheric settings and genres
  13. Male and female characters who are just friends
  14. Authors who write a finite series in a timely manner
  15. Books that cross genres in a unique and surprising way
  16. Books with illustrations to match the text
  17. Characters who are human (have strengths, flaws, dreams, moments of weakness)
  18. Authors who enjoy interacting with their readers
  19. Goodreads/Amazon/Barnes and Noble recommendations that lead to new favorites
  20. Books that hit the spot and make it so you can barely put them down

What are some bookish things you love?