Two weeks ago, I posted about my writing process. This was originally going to be one GIANT post, but at some point, readers lose interest. It also made sense to me to break this up into before the end and after the end for simplicity’s sake. If you haven’t read the first post, you can do so here.
The End? Nope. Editing Time.
So the writing process typically takes me anywhere from 4-6 months, depending on how long the story is and how long it took for me to get past the beginning stage to start fully drafting. This is why I try to get the gooey beginning part started while finishing up another book if I can.
From there is the major editing stage. Something I started doing a few books back (I think while writing Selkie Cove) is to stop at the 33% to 50% mark and do some major edits early. This way, I tidy up the beginning, I make sure the characterization makes sense, and reacquaint myself with the beginning of the story and early stakes before moving on. This helps me a lot in terms of consistency, especially because it takes me longer to write the first half than the second half. Also, remember that I edit as I go anyway, so my book isn’t terribly messy after I’ve done the minor tidies throughout and the more major tidy at the halfway point.
Big Picture Edits
When I finish the entire book, it is time to do big picture edits. Typically, I don’t have anything too monumental because I edit as I go and do that 50% edit, but I do often have a list of things I need to fix or change but didn’t feel like doing while writing. I’m not someone who usually has to rewrite their entire book from scratch or move too much or insert whole scenes. This is probably because I go so slowly and have a lot of built in thinking time. An example of what I might fix is making sure character descriptions make sense, deleting unnecessary dialogue or lines of description, reorganizing scene breaks in a chapter to make it more dynamic/flow better, breaking a chapter in a new place, beefing up description if it seems lacking, etc. If I spot typos along the way, those get fixed as well.
Beta Readers and Round 2
Next, I send the book off to a beta reader if I have someone who is willing to take a look. I don’t always anymore, so if I don’t, then I put it aside for a few days while I work on something else and then dive into round 2 of edits. If I have a beta reader, I will still dive into round 2, but I may need to do another round of edits with their feedback. If anyone hasn’t heard of a beta reader, it’s typically a trusted friend or critique partner who is willing to give you feedback on your work. At this point, my hope is that their feedback won’t include major changes. As with any feedback, you should listen to what your beta reader(s) have to say, especially if more than one person tells the same thing, but if their feedback goes against what you’re trying to accomplish or just feels wrong in your gut, don’t use it.
Round 2 edits are line-level edits. Making sure things sound good, they’re clear, everything makes sense, etc. Smoothing lines, breaking out the thesaurus or double checking that words aren’t anachronistic. Inevitably, I will miss something, but I try. At this point (or after beta feedback), the book should be in pretty good shape and there shouldn’t be any massive changes.
Round 3 Edits (where the most weeping occurs)
Round 3 edits are copy edits. I tend to do this twice because I miss typos no matter how hard I try and something always manages to make it into the book, usually more than one. I read chapters out of order at this point to keep my brain from numbing out and not reading the words. I also use Microsoft Word’s speak feature to have it read me back my work a paragraph at a time to catch typos. It will miss homophones, though, so if you know that’s a problem you have, be like me and make a list of words you might screw up and use ctrl F to find them and double check (that and the verb tenses for lie/lay). Once I have finished rereading my work for what feels like the 800th time, we’re ready to format.
I will not go into the formatting process here, but I do my own formatting for paperbacks and ebooks. The good thing is, putting the book in either form also makes it easier to catch typos, so if you feel like you’re eyes are crossing looking at your computer screen, print it off on paper or read it on your phone/tablet to catch errors better. The change is format seems to help a lot.
I will admit that copy editing is my least favorite part. By the end, my eyes feel like their bleeding and knowing that despite reading my work so many times I still will miss things hurts. If you have enough money to do so, I highly recommend sending your work to a copy editor to find all those typos and grammar errors for you.
A Final Word
But yes, dear reader, we have come to the end of the writing and editing process. I’m sure some of you are appalled that my process goes against the usual advice you see online for writing books. Write a lot, write fast, but if you are like me and thinking about writing 30k, let alone 50k, in a month makes you feel ill, this may be a better process for you.
I will also add that I am a monogamous writer, meaning that I typically write one book at a time until I hit the later editing phases. Then, I might have an edit going and the early drafting process started. In order to keep my characters consistent, I need to be able to keep my projects separate in order to mold the best story I can. Some people just aren’t built for writing 3 things at once or writing 2k a day, and that’s totally fine. The point is that you need to find what works for you.
My process has evolved over time to become a process versus me just doing my best, feeling it out. I’m still feeling it out with projects, and over time, I’m sure how I write will change too, but as of 2022, this is what works best for me.
See you all next week!