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Book Review: Monstress

Monstress

Title: Monstress by Marjorie Liu and Sana Takeda

Genre: Fantasy/Graphic novel

Rating: 4.5 stars

TL;DR: Monstress was fantastic. A dark and gritty story offset by absolutely gorgeous artwork.


Monstress follows the story of Maika Halfwolf, a woman who is half-human and half-monster with powers lurking inside her beyond compare. For this, she is hunted mercilessly because to possess her is to possess a power that could rebuild or destroy the world.
At first glance, Monstress might appear to be a traditional anime/manga style human-monster hybrid, but it’s so much more complex than that. The world is rich with detail, and the asides at the end of each chapter help to fill-in the gaps that the authors couldn’t cram into the storyline, which frees them up to focus on the action, world-building, and characters.
We meet Maika, who is, to put it simply, very pissed. Her memory is spotty, everyone is trying to kill her, and there’s a monster inside her threatening to take over. I’d be pissed too, but Maika is more than the usual tsundere type. She’s strong physically, but what future books will focus on her emotional growth. To balance Maika’s blind rage, we have a bubbly, naively optimistic fox-child and a calculating cat who keeps them together.
What I love about Monstress involves more than just the main characters. I am in love with the world. There’s a richness to it, a complexity beyond the surface not often seen in graphic novels. This richness arises from the political and historical background that informs the actions of the characters in Monstress and carries through in the art style. Sana Takeda’s art is beautiful. It is a mixture of art nouveau, art deco, and Japanese mechanica all interwoven with a thread of the traditional manga aesthetic. After reading the book, I know I will go back and examine every picture for details I missed. There’s also an added layer of diversity in the story. I don’t think I’ve seen so many female characters in roles of power, and in this story, it works without seeming odd or forced. Witches and monstresses have been part of literature and mythology for centuries, and they are usually worse than their male counterparts. Monstress is no different. You’ll also find that characters are diverse in terms of ethnicity, species, and sexuality.
I can’t wait to read volume 2 when it comes out. If you like graphic novels that are not only beautiful but stuffed with action, then Monstress is for you.

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Book Review: Ninety-Nine Righteous Men

99 righteous men

Title: Ninety-Nine Righteous Men by K. M. Claude

Genre: Horror, graphic novel

Rating: ♥ ♥ ♥ ♥ +0.5

Tl;DR: Ninety-Nine Righteous Men perfectly blends the tragedy of unrequited love with Gothic horror into a beautifully illustrated graphic novel that can only be described as a Catholic’s nightmare.


You know a book is good when you dock half a star for not being long enough.

K. M. Claude’s graphic novel begins with two somewhat unlikely heroes, priests Daniel and Adam, who have a rather tumultuous and complicated past together, as they are drawn into the web of a demon possessing one of the parishioners. What transpires is a tale of tormented souls united by lust’s cruel embrace.

The art style for Ninety-Nine Righteous Men is gorgeous. It’s a style reminiscent of both Eastern and Western comics by utilizing a more Western anatomical style with a more manga-like action style. What Claude creates is some impressive juxtapositions with the rigid piousness of Catholic imagery alongside the pliant sensuality of the demon. At times, I’m hesitant to read graphic novels because I typically hate the style of traditional Western comics (mainly the gritty, rather sloppy style of super hero comics), but Claude’s art style is clean, precise, and deliciously detailed.

One of the things I greatly appreciated was the balance between sensuality, sexuality, and the quiet moments of action and dialogue. When I first began reading, I worried the entire graphic novel would be reminiscent of the game Catherine, but Claude deftly balances all aspects of the work until it comes to a head at the climax (puns intended).

As an ex-Catholic, I felt comfortable in the discomfort of Adam and Daniel’s wholly Catholic world. Often what disturbs them, disturbs me, and Claude highlights the rather gruesome aspects of Catholicism that tend to disturb small children with wandering eyes. While what’s discussed in the book might anger some more devout Catholics, we must all remember that priests are humans and should be treated as such. If you’re a fan of Anne Rice’s style of sensual Southern Gothic with Catholic guilt, you’ll probably enjoy Ninety-Nine Righteous Men.

My biggest complaint with the book is a good one. I wanted more. I didn’t want the book to end. I wanted more on Daniel and Adam’s backstories, their lives before the priesthood, their encounters together, and even Caleb’s life before the story takes place. While the characters are well fleshed-out, I think they could have been explored more.

Ninety-Nine Righteous Men is a unique tale of lust, love, and sacrifice through the lens of the Gothic, and I look forward to reading more by K. M. Claude in the future.

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