Writing

Now on Tiktok

This is less of a useful post and more of an announcement post. I have decided to actually use my Tiktok account and promote some of my author/writing stuff on it. You can find me at @authorkarajorgensen on Tiktok or you can click this link.

It won’t exclusively be a place to post promo as no one likes that, but I think it’ll be a useful place to post some musings, some silliness, craft projects that appear better in video than photos, and of course, writing updates. Basically, it’s a lot like Instagram, but the videos can be longer, which makes vlogging about writing so much easier. That and I discovered Capcut, which is an editing app where you can fix your videos up and make them tidier before uploading them to Tiktok. I may have also bought a cheap tripod because having an intermittent hand tremor does not making filming videos easy.

Ultimately, I have been enjoying making videos, like more than I anticipated. I’m also trying to get more comfortable with talking on camera as I am still not accustomed to seeing my face not covered in eczema. It’s weird and a hang-up of mine, but this is helping to sort of break that.

I’m certainly not going to be joining in on any dancing videos or stupid challenges as the kids do, but if you like queer stuff, historical stuff, weird stuff, or books, my account may be of interest to you.

Stay tuned because next week on the blog, I will be posting a longer excerpt from The Reanimator’s Soul. See you all next time!

Monthly Review

April 2023 Wrap-Up Post

Looking back at my goals for April, I feel like I was a tad unrealistic considering this is one of my busiest grading months. While I hit quite a few of these goals, others I totally fell short, but I will not feel bad about readjusting or rerouting my energy once chaos hit. Let’s take a look at what I thought would happen when I made my goals back in March before checking out what actually happened in April.

  • Writing (we’re feeling ambitious this month)
    • 23,000 words is the goal (770 words a day)
    • Because of this goal, everything else is sort of scant, which I’m fine with since this is also a heavy grading month
  • Read 8 books
  • Refill the well each week (aka do art, crafting, or game)
  • Blog weekly
  • Send a newsletter each month
  • Doctor’s appointment/taxes BOO
  • Start watching Sarra Cannon’s Publish and Thrive updated lessons

Books

My goal was to read 8 books, and I ended up reading 10.

  1. Ironiside (#3) by Holly Black- 4 stars, I thought this was a good wrap-up to the series. While this isn’t my favorite of her series, I enjoyed Roiben a lot and Cornelius as well.
  2. Rattling Bone (#2) by Jordan L. Hawk- 4 stars, my only hang-up with this book is that I felt like we got so little of the main characters together interacting. It felt plot first, characters second, which I don’t really enjoy as much compared to Hawk’s other books.
  3. The Return of the King (#3) by J. R. R. Tolkien- 4 stars, not going to lie, I got choked up in my car over Sam and Frodo. Sam’s love for Frodo is what kept me reading this series. We need more Samwise Gamgees in the world.
  4. A Thief in the Night (#2) by KJ Charles- 4 stars, this is sort of a concurrent story to another set in the same world, and I always love a semi-reformed thief who falls in with someone who doesn’t take their shit.
  5. The Secret Lives of Country Gentlemen (#1) by KJ Charles- 4 stars, if you liked Poldark but wished he was less gross and gay, this one is for you as we have smugglers, family drama, and a seemingly mismatched pair.
  6. A Rose by Any Name (#2.5) by KJ Charles- 4 stars, this is a short story that comes after Thief in the Night where the siblings reunite. I loved how unapologetically sweet it is.
  7. I Hear the Sunspot: Four Seasons by Yuki Fumino- 4 stars, I have lost count of what book this is in the series overall, but I love seeing these two get closer and figure out their relationship and lives. Plus the hard-of-hearing rep is well done.
  8. The Black Pages (#2) by Nnedi Okorafor- 3 stars, this story was pretty damn brutal. It felt like it cut off as soon as we figure out what might be going on, which is the point, but it is also unsatisfying as there won’t be a follow-up.
  9. The Invisible Man & His Soon-to-Be-Wife (#1) by Iwatobineko- 4 stars, this manga has visually impaired rep that is well researched, and I always love seeing disability mixed into fantasy worlds and with monsters and such. The Invisible Man love interest is sweet and dapper as well.
  10. Persephone (#2) by Lev Grossman- 4 stars, this also felt like the start of something larger, but it cuts off in a more satisfying place. I read this mostly to see if I’d like his other books and it was enjoyable, though a bit brutal for my tastes.

Admin/Behind-the-Scenes Stuff

  • Set up all my Q2 goals, kanban board, etc.
  • Did my 2022 taxes and set up quarterly taxes for this year, just in case, because I don’t want to pay the US government any more in penalty fees and interest than I have to
  • Went to the doctor to do my 6 month please refill my meds check (a giant time/money waster)
  • I found out there are copies of The Reanimator’s Heart for sale physically at the Meet Cute Bookshop and The Portal Bookshop, an LGBT bookstore in York, England, which is VERY cool (also at some B&Ns as well)
  • Two of my books were part of an Indie April sale
  • Graded so many papers… so, so many papers
  • Finished setting up the proof copy of the university literary magazine my class was working on, and we approved it
  • Did promo for the university’s literary magazine
  • Started using my Tiktok again and have been posting daily
  • Figured out how to use Capcut for said Tiktoks
  • Made a reverse outline for The Reanimator’s Soul so far
  • Ended up running my dog to the vet in a panic, but he’s okay. He has Lyme’s Disease, so he’s getting antibiotics and supplements and such, which took up a lot of mental real estate this month
  • Worked on my craft projects consistently in order to unwind and stay mentally balanced.

Blogs Posted


Writing

You may have noticed that I have forgone the weekly breakdown lately. I tend to do this when my writing has been feast or famine because seeing those tiny word counts certain weeks is disheartening and doesn’t really show all the other stuff I was doing, like giving a metric shit ton of feedback to my students. If only I could count my feedback as part of my monthly word count. By the end of the month, I wrote 11,500 words, which is way below my initial goal, but that goal was very unrealistic. I don’t know how I forgot that April is a horrible month for grading. April and November are when all the longer papers come in, and next year when making my goals, I really need to be mindful that, if I’m teaching freshman, I need to ease up on my word count goals. Either way though, I’m happy with those words, and I know where I’m going from this point on, which means that (hopefully) the next chunk I work on will come a lot smoother. Act I is always the hardest for me to write as it requires so much set up and micromanaging of future threads.


Hopes for May

  • Watch Sarra Cannon’s updated Publish and Thrive classes- at least 2-3 weeks
  • Read 8 books
  • Newsletter monthly/blog weekly
  • Keep messing around with Tiktok
  • Write 20,000-25,000 words for the month
  • Finish grading for the semester
  • Relax or do something fun, something to avoid an end of semester burnout/shutdown
Writing

What to Do When You Get Stuck

Getting stuck while writing is the worst. Nothing is more frustrating than those days where you actually want to write, you have time, you have energy, but the ideas or words won’t come no matter how hard you try. So what do you do?

Cry.

Sometimes… if you think it’s going to help, but truthfully, this advice isn’t that far off. Sometimes you have a mental block. There is an emotion or thought that is clogging the pipes, and until you get rid of it, there will be no way to go forward. If you do need a good cry, embrace it, or if you think that will tank your ability to write afterward, you might consider writing about it in a journal or spending ten minutes to just dump whatever is in your head. Another version of this is that you’re ruminating on something you’re worried about with your story. Whether it’s a plot hole you need to fill or imposter syndrome, freewriting for a few minutes can eliminate that block.

Backtrack.

One of the most common things for me when I get stuck is that I screwed up somewhere a few pages back, and somehow, my subconscious knows it but I don’t. Reread your story and see if you can figure out what went wrong. Sometimes it’s someone acting out of character, a missing beat/plot point, emotions that just aren’t ringing true, or an imbalance of action to introspection. Once you edit that bit and recalibrate, the words should start flowing again. Most commonly, this tends to be a character issue. We’ve written ourselves into a corner or in such a way that moving in the direction we want doesn’t make any sense. Using a reverse outline can help you avoid this sort of thing, though it does still happen.

Rest.

I can already hear my past self hissing at this suggestion, but sometimes it’s because you are fried and need a rest. Yes, I know you’re on deadline. Yes, I know you’re behind. Yes, I know you need to write like that song from Hamilton, but if the words aren’t flowing and you’re just getting more and more stressed, sometimes you need a mental timeout. Therefore, it is time to refill the well. Play some video games, go for a walk, watch a movie or favorite show, do some crafts (my personal favorite/go-to). Do something that recharges you and makes you feel more inspired without draining you.

Work on something else.

This has the biggest caveat because if you have shiny idea syndrome, you will never complete anything, but sometimes you started working on something too early or you have another story that is loudly knocking at your brain, making it difficult to focus on your main project. I had this happen with The Reanimator’s Soul. I had a Valentine’s Day short story that sprung fully formed in my head, so I told myself that I get a week to write that, and then I must go back to my main project. I did it, got it out of my system, and when I went back to my main project, things flowed more smoothly. You may want to give yourself a smaller amount of time to work on the other thing. Once you vent it out, you’ll probably have an easier time. If you worry you’re going to run with it and abandon your first project, then don’t do that.


Hopefully, these ideas will help you get unstuck and be able to work on your project. Above all, remember to be kind to yourself and don’t beat yourself up for needing to rest or having to go back and rework something.

Personal Life

Prioritizing My Dreams

I have quietly come to the decision that I want to work toward becoming a full-time writer or creative. I’ve been thinking about this for a long-time and have been prioritizing my goals over the past few quarters to reflect this. At first, I wasn’t sure if this was even a tenable goal since my author income was pretty low after I derailed my marketing and such during the great burnout of 2018-2019. After reorienting myself to market my backlist better and publishing The Reanimator’s Heart, I’ve seen my income increase. It’s nowhere near what anyone would consider full-time, but it’s beyond what I ever expected to make this past year.

What I would like to do is incrementally move toward this goal of being a full-time creative, and I am taking that first step. I’m only working at one university in the fall. I won’t rag on my past employer, but I find working at this particular university is more stress than its worth. The class sizes are very large, the parking is miserable, and they have a tendency to cut my class like two days before the semester starts, which means I get left in the lurch and unable to make up that income anyway. By only working at one university, I will have more room to focus on my writing while, typically, dealing with smaller class sizes and a more predictable schedule. This university is better for me as I know and am friends with most of the full-time faculty in my department, the vibe of the students is different, and generally, I leave work feeling good rather than frustrated. This is the school where I teach creative writing classes, so I feel like my skills are valued there.

The hope is that I can write more while only teaching at one school. For my writer friends, this part is obvious, but more writing means I can publish more books, which, hopefully, means an increase in author income. Right now, I have decent momentum going with The Reanimator’s Heart and its sequels. I’d like to continue that, but if I’m bogged down by 3-4 classes, I can’t do that.

I know there are some of you out there who are like, “Kara, are you out of your mind? You are willing to trade guaranteed income for hypothetical income.” Yes, I am, but working in academia is never truly guaranteed income. Sadly, this is something I’ve learned a lot over the past few years. Classes get cancelled last minute, you get ghosted by universities, or suddenly a school decides to swap class times and your commute is now 2 hours longer than it needs to be. This costs me gas money, tolls, and my time. The last one is really what has been bothering me. I waste so much time driving between multiple schools or dawdling between classes where the schedules don’t line up perfectly. And I don’t want to do it anymore.

I’m still keeping an eye on the scant academic job listings, but more and more being an indie author feels like a realistic option. I don’t need to make a million dollars. I just want to make enough to pay my bills and occasionally go out to eat or buy myself something nice. That bar feels doable, though I hate that I need to figure out quarterly taxes. On top of all of this, I’m neurodivergent, and I think working for myself, eventually, would be a good option for me. I’m self-disciplined, driven, and willing to work hard to become a full-time creative in the future. Something I would love to do now that I’m dabbling with art again is make planner stickers. I absolutely love using them, and I love drawing objects. The intersection of two of my passions would be a great thing to explore, and this is why I initially wrote in this post that I’d like to be a full-time creative. A writer who also draws and has a little sticker store would be something I would certainly be interested in pursuing.

For now, I’m definitely still working at the small university as long as they’ll have me, but ultimately, being an author is the star I’m steering toward.

Writing

Why My Books Aren’t in KU

Because someone on the internet will willfully misinterpret this, this isn’t bashing authors who use Kindle Unlimited, but with everything, it is a business decision. I’m writing this post because I feel bad for my friends who have gone all in on Amazon and feel like their world has been upended. It especially sucks because having been publishing since 2014, this has happened before.

Full disclosure: once upon a time, I had my books enrolled in Kindle Unlimited. I’ve been publishing since 2014, so I think my books were in KU from 2014 to 2018 or 2019 (I honestly cannot remember). There were times I made really good money off KU, like more money than I make now because I paired KU with a Bookbub ad and my profits/exposure exploded.

I still took my books out, and the reason being is that I have been through the KU song and dance before. This rollercoaster of profit and loss is nothing new to authors who have been around a while and why you don’t see many authors have been around a while on Kindle Unlimited. KU had a different payout system for a while, then they changed that, and our royalties tanked, then more people started indie publishing and enrolling in KU, and profits tanked again. Lather, rinse, repeat for different yet very similar reasons.

At some point, I got sick of it. I liked the perk of easily being able to run a sale, but ultimately, it wasn’t worth it. I had friends who told me they wanted to read my books, but they didn’t use a Kindle. Looking at other indie or hybrid authors I looked up to, I noticed most of them had their books at stores besides Amazon. That sort of solidified my decision to go wide with my books and pull them out of Kindle Unlimited. It makes me sad that a lot of the indies I knew back in 2014 have disappeared or don’t talk much about publishing because I think a lot of newer authors could have expected this to happen and been prepared for it.

I’m not going to lie, removing my books from KU was an ordeal, and I think they do that on purpose. My books had been published at different times, so I had to pull them out individually and wait until the next one was about to clock out of its 90 day KU cycle. I’m not going to lie, laziness almost got me there. I was frustrated and ready to just let them rot in KU, but eventually I got my shit together and removed all my books. They still remained on Amazon, but I looked into Draft2Digital, and it seemed easy enough to get my books on there.

To all the authors who were not around back in the day, you’re very lucky not to have to deal with Smashwords’s “meatgrinder,” which also stalled my publication process. Now though, it is so easy to post your work to D2D and use their formatting tools to make your ebook look attractive. I, then, took that file from D2D and uploaded it to Google Play in order to have even more reach. If you’ve never published your books wide before, there are tons of resources online, especially on Youtube that can walk you through the process of uploading your books onto other platforms.

At this point, besides fear of lost royalties, I can’t understand why anyone would stay in Kindle Unlimited. I understand that I am looking at this from someone who has watched KU for a long time and been burned before, but between the shittier payouts, people getting their accounts banned because some asshole put their books on pirating cites, and Amazon bots taking people out for no reason, it seems like a terrible decision to keep your eggs in one basket. For those who hang on hoping to ride out the storm, it may happen. KU is publishing chutes and ladders, but at some point, you may feel like you’re still not making money on KU and that money could be made elsewhere.

What I like about having my books on many platforms is that I get readers from all over the world (especially on Google Play, which seems to reach everywhere but China), I get to have my books in library systems, and readers who don’t use a Kindle, can still access my books. The worst part about going wide is that you do need to revamp your marketing a little bit and actually advertise that you’re wide now. You will probably have a few slow months until people realize your books are there, and there will always be platforms where your book does better than others. Series do really well on Google Play, but outside of Amazon, most of my books sell best on Apple Books.

I have to admit that I roll my eyes when people act like having their books on Kindle Unlimited is some moral good because they’re “accessible” and cheap. Having your books in library systems is less sexy than KU, but your book is equally accessible and even cheaper. It isn’t like KU is available in all countries (same with libraries, to be fair). Still, I like the fact that I can make my books as available as I possible can make them without relying solely on Amazon. At the end of the day, this is a business decision that I made for myself and my book. I don’t like leaving money on the table, and after almost ten years of being an indie author, you will see history repeat itself and watch others not heed the warnings from established authors because some hustle-master on Youtube or Tiktok said it was a great way to make money. With what’s going on, you need to ask yourself if it’s worth it to be at Amazon’s mercy. There are other options, but you need to do your due diligence and decide what’s right for you, but please, don’t think KU is the only way to make money because I can promise you that it isn’t.

Personal Life

I Want to be a Mushroom, Not a Bird

The one thing academia and business have in common is the belief that everyone wants to be a bird. They want upward mobility. They’re willing to go where the jobs are, even if the promiseland is filled with people who absolutely hate your guts.

But that’s where the jobs are.

“You can easily find a job in the Midwest,” they say, or “You should apply to universities down South! The South is much more liberal where the universities are.” Considering I drove past a bunch of Confederate flags on thirty minutes away from a conference at a college in Upstate New York, I somehow doubt that.

It’s the same thing we tell people who live in red states. “Just move!” like it’s so easy. Sure, if we hate our families, have plenty of desire and/or disposable income to visit, are free from disabilities or chronic illnesses, aren’t queer or trans, I’m sure it’s very easy to uproot ourselves and fly off to a job that could fire us at any moment and leave us stranded somewhere we never truly wanted to be.

Maybe I’m a cynic. I think in worse case scenarios because someone has to give those shiny-teethed, business-minded bastards a reality check. Some of us don’t want to fly. Some of us don’t want to go someplace far away where no one knows us and we don’t know if we’ll ever feel like we truly belong. The threat of violence is always in the back of my mind. What if there are people who hate queer people there and they’re vocal about it? What if someone finds out I’m nonbinary and fires me? What if I need medical attention and no one will give it to me because I’m still potentially a viable incubator even if my partner had a vasectomy years ago?

But the people who suggest uprooting our lives for a job never think about that.

The sad thing is, I don’t even want upward mobility. I don’t want to be the boss or make six figures. I have no desire to soar so high that I lose sight of the humanity of others or that my grossly oversized paycheck is a sign of other people being underpaid. Other people have to be on the lower levels of the pyramid for it to stand, and I don’t mind being down there. I want to work to live, not live to work. I want to put it my time and go home to play video games and hang out with my dogs.

I want to be a mushroom, not a bird.

Mushrooms are just the fruit of a fungus. The important part is what you don’t see. They can have miles upon miles of roots where they feast upon dead material, gather resources, and stay connected to each other.

I want to be where my roots run deep. My family has been in New Jersey since the 1800s, and I like it here. I like going on boats down the Navesink in the summer or seeing the NYC skyline on a clear night while driving home. It feels like a place that wants me to be there and wants me to thrive. I feel safe enough that I can mostly be myself. My healthcare is protected, and my partner and I can both get our medications easily enough. I grew up here, my family has lived here for two hundred years, and to continue to be a part of my local area to make it a better place is what I want. NJ is good in many ways, but there’s always room for improvement.

Moving somewhere for a job where I’m not invested in the area feels shallow. I care about the students who live here or have come from across the world to be here. I want to show them that we’re nice here, that we want them to succeed too. I want them to have all the good things I had when I went to these universities and the things I wish I had. They’re all part of that root system, those little hyphae and connections that help us all to thrive. If I left for supposedly greener pastures, I would be torn out of that ecosystem. It would heal itself, but would I be able to reconnect in this new place. Would I always be a weaker, more damaged version of myself in this new environment?

I don’t need people to know me or even have local friends to hang out with, I just need to feel safe and supported. Mushrooms can grow alone if they have all the things they need, but is trading those known supports for a paycheck worth it if you need those things to flourish?

Monthly Review

March 2023 Wrap-Up Post

I’d love to know why March felt like the longest and shortest month. Oddly, this month was busy, yet I spent a lot of the time resting and re-calibrating as I worked on The Reanimator’s Soul. It was sort of a weird month. Not good or bad, just a transitional month between projects and parts of the semester. Anywho, let’s see what my goals were and what I got up to during the month.

  • Read 8 books
  • Write The Reanimator’s Soul
    • Minimum goal 15k words
    • Real goal 20k words
    • Stretch goal 25k words
  • Enjoy spring break and actually relax (as opposed to using it to catch up)
  • Blog weekly
  • Send out my monthly newsletter
  • Do some digital art
  • Plan my goals for Q2

Books

My goal this month was to read 8 books, and I read 10.

  1. The River of Silver (#4) by S. A. Chakraborty- 4 stars, a great book of additional stories in a universe I was very sad to leave. Also, yay for some closure.
  2. The Two Towers (#2) by J. R. R. Tolkien- 4 stars, once again loving Andy Serkis being a one-man cast.
  3. Tithe (#1) by Holly Black- 3 stars, it was okay. I know this is one of her earlier books, and it definitely reads like my middle/high school experience. It was weird reading a book that takes place so close to where I live.
  4. Highly Suspicious and Unfairly Cute by Talia Hibbert- 4 stars, loved this one. The neurodivergent and mentally ill rep was great, as always with Hibbert’s books.
  5. The Ancient Magus’s Bride (#17) by Kore Yamazaki- 4 stars, we’re still mid-arc, but I am enjoying it and hoping the conclusion of this arc will be satisfying.
  6. The Magus of the Library (#6) by Mitsu Izumi- 4 stars, I love seeing a mystery deepen and characters come into their own. This is a complex yet low stress manga.
  7. A Black Women’s History of the United States (#5) by Daina Ramey Berry and Kali Nicole Gross- 5 stars, a great primer for further research.
  8. Circe by Madeline Miller- 4 stars, if Aragorn and Arwen in The Lord of the Rings was your jam but you wished there as extra baggage, this one is for you.
  9. She Loves to Cook & She Loves to Eat (#2) by Sakaomi Yuzaki- 5 stars, so sweet, so tender, so sapphic, and so much good food.
  10. Valiant (#2) by Holly Black- 4 stars, I’m not sure how this one ended up with more stars than book 1. The end sort of saved it for me because I really like Ravus and the whole Beauty and the Beast dynamic we had going.

Admin/Behind-the-Scenes Stuff

  • Finished the major compiling for the university literary magazine my class was working on (low key stressful since this was the first one since 2018)
  • Sent the university literary magazine to the printers
  • Wrote the preliminary blurb for The Reanimator’s Soul
  • Setup the preorder for The Reanimator’s Soul at all major retailers (except Google Play, which I will do soon)
  • Started doing crafts again, yay! I started working on a Halloween village plastic canvas kit from Herrschner’s, which I’m really enjoying doing since I haven’t done plastic canvas since high school. It’s very centering.
  • Made my quarter 2 goals and setup my Kanban board
  • Enjoyed spring break with only a bit of freaking out (my brain has been on fire all month)
  • Retail therapy for a case of the stressful sads, which means buying washi tape and planner stickers

Blogs Posted


Writing

If you saw my false starts blog post, you’ll know that I ended up basically rewriting the whole beginning of The Reanimator’s Soul. I’m not going to lie, I was very annoyed at first. I felt like I fell behind as soon as the month started, but ultimately, my writing word count goals take a backseat to story quality and starting over was necessary. I have to keep reminding myself of this when I internally freak out over being behind. Behind is better than words that are lukewarm and don’t make sense in the larger context of the work. It took me about a week to figure out what I needed to fix and how to make it better. In the end, I wrote 12,000 words this month, which I’m pretty happy with since all of these words make sense and have sent the story in the proper direction. I’m feeling much more confident at this point, so fingers crossed no major rewrites will be needed at the 25-33% mark.


Hopes for April

  • Writing (we’re feeling ambitious this month)
    • 23,000 words is the goal (770 words a day)
    • Because of this goal, everything else is sort of scant, which I’m fine with since this is also a heavy grading month
  • Read 8 books
  • Refill the well each week (aka do art, crafting, or game)
  • Blog weekly
  • Send a newsletter each month
  • Doctor’s appointment/taxes BOO
  • Start watching Sarra Cannon’s Publish and Thrive updated lessons
the reanimator's soul · Writing

The Reanimator’s Soul is Available for Preorder!

As the title says, I have officially put The Reanimator’s Soul, book 2 in the Reanimator Mysteries series, up for preorder at all major retailers! Right now, you can only preorder it in ebook form, but the paperback will be available closer to release day.

Speaking of release day, The Reanimator’s Soul comes out October 24th, right in time for an atmospheric Halloween read.

The cover reveal will be sometime during the summer, so stay tuned for that. In the meantime, check out the blurb below.

An awkward necromancer, his undead love, and the crime that might break them.

Felipe Galvan has been dead for five months, and whether he likes it or not, he’s changing. But with his daughter home from college and Oliver still adjusting to their new partnership, Felipe is more than willing to continue pretending everything is fine.

All Oliver Barlow wants is to be a good partner to Felipe. When they finally get a case after months of light duty, he thinks it will be the perfect opportunity to prove himself. That is until a mutilated corpse leads them to Oliver’s former lover and the Institute for the Betterment of the Soul–a clinic claiming they can cure people of their magic.

Between Oliver’s old wounds and Felipe’s secrets, they stand upon a knife’s edge. If either man falls, they risk losing not only their home but everyone they hold dear.

So what can you expect in The Reanimator’s Soul?

  • Teresa Galvan
  • The tether becoming a problem
  • A less than savory clinic
  • Oliver’s ex
  • And of course, a strange corpse
an aesthetic. it has a momento mori skull, a victorian man reading a book, a creepy Victorian house, "i am someone who did not die when I should have died," an antique map of New York, "there are times when I am convinced I am unfit for any human relationship," antique medical tools, victorina man in his shirtsleeves, an anatomical drawing of the brain

I’m greatly enjoying writing this book and hope you all will enjoy it. If you haven’t read book 1, The Reanimator’s Heart, yet, it’s available in ebook and paperback at all major retailers. Or if you did read it and want some more time with Agatha and Louisa or Felipe and Oliver, newsletter subscribers get Flowers and Flourishing, a sapphic novella, and “An Unexpected Valentine,” which takes place three weeks after The Reanimator’s Heart.

In future blog posts, I’ll talk more about The Reanimator’s Soul, so stay tuned! If you’re interested, you can add it on Goodreads or preorder it at your favorite retailer.

Writing

On False Starts

This is part of the process, this is part of the process, I remind myself every time I start a new book.

Without fail, I have a false start. I know why I have false starts; I just don’t like that I do. Typically, this happens because I am excited about the book and want to dive into it, but I haven’t actually gotten to the point where I know where I’m going or what the larger point is of something I mention early in the story. Or I have an idea of what I want to say and where I’m going, but I mess up what point of view it’s from. Usually, I realize this halfway through writing the scene when things feel off.

I am neither a pantser nor a plotter but some secret third thing. I like to think of my writing process as gardening. I start out with a basic idea of what I want to accomplish, what the end goal is, and sort of let things happen as they may while pruning and prodding the plot to make it cohesive. Plots and plants need shaping and scaffolding sometimes. While writing, I do have a very basic act by act outline where I plan the main points of the plot (or the key beats) and I also keep a stack of note cards with a bunch of scenes on them that I know I want to use in my story. Sometimes I pull them out to move stuff around or figure out where I need to go next.

The problem is that I need the beginning to be solid before I move on. I know there are plenty of writers on the internet who will be like, “No, you must move forward! You must keep going no matter how messy it is because progress is progress.” Yes, that’s great, but that doesn’t work for me. If the foundation isn’t solid and the beginning doesn’t feel at least somewhat tidy and logical, I can’t move forward. This means I spend a lot of time futzing with the opening chapters of my books until I hit about 10,000 words. From there, everything seems to flow better. I would much rather mess with the opening chapters and get the book on a decent foundation because everything flows from those opening scenes. They set the stage for everything else, so they need to make sense. I also do another editing session at the 25-33% mark for added cohesion.

The false starts have become a part of the process as I’ve grown as a writer, but I’m still coming to terms with “wasting words.” It’s hard for me to give in and say, “Okay, this isn’t working. Let’s restart.” My brain would like to push through and keep going, but sometimes rewriting a chapter is easier than fixing it piece by piece. That’s what happened with The Reanimator’s Soul. I got a chapter and a half in and was not happy with it. At first, I wasn’t 100% sure where things had gone wrong, so I put it aside to write “An Unexpected Valentine.” Sometimes a palate cleanser is necessary for clarity. Once I finished that short story and reread what I had written of The Reanimator’s Soul, the issues were glaringly obvious. The prologue needed beefing up, and the first chapter was in the wrong point of view. I went back and rewrote the prologue chunk by chunk and totally restarted chapter two. Between finishing “An Unexpected Valentine” and doing the rewrites, I had also worked a bit more on my outline and note cards, so things were clearer.

The question I had for myself was, “Would I have figured this out if I had just waited a week or two to start The Reanimator’s Soul instead of diving in headfirst and making a mess?” and the best answer I can give is no.

For me, those false starts are part of the process. They help me tidy up the ideas I have and sort of troubleshoot things that don’t work in a way I probably wouldn’t have figured out through thinking or outlining alone. Some things sound great on paper but just don’t work in the actual story. Other times, you think you could do A or B, so you just pick one and pick the wrong one. Oops. So far, false starts have happened for the past four books I’ve written, and I’ve probably done the same for more, but I just don’t remember them.

At some point, you have to figure out where optimization ends and the process begins. You can’t eliminate all the mess in the writing process, so sometimes we have to acknowledge that we need to write through a little chaos to find the gold that comes after. Knowing this also helps you better estimate how long certain parts of the process will take. For me, I always know act one will always take twice as long as any other part of the writing process, and I can live with that.

Personal Life

My Blind Dog

This post was inspired by a Twitter post about ableism in veterinary medicine and how people treat disabled animals, so CWs for discussions of ableism, medical treatments of a pet, eyeballs.

picture of a black dog with a grey muzzle. His tongue is out and his eyes are a little asymmetrical as the right one is cloudy and a little smaller than the left eye

For a little background, my dog Finn developed uveitis sometime between 2019 and 2020. Uveitis is inflammation of the interior chambers of the eye, and for most pets who develop it, there’s no known cause. At first we thought maybe he had allergies because his eye looked red. Then, we realized his eye was bulging, so we took him to our vet, who sent us to a veterinary ophthalmologist. He got drops, but they weren’t enough and the uveitis progressed into secondary glaucoma, which is basically high internal pressure inside the eyeball due to the eye not draining properly. Glaucoma can be very painful, and the vet gave us the option of removing Finn’s eye or trying to get it under control with drops. Finn is pretty old. He’s a rescue, so we aren’t really sure how old he is. He’s probably older than Edgar, who is now twelve, and we were hesitant for him to be under anesthesia if we could help it. I decided I would try the eye drop routine, and if it didn’t work, then we would discuss removing his affected eye. This kicked off the several month journey of sixteen eye drops a day. The only good thing about this was it happened during Covid, so I was home and able to give him drop four times a day and have them be fairly evenly spaced.

It was a lot of work. I understand why some people would have opted for the eye removal from the start, and I don’t begrudge them for that. I was lucky in that Finn is very cooperative about getting his eye drops (apart from flopping back to sleep mid drop), I was willing to shell out the money for all the drops and vet trips, and my job is such that I could do his eye drops on a regular basis. After many months and many not cheap trips to the ophthalmologist, Finn’s glaucoma went into remission and his uveitis is stable. He only gets steroid drops twice a day and we no longer need to visit the vet unless something changes (knock on wood it doesn’t).

What weirded me out the most during all of these vet trips is that during one of the final trips before the vet said we didn’t have to come back, he emphatically pointed out that Finn’s eye would never be normal. My partner and I were like, “Yes?? Okay.” An eyeball that’s been swollen with fluid to the point of losing some of its traditional structure isn’t going to magically fix itself. The vet repeated that his eye would never look normal and reminded us he would always be blind. The vet obviously doesn’t know that I have a degree in biology, so we just nodded along looking confused as to why this needed to be stressed to us.

In the car on the way home, my partner and I started talking about how weird it was. How many people were thoroughly convinced their dog’s eye would magically return to normal or that their sight would return after internal damage was done? How many people were mad that their dog’s eye was no longer perfect? Frankly, neither of us could care less what Finn’s eye looks like as long as it isn’t causing him pain. He’s totally blind in his right eye, and it looks a little recessed in the socket and cloudy as if he has cataracts. But he isn’t in pain, he’s happy, and he’s a (knock on wood) healthy senior dog, albeit toothless. I imagined our vet getting angry calls from pet owners who were now “stuck” with disabled or non-aesthetically pleasing pets due to various eye ailments. Looking at my sweet boy, I cannot imagine being mad or loving him less because his eye is a little messed up. It’s part of him, it adds character. As someone who has been an “unsightly” chronically ill person, it strikes a cord with me that people even think this way about their pets. So much so that people will actually get prosthetic eyes put into their dog’s sockets after an eye removal. Your dog doesn’t care it’s missing an eye. The other dogs don’t care. The only one who is upset is the owner, and that feels like something one should spend some time examining.

On top of all this, Finn is blind. His right eye is completely blind and his left eye has limited vision. We are fairly certain he can see about 2-3 feet in front of him, and he sees better when the sun is of middling brightness or not at a direct angle into his eye. Too bright or too dark and he can’t see well. Because of this, he bumps into stuff. He bounces off of things outside, he overshoots the patio and gets lost, he sits on his siblings, much to Katie’s dismay. To us, it isn’t a big deal. We always go out in the yard with the dogs, so someone always keeps an eye on Finn to make sure he doesn’t get hurt. We carry him down the deck stairs and follow him up them to make sure he doesn’t fall. Every accommodation we make for Finn to keep him safe is minimal effort on our parts. The scariest thing is going down the stairs with him when it’s icy because we’re always afraid of potentially falling and hurting him, so we go down on our butts with him in our lap. Once again, not a big deal.

It’s upsetting for me to think of how many people would think any of the minor accommodations we make for Finn are a burden or too much to deal with. He’s my dog, and when we got him, there was the implicit understanding that I would do everything in my power to keep him safe, happy, and healthy for as long as I could. Pets end up in the dubious category of living being and property, which I think is what leads to this weird brand of ableism with owners being upset that their pet is “defective” or not aesthetically pleasing. If my pet isn’t picture perfect, people will assume I’m a bad owner or that I don’t take care of them or that I bought a dog that was “defective.” I friggin hate the word defective. My dog has a medical condition. He isn’t defective because he’s blind in one eye, his eye isn’t a source of embarrassment or shame, and his smooshy little face has been and always will be Instagram worthy. Your disabled pet doesn’t have a design flaw and should never have the same language applied to them that you would a broken TV or ripped pair of pants.

In the back of my head, I always wonder what people who say these things about their pets would say about other people to their faces or behind their backs. If you call a creature who loves you unconditionally defective because they’re disabled, what do you say about disabled people or how would you treat people you know if they suddenly became disabled? The worst part is knowing that vets also perpetuate this language and attitude. I don’t think my vet brought it up for any reason other than to temper our expectations, but in the post I mentioned at the very beginning of the blog, this person’s vet said cruel things about their disabled cat and treated the non-disabled cat better. Vets and pet owners need to do better. The chronically ill and disabled people in your life hear what you say when you don’t think there’s anyone around to get offended, but not all issues are visible and we hear you.