Writing

Dear Young Authors

For the past two weeks, I have spent more hours than I would care to admit watching videos about the Audra Winter situation. If you don’t know, Audra Winter is a 22 year old queer, autistic author who girl bossed to close to the sun, and through hubris and a lack of experience, she went from being a Tiktok marketing sensation who got 6,000 preorders on a sight unseen book to someone people are begging to listen and drop her ego because she doesn’t have the skill to back it up. BookLoverLaura‘s videos do a good job of capturing the whole situation. As a fellow queer autistic who made writing their whole personality in my younger years, I see a lot of my younger self in Audra, so I wanted to talk about some lessons I learned that might help other young authors along the way and things I wish I realized sooner.

  1. Don’t make your book/writing your whole personality– This often comes from a place of passion, which is great, but you are more than your book or your love of writing. Making your book or writing your whole personality becomes a problem when you start viewing any criticism of your book or process as a direct attack against you. Learn to separate your identity from your book or writing productivity. A secondary issue with this arises when you need to take a break or want to do something besides writing. If your entire identity is tied to one thing and you stop doing that thing, you are going to spiral. Staking your identity and self-worth on other people’s validation or one activity is a good way to set yourself up for mental health problems and an identity crisis in the future. As an aside, you are also probably insufferable to others if this is the only thing you do or talk about. Variety of interests is always a good thing. Be colorful.
  2. Younger isn’t always better.– Something I regret is publishing my first book at 23. The years between 23 and 25 provided a lot of growth for me as a writer and as a person. I think if I had waited a little longer, I could have made my first book even stronger structurally and emotionally. As much as I like it and am proud of 23 year old me, it makes me cringe to read now, which is to be expected as I have grown as an author. At the time I was writing it, I definitely had a chip on my shoulder and had plenty of things to work through as a person that hindered my writing in ways I didn’t understand at the time. Society pushes that younger is better and that “prodigies” are special, but authorship is a marathon, not a sprint. You want to create a sustainable writing career, and the younger you are, the more foolish you are and the more likely you are to tank your career over something you would never do as a more mature adult.
  3. Listen to other people!- One of the biggest frustration points with the Audra Winter situation is that she refuses to listen to anyone. You are not the first author to do something, and if everyone is doing something differently than you, there may be a reason for it. When you’re young, there’s often a feeling that you are special and doing things no one has ever done before, but in reality, you just have no idea what you’re talking about and don’t know enough to know what you don’t know. Inexperience breeds hubris. There are TONS of resources online for new authors to help them with writing, publishing, managing money, etc. Use those resources and ask authors who are more experienced than you rather than reinventing the wheel. Most authors are more than willing to point a newbie in the right direction, but if you come off as an arrogant tool, no one will want to help you. In regards to editors, you may not agree with everything they say, but if multiple people (betas, editors, readers, etc.) say the same thing, you need to tamp down your knee-jerk reaction to the feedback and see if they are right. Editors are trying to make your book better, and you will get called out if you ignore obvious issues in your books.
  4. You are not entitled to an audience or career.– I really hate pity marketing, which is when people post things like, hinting that people not buying your books makes you want to off yourself, “The tiktok algorithm keeps hiding my posts. Like and share to help me become a six figure author,” or even, “Support me because here are things the haters are saying about me.” It’s also those videos where it shows someone sitting at a table at Barnes and Noble with no one buying a book in order to guilt-trip people into supporting them. Tonally, there is a difference between this and talking about the realities of being an author. The latter doesn’t ask the viewer to buy anything or follow them. There will be times where a convention doesn’t work out or you sell zero books in a month, but you are not entitled to a following or an audience. Cultivating an audience is a two way street. The author has to create something of value for their audience and earn the audience’s trust by putting out repeated books that are of good quality, don’t feel scammy, and meet their readers’ expectations. If you don’t do those things, no one will want to read your work. Often, authors aren’t attracting the audience that fits with their books due to bad marketing, so you need to do things that will attract those people. Ultimately, whether you get an audience is partly due to algorithms and luck online and partly due to how you present yourself and your books to the world. You are not entitled to anyone’s time, money, or attention.
  5. Don’t expect your income to continually grow every month.- There’s an expectation that businesses will grow in an upward diagonal line, but that isn’t how it works, especially as an author. Your income will yo-yo. There are slow points during the year where sales dip and times where they boom, and if you do sales or bundles, you will often see hills and valleys. There are times when releases don’t make as much money off the bat as you expect or the algorithms change and you see a dip in sales. These things are going to happen. You need to brace yourself for really low income months and spend your money assuming the highs are not going to last. Audra Winter made a ton of money on preorders, and she immediately incorporated into an LLC on the assumption that the money would continue to roll in. There’s a 99% chance it will not continue at that magnitude, so don’t put the cart before the horse and assume you are suddenly going to be successful forever. Virality doesn’t equal long-term success. Building a sustainable author career is key to avoiding burnout and expanding your readership, so focus on the long-term success, not short-term hills and valleys.

If you takeaway nothing else from this post, I hope my younger author friends remember that your author career is a marathon, not a sprint. Build a solid foundation rather than trying to do all the things or trying to go viral, and early success does not guarantee future success. Listen to others, and above all, be yourself/be a person with hobbies beyond writing.

Writing

My 2025 Goals

I’m not always a fan of yearly goals. Truthfully, I prefer to do 90 day/quarterly goals, but since it’s the beginning of the new year, I thought it would be good to post my overall goals for the year. I have divided the goals into writing, publishing, personal, and other goals. In a perfect world, I will be able to write two full books this year, but these goals will probably be aspirational, and that’s okay. Something I’ve been trying to be better about is not beating myself up when I don’t accomplish everything I set out to do. As long as I do my best at the time, it’s fine, and it will eventually get done. Without further ado, let’s take a look at my goals for 2025.


Writing Goals

  • Write, edit, and publish “An Unexpected Evening” (about 10k, started it at the end of 2024)
  • Write, edit, and publish The Reanimator Mysteries #4 (100k+ words)
  • At least start writing Ansley and Joe’s story (80k? words)
  • Write, edit, and publish an epilogue short story for book 4
  • Write consistently throughout the year
  • Try writing two books at once (maybe)
  • Have 10 2k writing days
  • Have 3 5k writing days

Publishing Goals

  • Publish the audiobook of The Reanimator’s Remains (TRM #3) with Jack R. R. Evans as the narrator
  • Publish/send out “An Unexpected Evening” (TRM #3.5) to newsletter subscribers
  • Publish 1-2 books
    • Definitely publish TRM #4
    • Potentially publish Joe and Ansley’s book, though that may be next year
  • Make more money than I did in 2024
  • Potentially get a new cover for Kinship and Kindness (this may get pushed back to next year if Joe and Ansley’s book ends up being worked on late in the year)

Personal Goals

  • Work on my office since I stalled out on this
    • Get rid of the old furniture
    • Paint the walls
    • Set up the new furniture
  • Get healthier
    • Make more veggie-heavy dishes
    • Continue to lift weights consistently
    • Work up to 10 lb weights when I’m ready
  • Maintain my mental health
    • Be social with my friends online and in-person
    • Play games and/or refill the well
    • Be cognizant of when I’m burning out and take steps to stop it

Other Goals

  • Read 100 books
  • Play/finish 3 video games (I will consider prolonged playing of an open-world game like Stardew as “finishing”)
  • Learn a new craft
  • Learn new cooking techniques/recipes
  • Blog weekly
  • Send my newsletter out monthly

More than anything, I hope 2025 is boring. I know we’re heading into turbulent times in the US and around the world, but I want everyone to reach out to those around them and find people to support them. Change starts with us, so I hope you all turn to the trans, disabled, and marginalized people in your lives and make decisions with their best interests in mind.

Personal Life · Writing

My 2024 Goals

Some of you may know that I do quarterly goals and use the HB90 system, but this year, I also wanted to make a goal list for my year overall. I’m not a fan of making wild or grandiose goals that assume you are magically a new person when the new year starts, so I try to keep my goals realistic or at least doable. I’ve broken these goals down into writing goals, publishing goals, personal goals, and other.

Writing Goals

  • Write more consistently- I have been struggling to get into a writing routine this past year, so in 2024, I want to be better about writing more days than not and doing more sprints than I am currently doing
  • Finish, edit, and send out “An Unexpected Question” (The Reanimator Mysteries #2.5) to my newsletter subscribers in January
  • Write and edit The Reanimator Mysteries #3
  • Write The Reanimator Mysteries #3.5 short story
  • Start brainstorming The Reanimator Mysteries #4

Publishing Goals

  • Publish The Reanimator Mysteries #3 in October
  • Have a good launch/preorder period for book #3
  • Make REDACTED in sales overall (about 15% more than I did in 2023)
  • Proof and publish the audiobook for The Reanimator’s Soul
  • Look into selling books directly on my website/Etsy
  • Publish 1-2 books

Personal Goals

  • Assemble and use the elliptical I bought months ago (oops)
  • Stay out of other people’s chaos
  • Be more mindful of my mental health and do more to support myself before it gets bad
  • Work more on my office renovation (that has been basically shelved since last summer)
  • Be better about refilling my creative well with things like crafts, movies I enjoy, reading, art, etc.
  • Take a trip to HMart with my partner

Other Goals

  • Read 100 books (which is my usual goal and includes graphic novels, manga, short stories, etc.)
  • Play extensively/finish 2 video games
  • Have 5 2,000+ word writing days
  • Have 2 5,000+ word writing days (I’d really like to work my way up to having large writing days. Out of all my goals, these two are probably the least attainable, but I can try)
  • Keep crafting and/or learn a new craft skill
  • Continue to blog weekly and send out monthly newsletters
  • Commission more art of my characters, as a treat

I’m sure for some people this looks like a lot while for other authors, this is nothing compared to how many book they publish. At this point, I think I can only publish 1-2 books a year, and while I’d like to be able to write more or get ahead of my publication schedule, I am trying to be conservative and/or realistic with my goals. Nothing makes me feel worse than dreaming wildly and completely missing the mark. Overall though, I think this is very doable.

My hope for all of us is that 2024 will bring a very boring, peaceful time. I hope for Palestine to be free, for people to take public health seriously, for all of us to have more public safety nets and prosperity that isn’t at the expense of others.

Writing

Why My Books Aren’t in KU

Because someone on the internet will willfully misinterpret this, this isn’t bashing authors who use Kindle Unlimited, but with everything, it is a business decision. I’m writing this post because I feel bad for my friends who have gone all in on Amazon and feel like their world has been upended. It especially sucks because having been publishing since 2014, this has happened before.

Full disclosure: once upon a time, I had my books enrolled in Kindle Unlimited. I’ve been publishing since 2014, so I think my books were in KU from 2014 to 2018 or 2019 (I honestly cannot remember). There were times I made really good money off KU, like more money than I make now because I paired KU with a Bookbub ad and my profits/exposure exploded.

I still took my books out, and the reason being is that I have been through the KU song and dance before. This rollercoaster of profit and loss is nothing new to authors who have been around a while and why you don’t see many authors have been around a while on Kindle Unlimited. KU had a different payout system for a while, then they changed that, and our royalties tanked, then more people started indie publishing and enrolling in KU, and profits tanked again. Lather, rinse, repeat for different yet very similar reasons.

At some point, I got sick of it. I liked the perk of easily being able to run a sale, but ultimately, it wasn’t worth it. I had friends who told me they wanted to read my books, but they didn’t use a Kindle. Looking at other indie or hybrid authors I looked up to, I noticed most of them had their books at stores besides Amazon. That sort of solidified my decision to go wide with my books and pull them out of Kindle Unlimited. It makes me sad that a lot of the indies I knew back in 2014 have disappeared or don’t talk much about publishing because I think a lot of newer authors could have expected this to happen and been prepared for it.

I’m not going to lie, removing my books from KU was an ordeal, and I think they do that on purpose. My books had been published at different times, so I had to pull them out individually and wait until the next one was about to clock out of its 90 day KU cycle. I’m not going to lie, laziness almost got me there. I was frustrated and ready to just let them rot in KU, but eventually I got my shit together and removed all my books. They still remained on Amazon, but I looked into Draft2Digital, and it seemed easy enough to get my books on there.

To all the authors who were not around back in the day, you’re very lucky not to have to deal with Smashwords’s “meatgrinder,” which also stalled my publication process. Now though, it is so easy to post your work to D2D and use their formatting tools to make your ebook look attractive. I, then, took that file from D2D and uploaded it to Google Play in order to have even more reach. If you’ve never published your books wide before, there are tons of resources online, especially on Youtube that can walk you through the process of uploading your books onto other platforms.

At this point, besides fear of lost royalties, I can’t understand why anyone would stay in Kindle Unlimited. I understand that I am looking at this from someone who has watched KU for a long time and been burned before, but between the shittier payouts, people getting their accounts banned because some asshole put their books on pirating cites, and Amazon bots taking people out for no reason, it seems like a terrible decision to keep your eggs in one basket. For those who hang on hoping to ride out the storm, it may happen. KU is publishing chutes and ladders, but at some point, you may feel like you’re still not making money on KU and that money could be made elsewhere.

What I like about having my books on many platforms is that I get readers from all over the world (especially on Google Play, which seems to reach everywhere but China), I get to have my books in library systems, and readers who don’t use a Kindle, can still access my books. The worst part about going wide is that you do need to revamp your marketing a little bit and actually advertise that you’re wide now. You will probably have a few slow months until people realize your books are there, and there will always be platforms where your book does better than others. Series do really well on Google Play, but outside of Amazon, most of my books sell best on Apple Books.

I have to admit that I roll my eyes when people act like having their books on Kindle Unlimited is some moral good because they’re “accessible” and cheap. Having your books in library systems is less sexy than KU, but your book is equally accessible and even cheaper. It isn’t like KU is available in all countries (same with libraries, to be fair). Still, I like the fact that I can make my books as available as I possible can make them without relying solely on Amazon. At the end of the day, this is a business decision that I made for myself and my book. I don’t like leaving money on the table, and after almost ten years of being an indie author, you will see history repeat itself and watch others not heed the warnings from established authors because some hustle-master on Youtube or Tiktok said it was a great way to make money. With what’s going on, you need to ask yourself if it’s worth it to be at Amazon’s mercy. There are other options, but you need to do your due diligence and decide what’s right for you, but please, don’t think KU is the only way to make money because I can promise you that it isn’t.

Writing

Indie Book Covers on a Budget

A few weeks ago, I talked about the process of having a professional cover artist create my covers. For me, this is the biggest expense I have when publishing my books, but covers matter and I know I’m not particularly gifted when it comes to cover creation, hence why I’m willing to save up and pay. My first covers were done by my partner who has a degree in art, but eventually, I felt I needed to update them to stay competitive. A lot of authors starting out don’t have that sort of budget, so today, I wanted to talk about ways to do this on a budget.

$200 or less

If you have a small budget for your book cover, I might suggest checking someplace like Fiverr to see if there are any good budget cover artists out there, but sometimes it’s hard to figure out what’s a scam and what’s legit or how much the added fees will be once you get your cover made. There are also plenty of new cover designers who have fairly low pricing since they’re just starting out. Once again, the problem is that you are taking a chance that it may not be what you hoped or expected.

Something that can be very useful to new authors is premade covers. A lot of cover artists make “for fun” covers or extra covers that they sell on their websites as is. You basically plug in your title and author name, and it’s ready to go. Most of these are $150 or less with the vast majority on premade cover websites under $100. These covers are typically ebook only, and it will cost extra should you want the cover to be altered into a paperback cover (which is why I made the budget in this section this high). If you write cozy mystery, YA, SFF, and romance, you typically have a lot to choose from. There are plenty of websites that sell these, but one I particularly like is The Cover Collection. They seem to have a nice mix, and the cozy mystery covers are graphic and gorgeous.

The downside to a premade is that it may not be exactly right for your book and you can’t change it. The other issue arises if your book is part of a series. You can’t brand the books perfectly if different people made the covers, which means you may end up with disparate styles between books in the same series. Some people try to buy covers together at the same time or buy a premade and reinvest their book 1 money on a cover for book 2 that is made to match. You might also consider rebranding in the future when you have more money and just using the premade as a temporary cover.

No Budget

This always has me sort of tense up because I have seen some BAD do-it-yourself covers. I would suggest that if you aren’t halfway decent at Photoshop/CSP/other art or editing software, don’t try this yourself. Your cover is something people are going to see first online, and if it looks like a hot mess, they aren’t going to buy your book because they will [wrongly] assume the inside looks like a hot mess. If you have no budget, I might suggest bartering with a friend who has better graphic design skills than you. Please do not read this as go pester your artist friend. Most of them don’t make a whole lot of money either, so unless you’re willing to do something decently large for them (clean their gutters, watch their kids for a week, edit their manuscript, etc.), do not be upset if they say no. A simple but clean cover is far better than something that looks like someone did a bad job in Paint. Know yourself.

If you are going to forge ahead doing it yourself, I do have a few suggestions.

1) Look at covers within your genre on Amazon and other distributors. See what is often represented on those covers, the colors used, the styles of fonts, etc. Even if your cover isn’t perfect, you can at least sort of blend in. You don’t want to stand out in a bad way. It might also give you direction on what stock photos to look for, which leads me to point 2.

2) Look for stock photos. You cannot grab any old picture off Google and use in a book cover. Someone owns the rights to it, but using Shutter Stock or Pexels will give you tons of photos and vector art that is royalty free, meaning anyone can use it. You may need to alter them with editing software, but the photos are there for you to work with.

3) If you decide to go the Penguin Classics route and use an old painting, make sure you can use that painting on a cover. There’s a small issue with copyright when it comes to works of art. Museums and galleries have the rights to the images for many of them, so you may not be able to slap that picture on a book cover. A lot of museums, galleries, etc. do have websites where you can browse their pictures and see which ones are for commercial use. It’s a pain in the butt, but I’d rather not deal with copyright issues.

4) Show your finished product to other people to get their opinions before putting it on your ebook. Think of this like getting a tattoo. You want someone else to look at their artist’s portfolio with you in case they notice the flaws while you are enamored with the art. Your book cover will be out for everyone to see, so it’s better to catch a weird line or unreadable font now before it’s all over the internet. Be willing to take feedback from people because they will be your customers. The Courtney Project on Youtube has a great playlist of book cover critiques, which may be helpful in showing you what you should look for when making a book cover.

Final Thoughts

Your book cover is an investment in your brand and in your book. If I was going to spend money on one thing, it would be the book cover, BUT I am pretty sound with grammar and editing. If you aren’t great with those things, then, your money is better spent on editing.

At the same time, premade covers can be a great way to get a cool looking cover without breaking the bank. If you have no budget and want to make your own cover, I would definitely be realistic regarding your art/editing skills and make sure to follow the genre conventions for books within your genre in order to make something that will appeal to readers of your genre. Once you finish it, make sure to get feedback from others as you may not readily see the flaws in your cover design.

The Reanimator's Heart

The Reanimator’s Heart Cover Reveal

For the past month or so, I’ve been working with Crowglass Designs as he created the most perfect cover for The Reanimator’s Heart, and let me tell you, keeping this under wraps has been HARD. He is an absolutely fantastic designer who understood the mood and tone of The Reanimator’s Heart to a T.

The Reanimator’s Heart is the first book in the Reanimator Mysteries series and will be out October 25th, 2022. You can preorder the ebook now, and the paperback will launch in October.

Check out the cover along with the blurb and the preorder links below:

Manhattan, 1897

A reluctant necromancer, a man killed before his time, and the crime that brings them together.

Felipe Galvan’s life as an investigator for the Paranormal Society has been spent running into danger. Returning home from his latest case, Felipe struggles with the sudden quiet of his life until a mysterious death puts him in the path of the enigmatic Oliver Barlow.

Oliver has two secrets. One, he has been in love with the charming Felipe Galvan for years. Two, he is a necromancer, but to keep the sensible life he’s built as a medical examiner, he must hide his powers. That is, until Oliver finds Felipe murdered and accidentally brings him back from the dead.

But Felipe refuses to die again until he and Oliver catch his killer. Together, Felipe and Oliver embark on an investigation to uncover a plot centuries in the making. As they close in on his killer, one thing is certain: if they don’t stop them, Felipe won’t be the last to die.

CWs include but are subject to change/not limited to: Death, dead bodies, murder, violence, grief, gore, Catholicism/Christianity, on page sexual content, mentioned/remembered ableism against autistic people, blood, consumption of relics/human tissue


You can preorder The Reanimator’s Heart at

| Amazon | Barnes and Noble | Kobo | Apple Books | Google Play | Add it on Goodreads |

By the way, if you’ve read Kinship and Kindness, you may recognize some characters in The Reanimator’s Heart as both series share the New York Paranormal Society.

Once again, thank you for stopping by, and I hope you will share this post or pics of the cover if you’re excited about The Reanimator’s Heart.

Writing

Bookish Bitching

As readers, we all have things we see in a book that make us roll our eyes or want to immediately put it down. This week, I was inspired by Nate Philbrick’s 20 Bookish Pet Peeves to write my own list. It’s Monday, so why not bitch about it?

  1. Covers that change mid-series
  2. When paperbacks are released six months after the hard cover
  3. Ebooks that cost as much (or more) than a paperback
  4. Highly sexual book covers
  5. Poorly done photo-manipulated covers
  6. Publishers who give authors super short print-runs
  7. Love triangles
  8. Characters will oddly apt names, like a werewolf named Luna Woolf
  9. When side characters are more interesting than the main characters yet get very little screen time
  10. The “tragic queer” trope
  11. Invisible people of color (when characters are only revealed to be PoC by the author AFTER the book has been published and widely read, yet there’s no textual evidence in the book)
  12. Mary-Sues/Gary-Stus
  13. Complex female characters being called Mary-Sues because they can think and act like a capable human being
  14. Books that flat-line in the middle in terms of pacing
  15. Unlikable characters only being “bad guys”
  16. Lack of diversity in many genres (in terms of race, sexuality, gender-identity)
  17. Books with no back blurb, just “reviews” by big name papers or authors.
  18. Authors who put out one really great book and never write again
  19. Certain genres being seen as lesser or more important than others
  20. When the dust jacket won’t stay on your hard cover

What bookish things do you bitch about?

Writing

One Week Until…

eata final cover

In one week, the Earl and the Artificer is released! One more week to pre-order it at 99 cents.

I can’t believe the release day is nearly here.

While waiting for the release of book three, I have been hard at work formatting the paperback and doing a little updating of The Earl of Brass and The Winter Garden. I know that when I formatted The Earl of Brass two years ago, I have no idea what I was doing, so I decided to reformat the paperback version and tidy it up. The new version should be on Amazon now ready to go. Not much has changed, but as the author, the places I screwed up are glaring to me and have been since I finished book two.

proofproof1

 

The same day, the proof of The Earl and the Artificer came in the mail and looks fantastic! I was so afraid it wouldn’t get here before the blizzard that’s supposed to hit today. The paperback should be available on Amazon in a few days, so stay tuned for more updates on The Earl and the Artificer.

 


 

If you’re trapped in the house from the blizzard or just want a new series to lose yourself in, try out the Ingenious Mechanical Devices.

The Earl of Brass

The Winter Garden

“An Oxford Holiday”

The Earl and the Artificer (pre-order, out January 30th)

Personal Life · Writing

New Year, New Books

Ahhh, another year as an indie author has passed. 2015 has been quite the year for me. I feel like I’ve accomplished so much, yet there’s so much more to do in 2016.

This year I released my second novel, The Winter Garden, along with a short story, “An Oxford Holiday”. While getting through another two semesters of graduate school, I finished writing The Earl and the Artificer and got to meet and hang-out with my best friend who came to visit from the UK. My boyfriend and I celebrated our tenth anniversary. Honestly, this year has been pretty fantastic for me.

I’m a little afraid of 2016. This year I will finish my MFA in Creative Writing and have to look for a real job, which feels incredibly daunting.

Anyway, I have a few solid goals for 2016:

  • Edit, format, and publish The Earl and the Artificer (Ingenious Mechanical Devices #3) by January 30th. You can pre-order it here.
  • Write more books! It’s a fairly obvious goal, but I’d like to write at least two books in 2016.
  • Write every day that I’m not editing. For a while this year, I was really good about writing at least a couple hundred words every day, and that really upped my productivity. I want to start doing that again once I plot out the basics for book 4.
  • Read the books I own. This may sound odd, but I bought a lot of books in 2015, and I haven’t read most of them. In 2016, I’d like to catch up with my reading and try to only buy sequels to what I’m currently reading and not buy twenty for every one I read.

I could go into a bunch of smaller goals I have, but I’m sure those will come up throughout the year. I’m proud of what I’ve accomplished in 2015, and I can’t wait to see what 2016 will bring.

Stay tuned for more stories, new characters, and future publications! I know 2016 is going to be a great year!


 

The Earl and the Artificer (IMD#3) is available for pre-order on Amazon for 99 cents.

eata final cover

 

Writing

Incoming Rant: An Open Letter to Traditionalist Writers

To all the writers I know who scoffed, hesitated, or snickered when I said I was self-publishing,

Thank you for devaluing my hard work. In one instant, you went from supportive friend I was probably itching to talk to about my work to “that jerk” who once again reminded me of the ignorance of some writers. You are the ones who make me hesitant to admit that I am a self-published author when I am damn proud of my work and what I have accomplished in a little over a year.

Thus far in my fairly short career as an author, I have received tons of support from friends, fellow writers, and even people I met through Facebook and Twitter. I’ve even gotten messages saying how people loved my work or my characters, which made my day, but what always sticks out are the friends whose reactions surprise you by how subtly patronizing or rude they are.

They stare for a moment as the words “self-published” leave your lips, and with a small chuckle and glance to the side, they mutter, “That’s great.” Then either go off topic completely or ask you why you are not saving yourself for a traditional publishing contract like you’re supposed to do.

Well, I don’t want to. I want my freedom. I want to control all aspects of my work. I don’t want my characters homogenized or my work shelved after it doesn’t move twenty-thousand copies in a month. I don’t want my work’s worth to be solely valued for how much someone else can make off it. Yes, I could have possibly ended up with movie deals or a display in Barnes and Noble, but more than likely, that wouldn’t have happened even if I did go the traditional route.

I say all this, having repeated it numerous times before, and then you say the worst thing you could ever say to a self-published author. “But anyone can slap a book on Amazon.”

Thank you for devaluing all of the work I put in to making that book successful. Yes, anyone can slap a book on Amazon, but that doesn’t mean it will sell, and by saying that, I have to wonder if you have any idea the amount of work that went into slapping that book on Amazon.

First there were the hours I spent writing that book, editing it, having beta readers and an editor take a look at it. The amount of hands it passed through alone should be enough to impart some legitimacy to my endeavor. Then, I worked with an artist to create my covers, and I formatted both versions of the book myself (ebook and paperback). What takes an entire publishing team at least a year to do, I do in a few months. You have no idea how much I do, and I don’t think you care to know.

While you’re waiting for that agent or publishing house to respond to your query, I’m working on building my business. More than likely, I have never said anything negative about your thousands of query letters or that I think your time would be better spent self-publishing, gaining a following and presence, and working on your next book even if I’ve thought it. You may not know it, but a lot of authors self-publish and traditionally publish and they get those contracts because they have proof their books sell. I may have even sent you links to open submissions or contests to help you while you chose give me a patronizing pat on the head.

I have proof that my way is working. I have sales and fans and people who like my work. While you could say anyone can find someone who will like their work no matter how bad, just know someone could say the same about you.

Signed,

Your friend who chose the other path