So you may have noticed something new in the upper menu of my website. It’s a “Works in Progress” page!
What is it?
I’ve been talking about potentially adding a works in progress page for a while but was hemming and hawing because I didn’t know if people would actually care. When I posted about it on Twitter, my friends and readers seemed enthusiastic, so here you go.
I also wanted to make this because it holds me accountable in my writing, and I think it adds a little more excitement surrounding my forthcoming projects. It’s basically a catch-all for the projects I am working on or intend to work on. And it’s a place where readers can keep an eye on what I’m doing and where the books they’re excited for are in their production.
If you want to, now may be a good time to check out the WIP page before I talk about it (I’d suggest opening it in another tab if you’re interested).
How does it work?
This page is broken down into currently in production, on deck, and backburner.
Currently in production is pretty self-explanatory. It’s the projects that I have started or am actively working on. Right now, I’m actively working on The Reanimator’s Heart and I have some words on Trousers and Trouble. In that section, I’ve also included a progress bar, and a slated release date. Since I’m not that close to being done yet, I do not have a specific date, so seasons/years will do. Right now, I plan to update the progress bars once or twice a month. I’d like to say twice a month, but I may forget (my apologies in advance). There will be a date for when the progress was last updated.
On deck is comprised of works that I know for certain I am working on soon. Typically I have plot ideas for these or know at least somewhat where they are going. I also want to specify that if there’s a series and there’s only a finite number of books listed, that is subject to change. I mention book 4 of the Paranormal Society Romances with a “the end?” because that’s the last book I have in mind now. That doesn’t mean that some character won’t steal my attention and become book 5. So don’t get sad if you see less books in a series you like. These books are also not in any sort of production order. Now that I have more than one series going, I don’t know which series’s book will grab my attention next, so I make no promises as to the order of completion (if only I could be so regimented).
Backburner projects are not shelved,they’re projects that are still marinating. I would like to work on them, but they’re still underdeveloped in my head. I don’t like to work on stories until I have a decent idea of where I want to go with them and who the characters are, so I make note of them and let them sit until they start to gel. I’m super excited about everything on this list, but I have to segregate them from my on-deck projects because I get overeager and scattered if I don’t have a semi-regimented to-do list. Having 10 series going at once is fun but not the best business decision.
How Often Will This Be Updated?
I’m aiming for twice a month. I would like to update it every two weeks or so because there should be a substantial change for my current project by then. As mentioned above, I may forget, but I promise I will update it at least once a month. If you’re very interested in this new page, do not check it every day, it will not change that often, lol. You also get to see how slowly I write.
Slowly but cleanly! Don’t panic when I don’t drop 50k words in a month because I tend to not need to do major edits on books, which is a perk of writing like a snail. Once I finish a draft, the updates will change from word count to editing progress.
Going forward, I will add more details as projects are fleshed out and come into themselves. So as I have titles and blurbs and links, those will appear on the “Work in Progress” page as well. Of course, I will still post about these things in regular posts, but that page will be a nice catch-all for things you may have missed on the blog.
Hindsight is always 20/20 as they say, and there are plenty of mistakes I made early in my career that I would not suggest new authors repeat. We also must consider that I published my first book back in 2014 when there really wasn’t a whole lot about indie publishing online and nothing as organized as we have now. Since 2014, I’ve published 7 books, 2 boxed sets, and 2 short stories, and have learned quite a bit about what not to do. My hope is that some brand new authors or authors early in their indie author careers will learn from my mistakes.
For simplicity’s sake, I have decided to number these:
Start a newsletter before I published– A lot of authors resist having a newsletter because it’s more work or they don’t know what to say, but just keeping a very basic release update newsletter will help you down the line. Building a newsletter can be a slow-go, so having people involved from the beginning and funneling them to your newsletter in case your social media goes bust is a fantastic idea. I know this from personal experience after having my FB and IG hacked, locked, and eventually deleted. Any social media account can disappear at any moment, but a newsletter list can be downloaded regularly just in case.
Know what constitutes a good audiobook narrator before producing one– This goes for any part of the publishing process you don’t understand. Ask others who do like that thing and see if they think it sounds good. I don’t think my first audiobook narrator was necessarily the best because I didn’t listen to audiobooks and didn’t understand what people like in an audiobook narrator. My narrator was more suited to nonfiction than fiction. I’ve since learned.
Ask people involved in a program, promo, etc. about their honest experiences- sometimes a program sounds fantastic on paper when in reality it has a a lot of problems or limitations. For instance, Kindle Unlimited sounds like a great idea (exclusivity as a trade off for voracious readers). If you’re in the right genre, it can be great, but if you aren’t in a genre where people read voraciously, you may not gain the same traction and your exclusivity may not be the pay off you think it is. There’s also the trade-off of losing traction or not gaining it as fast when you go wide because you don’t have the same preorders and release push that you would if you published your books there for the first time.
Invest in good covers that fit the genre from the start– I was lucky enough that my partner is an artist, and he was able to make me a halfway decent cover for my first few books. While this was great for my budget, they were not the best in terms of marketing since they didn’t fit the genre at all. If I was doing it over again, I would definitely invest in a professional cover that fit the genre conventions (aka look at Amazon best seller listings and comp titles ahead of time instead of making something I liked).
Not publish a large series as a first project/publication– When I first wrote The Earl of Brass, I had no idea how long the series would be, especially since I started branching off into other couples. I don’t think I ever anticipated it being 6+ books long. The problem is that people need to read book 1 to read the rest of the series, and by the time you hit book 6, you’re writing is A LOT better and readers are still judging your series based on book 1’s writing. I definitely wouldn’t suggest going beyond a trilogy for your first/early major project because you will improve a lot and the difference will be stark from the beginning to the end of the series.
If you were in an MFA program, you may need to do some re/de-programming– I graduated from an MFA program where some professors were very supportive of me writing genre fiction because, to them, good writing was good writing, but there were others who were vocal about how they thought it was garbage and that literary fiction was the pinnacle of art. Despite writing and publishing genre fiction out of spite during my time in grad school, I definitely picked up some bad habits and self-loathing. If look back at old blog posts from 2015/2016, I definitely got hung up on “upmarket” fiction and speculative fiction, which are nice ways that lit fic authors/publishers relabel what should be genre fiction. I came out of grad school ready to start fights over genre fiction’s merits only to find most people were totally cool with it and loved it. The difference was stark, so I wasted a lot of time trying to make my writing (as a product) sound good to lit fic people when they were not my audience at all. I think no matter the program, there will always be bad habits or bad thoughts you will need to un-learn as you grow.
Learn that other writers are your coworkers, not your competitors– What I mean by that is, don’t treat other writers like people you have to one-up or beat. It just sets you up to feel like shit and to potentially treat others like shit. Early in my career, I felt jealousy keenly when other writers who started around the same time I did got traditional publishing deals or appears at cons or had opportunities I couldn’t get. When I started to have some success and felt people do the same to me (being bitter and suddenly treating me differently) as I did to others who got ahead of me, it was a wake up call to knock off the behavior. It was ugly and unnecessary, and I shouldn’t have had to feel it turned back on me to stop. It’s perfectly normal to feel pangs of jealousy, but you have to remind yourself that they may be ahead in their career overall, they may have different connections, or what they have looks good but wouldn’t be good for you. You have to feel that jealousy but still be happy for them. Trust me, you don’t want to be that person who alienates their writing friends when they get a whiff of success.
Have a plan before publishing– This one seems like it should be obvious, but oh, dear reader, it is not. As someone who struggles to plan things because I have zero chill, I have launched books early or with little preamble because I was so excited for other people to read it. That was not a solid business plan. If you’re just publishing as a hobby, that’s fine, but if you’re trying to grow your readership and make some money off of it, publishing on a schedule or launching a series x amount of months apart is a much smarter idea than releasing a book because you cannot contain yourself. A lot of indie authors now have made videos and resources about creating a pre-launch plan and how to best utilize the push from pre-orders and pre-marketing. I wish there was more of that when I was a baby indie back in 2014. It would have been a major help to me.
There are plenty of other f-ups I have made along the way, but these are the ones that I think have had the biggest impact, whether I realized it or not at the time. I hope these help you if you’re a newbie or just starting on your indie publishing journey.
If you’re already an indie author, what are some things you would tell new indies to do differently? Drop your suggestions in the comments.
As you may have gleaned from my posts since I started blogging again in the latter half of 2021, I have had a lot of trouble writing since the pandemic started. It was difficult before that, but it really worsened during the pandemic due to stress, worsening of my OCD symptoms, and what I now realize may have been covid brain fog (this seemed to greatly lessen after getting vaccinated). At this point, I’m in a much better place mentally than I was a year (or more) ago. Not 100% but at least 80% of the way there.
Since 2022 started, I have tried to really get back into the groove of writing like I did in 2019, so I’ve been trying to figure out how to optimize my writing routine and do things that make it easier to get work done. Before we get into this, I want to make it clear that I am not into the hustle grind, write a million words a day mentality. I’m literally just trying to get words on the page in a way that doesn’t feel like absolute torture.
Something I started doing at the end of 2021 is using sprints. Sprints are setting a timer and writing for that amount of time. This is a branch off of the Pomodoro Method, which uses 25 minutes of work followed by a few minutes of time, followed by another “pomodoro” or 25 minute sprint. I found several authors on Youtube who do live sprints online, and I started joining those to help get started. Even if I found the videos too chatty at times, the synergy of writing at the same time as other people helped a lot. It took me a bit of trial and error to figure out what sprint length works best for me. 20 minutes seems to be my sweet spot. I can do two 20 minute sprints pretty easily and clock in a couple hundred words each time. I’m slowly trying to strengthen my creative muscles and do a bit more writing, so increasing from two sprints to three or even four in the future. I’m not there yet, but it’s a hope of mine.
With sprints, I’ve also started tracking my sprints with a printable chart that I got off Sarra Cannon’s website. You can see them in the picture below. Using these sheets and making note of the minutes long the sprint was helped me to find my sweet spot with sprint length. I also liked to see how much I got done each day and how the word count was increasing. Seeing progress makes me believe that it’s happening because adding words feels rather amorphous.
I also use a spreadsheet to track my daily word count. I take the total from the sprints and add it to an excel sheet. These spreadsheets also track my overall monthly goal (which we’ll get to in a bit). The monthly spreadsheets add everything up for me, let me track my progress, and the one I bought can track more than just my WIP. That way I can see that if I have a low word count on my WIP it may be because I wrote a 1,000 word blog post instead. If you’ve ever done NaNoWriMo, the word count trackers are a lot like what they have on their website, but this one covers more than one project at a time.
While tracking my progress has been good for me because I have the visual pay-off, something I struggled with greatly in January was not punishing myself for not writing on a certain day. I originally colored in the days where I didn’t write. That ended up becoming a self-fulfilling prophecy where one writing-less day perpetuated more writing-less days. The colored bands stacked up, and my positive feelings surrounding my work plummeted. In February, I stopped coloring in the days I missed. I tried to treat the new month like a clean slate, and with each successive week, I tried to have less writing-less days if possible.
Let’s put a big neon, bolded sign around REALISTIC.
I somehow managed to be under the delusion that in the past, I could write like 30k a month despite logically knowing I didn’t write more 1,000 words a day. I actually went back through my blog and found my old monthly check-ins, which had my word count totals for the month. Most were 10k-20k depending on the month and where I was in the story.
This is also something I had to calibrate within myself. The beginnings of new books are a SLOG for me. I tend to have false starts, have a lot more pauses, and I can’t power through the beginnings when I don’t know where I’m going like I can in the middle of a work. What I am having to remind myself is that if I’m working on the beginning of the story (first 10k-15k), I need to be mindful that it’ll take me a lot longer than months where I’m in the middle or end of a book. I may only write 5k a month when I’m starting a brand new story and still feeling out where I’m going.
In January, I wrote 2,800 words, and in February I wrote 10k with the word count increasing each week. This leads me to my March goal. I decided that I’m going to have a good, better, best goal for my March word count goal. My good goal is 10,000 words, which is fairly modest and very doable if things continue as is. My better goal is 15k, and the best goal is 20k. I don’t think I’ll hit the 20k, but it would be amazing if I could. Instead of shooting for the fences and saying 20k for March, I have the lower goals which are more realistic and very doable. Basically, this is positive reinforcement as I stretch and rebuild my writing muscles. I have these goals written down on my sprint sheets and my word count spreadsheet along with how many words per day I need to reach each.
I’m a very visual person who likes data, so having all these spreadsheets and sprint sheets help me manage my goals while tempering my expectations (aka not being totally unrealistic because I can’t remember my past creative thresholds). Not everyone will like this, and I know some will actively hate that everything involves tracking because it has the opposite effect on them. But if you’re like me and need that sort of regimented, goal-oriented, piece-by-piece breakdown, some of what I’ve done these past two months may be helpful to you.
I know the title looks like an oxymoron, but just bear with me for a moment.
Before I get into detail about what I do as a pantser, I want to talk about what I mean by a pantser, gardener, and plotter, which are terms I’m going to use throughout this post.
A pantser is someone who “flies by the seat of their pants” while they write. Meaning that they do no pre-writing or minimal pre-writing. Pantsers typically don’t use outlines, though they may have some idea of the direction of their stories when they start.
A plotter is someone who uses outlines, pre-writing, and various organizational methods to sort out the plot of their book before they start writing.
Gardeners, or plantsers as they are often known, fall somewhere between plotting and pansting, meaning that they may use some organizational techniques ahead of time but they may be scant or only used sometimes.
The problem a lot of pantsers and gardeners often run into is that they don’t like to outline because it sort of sucks the magic out of the creative process. Half the fun of writing is discovery, so when you get told everything in the outline, there’s no drive to discover. Then the next problem that arises is, if I have a beginning and end, how do I bridge those two pieces if I don’t have an outline?
What I would catch myself doing is constantly rereading what I had written in hopes that I would figure out how to get to the ending I imagined. As you can probably guess, I wasted A LOT of time rereading the same passages, and as the book got longer, I found myself skipping writing days to reread 100 pages, which then put me behind. A few times I tried to outline like a plotter when I got stuck and found myself staring into the void because I still didn’t know how to get to point B from where I was. I wasn’t a plotter and would probably never be, so this type of outlining didn’t work for me. Luckily I did find something that helped a lot: reverse outlining.
I highly doubt I am the first person to come up with reverse outlining, but I figured out this sort of retroactive outlining technique on my own after having reread the same draft every day for 3 days. What a reverse outline is, is writing out what happens in each chapter as you write them. So I make a bulleted list with Chapter # as a header, then put a bunch of bullets under it of the major things that happened. Sometimes I also include character descriptions, important objects or settings, etc. You can do this digitally on a Google/Word Doc or on Scrivener or you can make one by hand in a notebook or on index cards. Something I started to do as my story got longer is to color code the events. General main plot got one color, the romance arcs got a different color, subplots another. You could also do this if you shift point of view as well. That way, you see main points and how they work together at a glance. Here’s an example from my current project, THE REANIMATOR’S HEART:
Chapter One: Foolish Choices
Oliver Barlow introduction- he is the coroner at the Paranormal Society and is also a necromancer
He autopsies Mr. Hezekiah Henderson who was apparently killed by his own pet tigers (could talk to animals). He gets this info by reviving him briefly
His BFF Gwen comes in, she’s in the midst of an asthma attack. Oliver helps her, and she tells him that Felipe Galvan is looking for him. Oliver is flustered because he likes Felipe but begrudgingly agrees to go
This reverse outline can be as detailed or scant as you wish, but it should help to cut down on having to reread and reorient yourself constantly. For some chapters, these entries can be quite long, but it’s worth it. I tend to write these out after I’ve finished a chapter rather than after each writing session. This reverse outline should also help during the editing process as you can target where certain plot points/threads that need to be adjusted at a glance.
Something else you might consider after reverse outlining that helped me was micro-outlining. Half of the reason I use the reverse outline is because I’m not good at thinking too far in the future, but I often have scene ideas along the way with no means of connecting them. I tend to have a detailed reverse outline on a doc and another one of just major events written on index cards. Once I have the preexisting bits done, I make cards for future events I have in my head. As I work forward, the stepping stones to get to those events become clearer, so I start making notes (or note cards) for myself of what I need to do to get there. I think of this as micro outlining because it doesn’t take away from that discoverability aspect that I enjoy with being a pantser, but it keeps me moving forward more smoothly (as someone who forgets things, writing ideas down is key to actually using them later). It also helps me to figure out where to put things I want to include. If you’re someone who is very visual, I highly recommend using an index card based system for reverse outlining. It just makes it a lot easier to visualize what comes next. Plus, moving things around can sometimes jog ideas loose. If you are afraid of losing your index cards, Scrivener also has a digital index card feature.
If you’re a pantser or gardener who is constantly rereading your work or forgetting what you’ve done, I hope you’ll try using a reverse outline to mark out where you’ve been and figure out where you’re going.
Let me preface this by saying this is not a how-to on how to fix your screw ups. This is a post about things I screwed up that I didn’t realize were even a problem until I did them [repeatedly].
There is no right or wrong way to do most things as an author, especially in regards to writing. There will always be people who are really into your niche genre or dying for this very specific type of character you’re writing, but on the business end of things, there are, let’s say, less desirable ways of doing things. Things that don’t benefit you/the writer or the reader/your audience.
How I F-ed Up My Newsletter
I am incredibly guilty of doing those less desirable things because I’m either a) tired or burnout b) didn’t know better c) didn’t want to bother anyone. I bolded and italicized the last one because not wanting to bother anyone has been a lifelong mode of operation that I probably need therapy for, but we will not get into that. The problem with that mindset is that you treat everything you do as a chore for others. I only send emails to my newsletter occasionally because I don’t want to bother them. Or I don’t want to advertise my book because I don’t want to bother people. This means I am treating the books that I love and spent hours and hours of my life working on as something unworthy of attention, and in the long-run, I am setting myself up for failure because people don’t know I have books or think I’m only reaching out to sell them something, which is not a great look.
So what I’ve been working on is creating a monthly newsletter that will cover the following things:
If you join my monthly newsletter, I’ll share things I’m working on, some cool research (and let me tell you, writing historically set books, there is a lot and it is weird), pics of my dogs, and books that I’ve read and loved and think you’ll love, too. When you sign-up, you’ll also get a free prequel short story, and over the next few months, I plan to send out another free short to subscribers. After the initial thank you emails, you will get monthly emails, which will be sent out at the end of every month.
I decided to change this to a beefier, monthly email because I was doing a disservice to my readers/subscribers by “not bothering them” except when I had book updates, and when I thought harder about that, it felt wrong to only send messages when I published. You could just follow me on Amazon or Bookbub if you wanted that kind of bare bones update.
How I F-ed Up my Back Matter
The next giant thing I screwed up is not keeping up with fixing my back matter. Back matter is the about the author, also by the author, newsletter/social media links, etc. that are found at the back of your book. Between changing laptops several times since 2014, switching writing programs, and just being overwhelmed at the prospect of going through like 10 Word docs, I put off updating all of these things for YEARS. This means that my first book had an “also by” list that only went up to like book four of the series. I facepalmed hard when I realized I hadn’t updated my back matter since 2017.
Something I would also recommend other authors doing is going back and formatting their docs, so the chapter headers are in a heading style and the body text is one uniform style. This makes it easier for the Kindle and eReader software to convert your book to something that makes sense. Guess who went back and properly formatted all 10 documents? And I was shocked to find that once I got going, it took significantly less time than I expected. I was able to do all of them over the course of a week and reuploaded the new files to my distributors. Amazon/KDP also has a new bit of free software called Kindle Create that is a lot like Vellum or, if you’ve used D2D, their autogenerated software, which will break your book into chapters and add pretty flourishes if you’re so inclined. Once again, very easy, highly recommend to make your books look spiffy.
If you’re an author, this is your sign to fix your back matter and formatting as it won’t take you nearly as long as you think once you finish the first book.
How I Forgot to Publish an Entire Box Set
The last thing I did to get my work back into shape is to add a new box set for the Ingenious Mechanical Devices series. A while ago, I made a box set for books 1-3, which is 20% off the cost of buying the books individually, but I thought I’d wait until a year after book 6 came out before I made the next box set. Well, then I got overwhelmed with life and then enough time passed that I forgot. A couple weeks ago, I reached out to my cover designer (Lou Harper at Cover Affairs), made the file, and got it all listed, so if you’re interested in getting a box set of books 4-6 for 25% off buying the books individually, now you can. Both sets are available on all major retailers, BUT I had a little hiccup with Apple Books and Kobo. They have the set as a preorder that releases January 29th. I’ve reached out to fix it with no answer, but the 29th isn’t that far away, so if it doesn’t get fixed immediately, you will get your books by the end of the month.
If you’re an author, research best practices instead of assuming you’re being annoying because you could be in a totally different way than you though.
If you saw my post on “Life’s a Mess but There’s Hope,” you know that I have been having a rather rough time. Earlier in the year, due to life/emotional stress (or from a potential asymptomatic covid leftover), I was struggling with brain fog, checking OCD, and general anxiety. This combined with work stuff and writing malaise had wreaked havoc on my self-esteem and self-worth, so while I was mainlining YouTube videos, as one does when they feel shitty, I came across Sarra Cannon’s videos about her quarterly planning.
I already am a big proponent of using planners and have used a bullet journal every year since 2016, but when my downhill mental spiral started in earnest in 2020, I stopped setting concrete goals and my organization devolved from there to the bare minimum. So when I saw Sarra’s planning videos, I was excited, especially since she is a writer and entrepreneur, and it turns out her HB90 system is centered around exactly that. Before I go on, I’d like to say that I am in no way affiliated with Sarra’s classes. I just took the HB90 course and felt that I benefited from it.
What is the HB90 system?
The HB90 system was created by author Sarra Cannon (YouTube channel is Heart Breathings) as a way to help others stay organized and move toward the ideal life they want. Instead of focusing on a year at a time, she breaks things down by quarter. Some of you might shrug and say it sounds like every other planner, but there were certain aspects that greatly appealed to me.
The first one was that this system focused on quarterly goals instead of yearly goals. A problem I often faced was getting off track due to life and my yearly goals would rapidly spiral into why bother land. I wouldn’t be able to right that ship and would give up. By having quarterly goals, they are smaller chunks, and after each quarter/90 days, you do a review and figure out what worked, what didn’t work, and what you need to do. That way, if you know you were doing something self-sabotaging, you can sort of check yourself and figure out how to move forward. Also, you can decide if you want to continue a half-finished/unfinished goal or shelve it next quarter.
The other thing that appealed to me was the visualization/ideal life aspect. At the beginning of the course (and each quarter), you fill out questions regarding what you truly want your life to look like. The idea is that if you have a specific direction/vision, you know that your goals should aim you toward that vision and you can eliminate or minimize things that won’t move you toward that life. It wasn’t done in a “you should be rich in the future with a mansion and a convertible” or girlboss kind of way. She’s simply asking you to find an ideal in order to make sure your choices make sense. Something I struggle with is “spaghetti flinging,” so if I don’t know what I need to do, I will do all the things instead. This means, I do a lot of random stuff that doesn’t amount to much. This is meant to eliminate that because I can say, “Yes, this idea is great, but this isn’t what I’m focusing on right now.”
I don’t want to go over every aspect of this course (this is what taking the course is for), but something I appreciated was that Sarra Cannon is mindful of reality and different realities. She asks you to be realistic but also kind to yourself. Don’t set yourself up for failure by being like “New Year New Me!” while still having old you’s habits and abilities. You have to work on that gradually, and I was so relieved to hear her talk about if you have chronic health problems and budgeting your time based on how often you know those things take you out of commission. This really isn’t a hustle culture kind of thing, so that work til you drop and hustle harder wasn’t there. It was about knowing what you are currently capable of and potentially working toward different habits in the future or scheduling yourself better right now. As someone who has inflammation problems, migraines, and anxiety, I can’t live up to the ableist standard of hustle culture, so this took some of that pressure off me while I was working on my goals/schedule.
My Ideal Life
When I was asked to imagine my ideal life, I struggled a bit. Academia has been going through a weird time of upheaval, especially in the humanities where I work, and that has made my own life more complicated. What I decided to do for my ideal life was to create a vision board on Pinterest, and I quickly realized it would make no sense to anyone but me. What I want is a life lived creatively. I want a rich, fulfilling life that is focused on things that make me feel good: my partner, my dogs, going to museums, doing creative writing, doing more art. There’s certainly room in there for a full-time academic position if one should ever come available, but I don’t feel like I can bank on that due to the current climate at US universities. I would like to model my life a little on Vincent Price’s. He was an actor, obviously, but he also loved art and cooking, and I want a life that is filled with creativity in various forms (he also wrote a book about his dog, The Book of Joe). I already crochet, but I’d like to do more traditional art, maybe even pottery, and I’d eventually like to live off my writing (especially if teaching full-time is ever off the table). This means my overall goals should be pointing me toward being able to rely on my writing more and giving myself the space to treat my writing seriously.
My Goals for 2022 Quarter 1
Goals in the HB90 system are a little different from what we normally think of as goals. The HB90 system asks you to pick things for goals that are slightly out of your control. That way you can see whether the tasks you put under them worked or not. So I’m not posting ALL of my projects under these goals, but the idea is that you have an overarching goal, then projects under it (larger scale stuff that you would normally consider goals) and those projects get broken into tasks that can be accomplished between a few hours or a week’s time. So here are my goals for Q1:
To work on publishing new books while reworking my back list to increase my monthly income to $X/$Y/$Z a month (numbers have been hidden because I felt awkward talking about how much I make off my books).
To create an energized community surrounding my works and increase my social media followers by 10%/15%/20% (Focus on newsletter, blog, Instagram, Twitter).
Continue to work on my teaching materials and to maintain my mental health by maintaining a decent work-life balance.
To accomplish these goals, I will be writing more (please see my 2022 Projects post for specifics), reading some books on marketing, taking another course to keep my author knowledge up to date, hopefully sending out more newsletters, fixing the back matter in my books, and working on some departmental stuff for one of the universities I work at.
The Kanban Board
To keep this post from being 8 miles long, I will not go into minute detail about the Kanban board (you can check out one of Sarra’s videos for detail), but the Kanban board is part of the HB90 setup as well. It is originally a Japanese form of organization where you get a dry erase board/paper/digital board and divide it into three parts. It goes to-do, currently working on, done. The idea is that you put everything in the to-do part, and as you work on it, you move it down until it ends up in the done section. Sarra uses sticky notes, and because my tasks aren’t super granular this quarter, I decided to use dry erase magnets as they are less likely to fall off.
The things written on each magnet are tasks that I need to do this quarter. I’m sure I’m missing some, but that’s what the extra magnets are for. What I like about this technique is that it is very visual. I am a tactile, visual person who needs lists in front of my face in order to remember to do things. If I can see progress (aka things moving down the board), I think I will feel better about myself and maintaining my mental health with be easier. Something I have struggled with is feeling like I’m doing so much but not getting anywhere. Something I’m still gauging is how much will fit in 90 days, but that should come with practice and will vary based on what classes on I’m teaching and such.
I’m excited to have some sort of framework in which to organize my writing and indie author stuff because these last few years have been a shit show for me. Sarra Cannon’s videos and course has helped to reignite my focus and zest for being an indie author. I’m cautiously hopeful that this will get me back on track.
Let me know if you want to know anything else about the HB90 program or how I use planners in the future! I do plan to update you all on how this is going at the end of the quarter.