Book Reviews

Reading Rec: Blanca & Roja

Since June is LGBT+ Pride Month, I decided that I would read and review books written by and about LGBT+ people. I finished several books over the past week while the house was being torn apart (and still is), so expect a few more reviews to come your way this week.

Today’s review is of Blanca & Roja by Anna-Marie McLemore, which won’t be out until October. I received this book as an ARC at Bookcon (you can read more about Bookcon on my Patreon), but I couldn’t help but read it as soon as I got home.

blancaandroja

Blanca & Roja follows the tale of two sisters at the mercy of a family legacy where one of each pair of del Cisnes girls are taken by the swans. Blanca is fair and sweet while Roja is headstrong with hair so red it’s nearly black. Blanca and Roja do their best to trick the swans into giving them more time by trying to act the same to make it harder for the swans to pick which sister to take. Intertwined with their story is the tale of two friends who give themselves to the forest to escape their lives. Blanca & Roja is a riff on Swan Lake as well as Snow White & Rose Red.

What I loved about Blanca & Roja was how the story was aware that they were repeating history through the archetypal tales mentioned above. The fact that the characters are aware makes the story a little more interesting than most retellings. The style of the story is less fantasy and more magical realism. I feel the need to point this out because it begins more like a fairy tale and then suddenly there are cars and school. My rule of thumb for magical realism is to just roll with the weirdness. Swans steal girls in this world and turn them into swans. Take that as fact and move on. Stylistically, McLemore’s work is similar to Louise Erdrich and Maggie Stiefvater but with a queer, Latinx flare.

Her characters are archetypal yet realistic, and her worlds are full of lush texture and greenery. McLemore is a master of magical realism, making it easy to suspend disbelief long enough to sink into the world of her characters. Within that world, the characters are diverse and complex. Being a self-described queer Latinx, she makes certain to include characters of varying sexual and gender identity. These identities flow seamlessly into the work and are taken in stride by the characters without making a big to-do about it.

My only issue with Blanca & Roja has more to do with the back blurb’s representation of the characters versus how they are in the story. The blurb feels too simplistic and polarizing and does a disservice to the characters, especially Roja.

If you’re looking for a rich magical world hidden within our own with characters who are diverse and complex, you should pre-order Blanca & Roja before it comes out October 9th.

Book Reviews

Reading Rec: My Solo Diary Exchange Vol. 1

Since June is LGBT+ Pride Month, I decided that I would review books by and about LGBT+ people. Today’s recommendation will be another graphic novel, but unlike The Prince and the Dressmaker, My Solo Diary Exchange Vol. 1 by Nagata Kabi is autobiographical.

my solo

If you follow me on Goodreads, you may have seen my review on the preceding volume, My Lesbian Experience with Loneliness. My Solo Diary Exchange picks up pretty much where that book left off. We find Nagata Kabi struggling to become a functional adult– at least to society’s standards. Despite the seemingly sexual/sensual nature of the cover, this volume focuses less on the queer aspect of her life and more with the vulnerabilities and trials she faces in owning her mistakes and growing from them.

What I love about Nagata Kabi’s work is how she never shies away from painful or messy topics. Numerous shades of depression and anxiety are explored in her work, and we get to see the progress she has made since her first book. Unlike many other mental illness-focused autobiographies, we aren’t presented with a nice tidy life by the end of the book. Nagata Kabi draws herself as disheveled, tired, depressed, and frankly, a hot mess. She is unforgiving in her characterization. That styles carries through into her art style, which mimics the mental chaos with fast, scratchy strokes that obscure her sparse forms. Counterbalancing the darkness are flashes of pink, which lighten the tone and remind the reader that she is a woman and this work centers around a woman who loves women.

Her work is poignant and incredibly relatable (especially to many Millenials, myself included) as she struggles to assert her independence from her parents while working through something akin to separation anxiety, depression, and coming to terms with the fact that love isn’t always unconditional or reciprocated.

If this review piqued your interest, grab a copy on Amazon.

patreon

 

Book Reviews

Reading Rec: The Prince and the Dressmaker

It’s June, which means it’s LGBT+ Pride Month. I decided that my June reviews will focus on LGBT+ fiction I’ve read lately. This really isn’t a stretch for me since 75% of what I read has queer characters and was probably written by a queer author.

My first recommendation is a wonderful graphic novel I picked up at Bookcon last Sunday called The Prince and the Dressmaker by Jen Wang.

princedressmaker

The story centers around Frances, a young dressmaker hoping to one day become an independent designer, and Sebastian, the prince of Belgium who is harboring a secret: he likes to wear dresses. After Frances creates a daring ensemble for a noblewoman’s daughter (much to the chagrin of society), Sebastian sends his valet to hire Frances to be his personal designer. Unfortunately, Sebastian isn’t quite out about his penchant for dresses because he fears his family (and his country’s) disapproval. Instead, he dons his new wardrobe and goes out on the town as Lady Crystallia, who soon turns into a fashion icon.

This book is absolutely adorable. Frances and Sebastian are warm and sweet and fragile. They remind the reader of that time when many of us weren’t sure where we fit into the grand spectrum of life and gender/sexuality. It’s written in such a way that the story and themes are easy enough for middle grade readers to understand without being patronizing or dull for adult readers. Honestly, I gobbled this book up in about two hours and couldn’t put it down even though I should have turned in for the night. This was due to the sensitivity with which this story was written while at the same time crushing the characters with doses of reality.

What really sells the book though is the artwork. Every page is beautifully rendered in detail and full color. The clothing is lush and textured and the backdrops scream of a Moulin Rouge era Paris. The art style is somewhat akin to what’s seen on Steven Universe but more realistic. The story itself is purposely anachronistic yet retains the historical charms of the early twentieth century.

If you like the daring costumes of RuPaul’s Drag Race and Lady Gaga, queer historical-fantasy, and beautifully rendered graphic novels, then The Prince and the Dressmaker is for you.

Grab a copy on Amazon on your way out.

Book Reviews

Reading Rec: The Henchmen of Zenda

FYI: I received an ARC of The Henchmen of Zenda by K. J. Charles in exchange for an honest review.

henchmen of zenda

I absolutely loved The Henchmen of Zenda by K. J. Charles. If you’re into 1940s swashbuckling films or Victorian pulp fiction, this is for you.

If the title sounds familiar, you may have heard of Anthony Hope’s Victorian novel The Prisoner of Zenda. K. J. Charles originally wrote this story as part of Riptide’s Classics Queered series before Riptide’s ugly racist/prejudiced underbelly was revealed. Now, it is being independently published.

Before I talk more about the story, I need to say that I have never read The Prisoner of Zenda, and I purpose didn’t read it before reading The Henchmen of Zenda. I wanted the book to stand on its own without having my opinion (or mind) polluted by the original. It isn’t necessary to read Hope’s novel in order to understand the story line as Charles masterfully fills in any gaps while poking fun at the original narrator.

What I loved about The Henchmen of Zenda was our narrator, Jasper Detchard, swordsman for hire, Englishman, and a minor villain in the original tale. He tells the tale of how he ends up being roped into Michael’s (the Duke and brother of the legitimate heir) service and became entangled in a power struggle between Michael, Randolph, and Flavia (the princess and cousin of the two brothers). Detchard is utterly unflappable, in control, and sardonic. He’s basically Basil Rathbone in every swashbuckling movie he ever filmed, and he adds a grounding force when set against his foil, Rupert Hentzau.

Ah, Rupert. A young noble looking for adventure, a rogue with a good heart (who would most certainly be played by Errol Flynn), and a thorn in Detchard’s side who eventually grows on him to become something more. Their chemistry grows from sword fighting to sword fighting (*eyebrow waggle*). He’s witty, lively, and more complex than he is given credit for. Together with their ally, Toni (a courtesan turned mistress turned spy turned bad ass), they manage to turn the tides of battle and have a happier ending than would have been possible in a Victorian pulp tale.

The best part of The Henchmen of Zenda is how K. J. Charles was able to turn the original story on its head by turning heroes into villains, villains into heroes, weak women into the power behind the thrown, and yet, it all makes sense! I give her kudos for her ability to engineer a completely new (and better) version of a century old tale. Her take adds a new level of complexity to a pretty problematic story (by modern standards) and giving it a queer and feminist spin.

The Henchmen of Zenda will be out May 15th, so if this review piqued your interest, you can grab a copy here.