Writing

Patrons of the Arts

You may have noticed a new button on the right sidebar of my website that looks a bit like this:

patreon

I have decided (after much deliberation) to make a Patreon and actually use it. I made a Patreon account several months ago but didn’t do anything with it. Last week, I decided to bite the bullet and actually create the account.

“What is Patreon? And how does it work?” you may ask.

Patreon is a website that allows you to help crowd-fund authors and creators by becoming their patrons. Much like how the Medici family was the patron for numerous Renaissance artists,  you can be a patron for writers, artists, and creators you love. In return, you get exclusive content and perks for supporting them.

You find an artist whose work you enjoy and pick a tier of support. Each month, you give the artist that amount (like a small stipend), and in return, you get rewards. I decided to make reward tiers at $1, $5, $7, $10, and $20 per month. Each tier is Victorian themed.

  • Pennylicks- $1 per month. You receive Patreon exclusive blogs, recordings, and various other posts.
  • Gentlefolk- $5 per month. You will receive all of the above along with some delectable bits from my current projects, including snippets, sneak peeks, and blurbs ahead of everyone else.
  • Natural Philosophers- $7 per month. In addition to everything from the previous tiers, you will receive a short essay each month on a historical or scientific topic I have delved into during my current project. This can range from the plague to Victorian footwear. You never know what you’re going to get.
  • Well-to-do Relations- $10 per month. In addition to all previous rewards, you will receive MOBI (Kindle) or PDF versions of every short story, novella, and novel that I publish. The best part is that you will receive them a few weeks before their official release date.
  • The Gentry- $20 per month. Besides receiving all the previous rewards, you will also receive a signed paperback copy of every novel I publish. These will be sent as soon as I am able to gather copies, and I will open this to international shipping as well (as long as you can receive packages from the US).

I hope to be able to add more goodies down the line, but for now, I’m hoping to fund my writing enough to not have to take editing jobs or random side-gigs in order to make ends meet. Instead, I can focus on writing faster and publishing more often. Also, everyone who is a patron will receive a thank you at the end of my forthcoming works.

For most of us, writing is not our full-time job, and for some of us, writing is one job of many. Over time, art has become devalued and seen as something that should be given away (if you don’t believe me, check out Maggie Stiefvater’s post about her books and the effects of piracy). Artists and creators are now moving back to a system that puts a monetary value on their work, and I think that is incredibly important. The work of a creator should be just as important as a STEM career. You wouldn’t ask a scientist or businessman to work for free, so why should a writer or graphic artist?

I will still be posting occasional updates about my writing on my blog and social media, but I will be moving the majority of my previews and book extras to my Patreon. If you would like to contribute to funding my art, please join me on Patreon. Posts will be added regularly, and if I’m able to hit a substantial number, I will up my rewards and the amount of content I post there.

My future goals regarding Patreon are to a) write and publish more b) create a podcast/recordings c) write a Patreon exclusive serial story (to be published to the general public after my patrons have receive it in its entirety).

But to do those things, I need your support. If you would like to contribute and become a patron, click on the icon below. I look forward to seeing you there.

patreon

Writing

Why Buy Indie?

Department stores are to traditionally published authors as independent bookstores are to indie authors.

We are the small businesses of the writing world.  Unlike authors who have published through traditional means, we are often the editors, marketers, formatters, and creative directors of our work.  Our publishing house consists of one person.  This means every success and failure falls on our shoulders, but it also means so does every cost.  Our resources are our own, and especially in the beginning when we do not have many books or readers (remember book two always sells book one), most of our expenses come out of our pockets.  We pay for the cover artists, the editors, the box of books we lug to conferences and author events.  It can be a hard road, especially when we don’t tend to get shelf space at your local Barnes and Noble or Waterstones.  Just remember that for less than a cup of coffee at Starbucks, you are buying something someone worked on numerous hours to perfect. Continue reading “Why Buy Indie?”