The other night, I introduced my classmates to the Victorian phenomenon of bicycle face. Before I revealed what bicycle face was, my classmates had a few guesses. Was it when you went over the handlebars and faceplant? Or was it getting chapped skin from the breeze blowing in your face? Actually, it is none of the above. Some doctors in an effort to keep women from riding bicycles began to tote the condition of bicycle face, which caused women to become flushed or pale, their faces strained from fatigue, jaws clenched, and eyes bugging. But why mention this odd phenomenon if it doesn’t seem to be anything but normal fatigue from physical activity? Continue reading “Bicycle Face”
On Being a Female Writer
The other day, I was required to read Virginia Woolf’s “Professions for Women” and A Room of One’s Own for my Women and Autonomy class. I’ve read them both several times over the course of my schooling, but after publishing, I think they resonated more. Both pieces discuss the issues and hindrances women have in the world, particularly the writing/publishing world, and despite the works being written about eighty years ago, I think a lot of the problems still persist.
Woolf discusses the prejudice women face when writing because the literary canon is male-dominated. The publishing world was established by men, for male works, and often the only way for women to enter that field is through subversion. In the 19th century, the Bronte sisters wrote as the Bell brothers in order to publish their works, and today, writers like J.K. Rowling use initials when publishing in fields that are “not for women,” like science fiction and high fantasy. If Rowling was writing romance, chick lit, or bodice-rippers, then she could have easily used Joanna Rowling, but because she was writing a story about a young boy in a magical setting, her publishers believed her book wouldn’t sell as well with a woman’s name on the front. Pfft, I mean, women don’t write fantasy well, right? She adopted the initials J.K., which relate back to her real name, but they also harken back to J.R.R. Tolkein, one of the fathers of the fantasy genre. When Rowling decided to branch out into crime novels, she switched pseudonyms to a outright male name. Why would she do that if her name is already famous and would draw crowds? Well, crime fiction is another genre where women are often kicked to the curb. Unless you’re someone like P.D. James (neutral pseudonym) or Sue Grafton (whose female detective hit me as a man masquerading as a woman), you will probably not be taken seriously. To break into this genre, Rowling and/or her publishers believed she had to be a man to do so.
Sadly, I have seen this in real life. At a book fair, we were rained out, so I was parked inside next to a huge table of female romance writers. As people walked past my table where I sat with my boyfriend (who came as a second set of hands and a coffee-runner), they asked about my little brown book… to my boyfriend. Quite a few people thought he was the author. I wondered why, especially when I was the one trying to engage customers. Did they think I was some lackluster Vanna White? My hypothesis is that my little brown steampunk novel is not what one would expect from a female writer. No stock photos of women in ballgowns or half-naked couples, which is what people seem to expect from female authors.
I recently read an article saying that in the New York Times’ book review section, books by men make up sixty-something percent of the reviews. Why would there be such a disparity? Men’s work couldn’t possibly be that much better than women’s writing, but the explanation may lie in what the New York Times deems worthy of review, literary fiction. The definition they are using of literary fiction is a novel that doesn’t fit any genre conventions (no wizards, no space travel, no steam-powered devices, and no straight up romance. Plot vs. character driven is irrelevant at this point). It seems men write genre fiction and women do not. This little tiff between lit and genre can be seen in Kazuo Ishiguro’s novel The Buried Giant and how he made the comment that it wasn’t fantasy and that his previous book wasn’t scifi when the book had elements of it. Ishiguro is automatically a literary fiction writer despite the fantastical elements in his work while a writer like Ursula Le Guin openly states her books are scifi.
Why is Le Guin okay with her books being “genre” fiction while Ishiguro isn’t? Because genre fiction is the niche women have carved for themselves over the last century. Even though men still dominate certain genres, women authors are more likely to be found in the genre categories of Amazon than men. Even though amazing authors like Le Guin, Rowling, and Rice write in this area, the canon and literati consider it lesser than “literary” fiction.
The same is emerging with self-publishing. More women are self-publishing than men. Why? Because they can subvert the traditional publishing industry, which has not been as open to them as it has been for men, and self-publishing is the niche where they can succeed. Strangely, Woolf self-published all those years ago. She had the right idea, and it’s lasted until today.